For their current exhibition, Petzel Gallery decided to focus on the issues raised by the recent election by having a group show related to that theme. In addition they are encouraging visitors to “write down their reactions, thoughts, anxieties, hopes for the future.” There is a lot of great work in the show by a long list of artists that includes Barbara Kruger, Robert Longo, Glenn Ligon, Jenny Holzer, Charles Gaines and Sam Durant. Although it can be exhausting these days to follow politics, it is encouraging to see creative expression thriving in the midst of the chaos.
There are many excellent art shows closing this week in Chelsea. The following are a few of them:
For Paulina Olowska’s Wisteria, Mysteria, Hysteria, her painting series at Metro Pictures, she conceived and executed the work in the Polish village Rabka-Zdrój, where she lives.
From the press release-
The paintings incorporate arcane references and nuanced details from sources that allude to the pastoral. Olowska combines portraits of women from gardening magazines with elements from Slavic mythology and folklore, as well as techniques from Les Nabis, artists who left Paris in the 1890s in favor of the countryside….
Olowska’s atmospheric paintings evoke the forgotten history of Rabka-Zdrój’s past grandeur as a 19th century spa town. In the triptych “Wisteria,” an elegant young woman in a red dress and hat leans, arms outstretched, against a wooden fence as flowers from the tree that gives the work its title fall from above. To her right in the painting stands Villa Kadenowka, a 1930s mansion that Olowska has transformed into a center for artist events. To the woman’s left is the abandoned Modernist addition to Kadenowka. In “Hysteria,” a mother, baby in arm, stands outside a dilapidated house with a spray-painted for-sale sign. In “Mysteria,” a woman wearing an elaborate cape proudly rides on horseback through the woods. Olowska establishes a narrative between these two works; in one scene a woman chooses to leave the trappings of conventional domesticity, while in the next another embodies ideas of mobility and freedom.
At Lennon Wineberg, Inc., are Carl Palazzolo’s The Hours, and Maine Notes, his small (8inches x 8 inches) canvas paintings that vary in subject and composition, but encompass his central themes of memory and the passage of time.
Troy Brauntuch’s large scale paintings at Petzel gallery become clearer the longer you look at them, and vary in content from images of sculptures, to ball gowns, to the gloves from the O.J. Simpson trial.