Apr 282018
 

After Ingres, 2014

Blind Venus (for G),2018

Currently at Walter Maciel Gallery is Katherine Sherwood’s solo exhibition, The Interior of the Yelling Clinic.  The title, according to the press release, takes its name from an organized group of six artists, including Sherwood, “who have an interest in the intersections between war and disability. The Yelling Clinic was created to mix artistic practice with community outreach, art instruction and activism.”

Sherwood’s paintings are influenced by famous European works but also include evidence of physical disabilities (like the cane in Blind Venus, pictured above) and her own brain scans. After a cerebral hemorrhage at 44, the artist lost the use of her right arm and hand and was forced to learn to paint with her left. The nudes mix the personal with the traditional while also challenging notions of beauty and the idealized female form. Adding another dimension to the paintings, they are created on the backs of old art history painting reproductions that she saved from being thrown away by the UC Berkeley Art Department where she taught. The gallery has hung one of her flower paintings (pictured below) from the ceiling so that you can see an example of what is on the other side of the work.

This exhibition closes 4/28/18.

Mar 042017
 

                                                                         (above work by Sandra Low, Steve Seleska, and Amy Kaps)

Currently at Walter Maciel Gallery is With Liberty and Justice for Some, for which the gallery invited artists from across the country to do 8×8 inch portraits of individuals who came to the United States as immigrants- including historic subjects, personal friends, relatives, strangers, and sometimes self portraits. The gallery is also donating a portion of each sale to various non-profit groups including ACLU, Planned Parenthood, The Trevor Project, Center for Reproductive Rights, and the LA and SF LGBT Centers. Also showing at the gallery is I.D. Please!, with works by artists Hung Liu, John Bankston, Lezley Saar, John Jurayi, Maria E. Piñeres, Nike Schröder, Dana Weiser and Monica Lundy, who have all developed studio practices based around notions of identity.

This exhibition closes 3/4/17.

Also closing this weekend in Culver City-

Egan Frantz’s The Oat Paintings at Roberts & Tilton

(image via Roberts & Tilton)

And at Kopeikin Gallery are Ardeshir Tabrizi’s Observations in Linear Time (palm tree), and Jason Engelund’s Meta-Landscapes and Visual Ambient Drones (blue).

(images via Kopeikin)

Oct 312015
 

robbputnamwaltermacielgallery

Here are a few good art shows closing on 10/31/15 in Culver City worth checking out:

Robb Putnam’s impressive animal sculptures (above image) are at Walter Maciel Gallery for the exhibition Loiterers.

From the press release-

Putnam continues to create whimsical sculptures made out of fabrics, detritus and a plethora of disregarded items that explore memory and recollections of childhood storybook characters and imaginary friends.  His animal subjects take on the moods and emotions of the human experience with specific gesturing of posture and bodily expression.  Using this thoughtful process and personal reflection to execute the work, Putnam himself becomes a loiterer delving into his youth with his learned emotional maturity perhaps mimicking his own apprehension as a young boy circling the sidelines of the playground where he felt unwelcome. The work in Loiterers sparks ideas of what gives a living being or object its status and value while questioning the many notions of human empathy.

Michael_Waugh_2015_Boom_and_Bust
michaelwaughboomandbustcloseupvonlintelgallery

Michael Waugh’s drawings at Von Lintel Gallery are even more incredible up close when you see they are created from tiny handwritten text. (images via their website)

From the gallery website-

Waugh transcribes texts—such as government commissions and theoretical books about power and capitalism—into portraits and landscapes.  To Waugh, the selection of texts and images and the relationship between the two are the conceptual heart of the work.  “These are worlds made of words that draw upon a historical quest for knowledge and for political progress—a quest often at odds with social reality,” he explains. Waugh also explores these themes through mixed-media installations, performances, and videos, as in “The Wealth of Nations” project (2009-) for which he has staged (and documented) public readings from Adam Smith’s seminal economic text.

joelottersonmaloneyfineart

Joel Otterson’s Needleworks at Maloney Fine Art -“explores two new bodies of work; two-dimensional beaded “paintings” and three-dimensional hand-blown glass “flesh cups” which serve as a homage to the diversity, dexterity and tradition of sewing, stitching and embroidery.”

Dec 212013
 

frankryanlight

Frank Ryan- “Figure in a Tunnel” from Liminal View at Walter Maciel Gallery

From the press release:

In Liminal View, Ryan draws inspiration from a broader scope of the greater Los Angeles landscape accumulating an eclectic grouping of diaristic observations through the use of drawing, digital still and video images that serve as source material for his paintings. Ryan minimizes the expression of banality by laying the groundwork for an experience of the uncanny. In these moments, familiar subjects are perceived as foreign in the same way that a word will suddenly sound strange. Ryan explores how this inversion allows access to an existence beyond the visible order.

Really interesting paintings by this Los Angeles based artist, including two of the Second Street tunnel. The show is up until 12/21.