Jan 202023
 

Artist Alex Katz created this mural, Bill 2, a portrait of modern dancer and choreographer Bill T. Jones, in 2019 for Murals of La Jolla in San Diego. Murals of La Jolla is a project started in 2010 by The Athenaeum and the La Jolla Community Foundation. It commissions artists to create work to be displayed on buildings around La Jolla. A map of all the murals currently on view can be found here.

From the Murals of La Jolla website about the work-

Alex Katz’s mural, Bill 2, celebrates Bill T. Jones, one of the most noted and recognized modern-dance choreographers of our time. Executed in Katz’s bold and simplified signature style, Bill 2 depicts Jones’ visage, through a series of distinct expressions. The repetition of his face has a cinematic and lyrical quality, reinforcing his place in the world of dance, music and film. Portions of the face are dramatically cropped, giving the viewer only quick and gestural glimpses of Jones. Bill 2, is a striking homage to two artists, Katz and Jones, both renowned in their respective fields of visual and performing arts. The mural’s proximity to the new Conrad Prebys Performing Arts Center gives a nod to the interconnected worlds of art, music, and dance.

The Guggenheim museum in NYC is currently showing Alex Katz: Gathering, a retrospective of the artist’s work from the late 1940’s until the present. The exhibition will be up until February 20, 2023.

From their website about the exhibition-

Emerging as an artist in the mid-20th century, Katz forged a mode of figurative painting that fused the energy of Abstract Expressionist canvases with the American vernaculars of the magazine, billboard, and movie screen. Throughout his practice, he has turned to his surroundings in downtown New York City and coastal Maine as his primary subject matter, documenting an evolving community of poets, artists, critics, dancers, and filmmakers who have animated the cultural avant-garde from the postwar period to the present.

Staged in the city where Katz has lived and worked his entire life, and prepared with the close collaboration of the artist, this retrospective will fill the museum’s Frank Lloyd Wright rotunda. Encompassing paintings, oil sketches, collages, drawings, prints, and freestanding “cutout” works, the exhibition will begin with the artist’s intimate sketches of riders on the New York City subway from the late 1940s and will culminate in the rapturous, immersive landscapes that have dominated his output in recent years.

Bill T. Jones/Arnie Zane Company has numerous performances every year. Conceived and directed by Bill T. Jones, and choreographed by Jones with Janet Wong and the Bill T. Jones/Arnie Zane Company, the latest work, Curriculum II, will be performed at on March 10, 11, and 12, at the Institute of Contemporary Art Boston.

Jones also hosts the series Bill Chats at NYC’s The New School. On January 30th, he will be in conversation with Bessie Award-winning theater director and performance artist, Niegel Smith and curator, producer, and director, Kamilah Forbes. For more events check out the New York Live Arts calendar.

 

 

May 052018
 

Will Ferrell and Joel McHale visit the Hammer Museum

What makes an object art? Does an object only have importance with a narrative attached to it? Conceptual art can be challenging. Walking around the exhibition Stories of Almost Everyone, at the Hammer Museum, it’s hard not to share a bit of the sentiment in the above video. There are so many questions to ask. What am I looking at? Is it art? Why? Does the stack of mail being added to every day feel like art (Mungo Thomson’s contribution)? What about the empty postcard rack (Ceal Floyer’s Wish You Were Here)? Does it gain more meaning when you read about why it’s there? These questions are subjective, of course, but some of the works included resonate more than others. Danh Vo (who currently has an exhibition at the Guggenheim Museum) contributes a lit up globe once owned by Robert McNamara, US Secretary of Defense during the Vietnam War. The object itself is beautiful but is given additional meaning when looked at through the eyes of the Vietnamese artist.  Other objects are manipulated, like Fayçal Baghriche’s The clock, which has been sped up to give the illusion of altering time.

In addition to the wall texts, author Kanishk Tharoor contributed a short story that can be listened to on an audio guide or read. As you listen to (or read) the story, the objects now take on a different meaning with their inclusion within the fictional narrative. Does this change your perception of the works? Does it make them resonate more with you? All of this depends, ultimately, on the individual. You’ll have to head to the Hammer to decide for yourself.

This exhibition closes 5/6/18.