Nov 282023
 

Lisa McCarthy “Joy Ride”, 2023, mixed media on paper (left) and Georgia Vahue, “Peacock”, 2023, mixed media

(clockwise from upper left) Georgia Vahue “Isn’t it Romantic”, 2022-3 mixed media; Lisa McCarthy “Awkward Attachment”, 2023, mixed media on canvas; Georgia Vahue “Time to Finish My Hand”, 2023, mixed media; Lisa McCarthy “Shot Gun”, 2023, mixed media on paper

Lisa McCarthy “All the books I bought and never read”, 2023, mixed media on paper (left) and Georgia Vahue “Turquoise”, 2023, mixed media and “Las Vegas”, 2023, mixed media

Clockwise from left- Georgia Vahue’s mixed media works- “Felicitations” 2023, “Travel Log”, 2023 and “Robert Browning”, 2023

Currently on view at HCCFL’s Gallery 221, located on their Dale Mabry campus, is Leftovers- assemblages by Georgia Vahue and mixed media paintings by Lisa McCarthy.

From the artists about the exhibition-

Things that are “left over” in our lives speak to our priorities. Regardless of their composition, the fact that something remains after a time can elicit strong reactions of nostalgia or urgency. Whether they are collectibles, old books, identities, leftover meals, or simple mementos, these things can be prized just as easily as they can be neglected. Even though tastes and perceptions change over time, we find ourselves drawn to the past for novelties and material to create with something new.

Leftovers are a loaded source, full of possibility and untapped potential. Their hold on us can remain for one second, a minute, an hour, day, or century. As leftover items sit, hide, or are abandoned for whatever reason, they mature into something else. In the context of art, the act of examining these elements closer, again and again, makes the artist aware of qualities one did not see or appreciate beforehand. Only with this careful attention can we help these leftovers transition into the future.

Although very different in medium, the works play off each other well, creating interesting conversations between the pieces. McCarthy has even created drawings on the pedestals based on objects and elements from Vahue’s work.

The closing reception for the exhibition on Thursday (11/30/23) will include an artist talk beginning at 6pm.

Below are additional paintings by McCarthy including the incredibly detailed wall length mural.

Lisa McCarthy “Enter Here”, 2022, mixed media on mylar

Lisa McCarthy “Enter Here”, 2022, mixed media on mylar (detail)

Lisa McCarthy, “Bon Marché”, 2023, mixed media on paper

Lisa McCarthy “Passers by the window”, 2023, oil and acrylic on canvas

Mar 222014
 
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Luke Gilford / Zackary Drucker

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Flawless Sabrina in Zackary Drucker’s film

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Tim Hawkinson

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Robert Therrien

There are twenty eight artists in the group show Unsparing Quality, curated by Farrah Karapetian, currently at Diane Rosenstein Fine Art. The title is derived from André Breton’s First Manifesto of Surrealism- “Beloved imagination, what I like most in you is your unsparing quality.”

From the press release:

The exhibition poses the question: where do Surrealist impulses manifest in contemporary practice, and why are we seeing this now? The response involves three generations of artists who engage the legacy of Surrealist practice and offer work that investigates the subtle madness of the ordinary world.

The idea of self plays an important role in the collaborative portraits by Zackary Drucker and Luke Gilford titled, This Is What It Looks Like (To Go From One Thing To Everything) pictured above (image via Luke Gilford). In Zackary Drucker’s film with Flawless SabrinaAt least you know: you exist (2010-11) the older and younger artist interact to give a sense of continuation in the exploration of identity.

In Tim Hawkinson’s Samoa (2013), the artist made a bronze cast of his body for the sculpture with chains linking his hands to his tongue. The joints of the chain extending from his mouth are made from casts of the artist’s tongue and lips, while the ones originating from his hands are from casts of his thumb and index finger.  The sculpture poses questions about the nature of being an artist and its limitations with a surrealist approach.

Surrealism’s influence can also be seen in Robert Therrien’s beard sculptures. The larger size (pictured above) and a “beard cart” with varying sizes, some of which very small, offer a chance to question the idea of this prop and its potential uses.

The exhibition also includes work going as far back as the early 1920’s to demonstrate the ways in which artists have been exploring and continue to explore the “unsparing quality” of imagination.

On March 22 at 4pm, Zackary Drucker, Luke Gilford, Ray Barrett, Masood Kamandy, Mie Hørlyck Mogenson, Max Rain and Kim Schoen will be part of a panel discussion at the gallery.

You can watch an excerpt of Zackary Drucker’s film here- http://vimeo.com/39088646

Here is a link to Tim Hawkinson talking about his work for a show at Pace Gallery which included Samoa. He explains that the name for this sculpture came in part from the Girl Scout cookies his daughter was selling at the time.

http://blog.art21.org/2014/01/10/tim-hawkinson-keeps-art-in-the-family/#.Uy3LGF5fnU4

Nov 072013
 
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Marnie Weber

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Mark Handforth

Halloween may be over but you can keep the spirit alive by checking out this terrifying (if you are scared of clowns) section of the show Room to Live currently at MOCA Grand Avenue. The show features works from MOCA’s permanent collection with an emphasis on recent acquisitions, including a room of photos by Nan Goldin and the second work pictured above- Desert Sun by Mark Handforth.

MOCA is free tonight (Thursday) and Marnie Weber is discussing her work. RSVP here- http://sites.moca.org/thecurve/5424-2/

Want to prepare yourself for the room of clowns- here’s a video of it-

http://www.youtube.com/watch?v=5bgftAZJS1Q&list=PLLdkjkOBv9VRdoZaHlZYFTWTLUGkWooQR&index=1

Don’t forget to look behind the clown who has lost its dog.

Nov 062013
 

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John Divola- Seven Songbirds and a Rabbit

John Divola is speaking at LACMA tonight @7pm. Tickets are free, but required-  http://www.lacma.org/event/john-divola

His current exhibition at LACMA, John Divola: As Far As I Could Get, references a series of photos Divola made by attaching his camera to a tripod, setting a timer and running straight into the frame.

The photo above is also from the show. It is part of a series taken from stereographic negatives that he accessed from the California Museum of Photography. From these negatives, he isolates certain wildlife details.

Santa Barbara Museum of Art and Pomona College Museum of Art are also participating in this exhibition.