Tierra Whack- Unemployed
Things to do in Los Angeles this weekend (11/14-11/17-19)-
Ronald Rael, the Chair of the Department of Architecture at UC Berkeley, will engage in a presentation and discussion about art making at the US_Mexico border with W|ALLS featured photographer, designer, craftsperson, and founder of Art Made Between Opposite Sides (AMBOS) Tanya Aguiñiga at Annenberg Space for Photography. (free but register)
Artist Vishal Jugdeo will be discussing his work at The Hammer
Maxo Kream is performing at the Echoplex with Q Da Fool and Slayter
The KVB, Numb.er, and Houses of Heaven are playing at The Echo
Filmforum at MOCA (Grand Avenue location) is showing All That You Can’t Leave Behind, a program of films both personal and political featuring new works by Essi, Ja’Tovia Gary, Darol Olu Kae, Rhea Storr, Sara Suarez, and ariella tai. Filmmakers Suarez and Kae will be in-person to discuss their work.
Polo & Pan are performing at The Novo
Twin Peaks, Post Animal, and Ohmme are playing at the Teragram Ballroom
Constitutional Happy Hour returns to The Hammer with Loyola Law School professor Jessica Levinson discusses impeachment—Article II. (free)
Metro Art is having a free screening of Richard Linklater’s animated film Waking Life
Frankie Cosmos is playing at 1720 with Stephen Steinbrink, Dear Nora, and Lomelda
James Supercave is playing at Civic Center Studios with “surreal dance act” CAPYAC
Hovvdy are playing at Moroccan Lounge with Nick Dorian and Carolyn Says
Friday and Saturday
Adult Swim Festival 2019 is taking place at Banc of America Stadium in DTLA. On Friday performers include Dethklok, Captain Murphy, Leikeli47, Health, and more. On Saturday Vince Staples, Jamie XX, 2 Chainz, Tierra Whack, clipping., Freddie Gibbs & Madlib, and more will perform, along with a live version of The Eric Andre Show. There will also be screenings, games and attractions, and more.
Spaceland and Other Music are hosting The Get Together 2019 Label Fair and Music Festival at The Geffen Contemporary at MOCA. On Friday Joe Kay, Marco McKennis, and Full Crate are performing. On Saturday is the Record Label Fair and performances by Anna Wise, William Basinski, and more. In the evening, Lee Fields will be perform backed by El Michels Affair, as well as Bobby Oroza, Brainstory and Holy Hive.
Artists Gilbert & George will be in conversation with critic Jonathan Griffin at Sprüth Magers (free but RSVP)
GRMLN are playing at The Smell with Foliage
Jidenna is performing at the Belasco Theater
Artists Constance Mallinson and Jeffrey Vallance will be discussing collecting, curating and making art at Edward Cella Art & Architiecture
For the 7th year, Gabba Gallery is having its affordable art show Wishlist and tonight is the opening
Jonathan Bree is playing at Lodge Room with Ryder the Eagle and Nico Turner
Mating Ritual are playing at the Teragram Ballroom with Superet and Low Hum
Saturday and Sunday
Bridge-s, is a performance series at The Getty curated by Solange Knowles and features a new performance by Gerard & Kelly, with a special musical score by Solange featuring Cooper-Moore, brought to life by a group of dancers and musicians across Getty’s iconic architecture. The performance piece takes place all day around the center and also includes film screenings and an artist talk with British-Ghanaian philosopher Kodwo Eshun.(free)
Jackalope Indie Artisan Fair returns for two days to Pasadena’s Central Park
From 12:30- 2:20pm LACMA is offering a free taste of the Japanese Nebuta Festival with a large paper lantern float depicting Japanese folk hero Kintoki by Nebuta Master Hiroo Takenami on display and a series of short performances by taiko drummers, flute and hand cymbal players, and dancers taking place in front of the float.
LAXART is hosting a performance of the in progress, debut play Lives of the Performers, by critic and writer Hilton Als. Free, first come first served. (also on Monday)
The Annual Tree Lighting celebration with performances and fireworks is happening at The Grove
Ghostland Observatory are playing at The Regent Theater with MUNYA
The Ocean Blue are playing at the Echoplex
Things to do in Los Angeles this weekend (11/7-11/10/19)-
Photographer, artist, and director Frank Ockenfels 3 will be giving a talk at ArtCenter’s Hillside Campus in Pasadena
REDCAT is screening a program of the works of artist Nao Bustamante- Nao Bustamante is DELUSIONAL
Skegss are playing at the El Rey Theatre with Le Shiv
Matt Lipps and Catherine Opie will be in conversation at Euclid at HGA in Santa Monica
Justus Proffit is playing at The Satellite with Behavior and Lovesick
The Echoplex is hosting An Evening With Robert Forster (of The Go-Betweens)
Beach Goons are opening for Matt and Kim at The Novo
Hayden Thorpe (formerly of Wild Beasts) is performing at The Masonic Lodge at Hollywood Forever
It’s the last weekend (closing 11/11) to see Christian Marclay’s fun interactive exhibition Sound Stories and Mary Corse’s A Survey in Light and tonight there is also free jazz with a performance by Al Williams Jazz Society (LACMA is free for residents with ID starting at 3pm weekdays and is open Fridays until 8pm)
The Hollywood Bowl is hosting a screening of Disney’s Coco with a live orchestra accompanying the film (also on Saturday)
San Fermin are playing at Lodge Room with Joyero
YACHT are playing their new album Chain Tripping in its entirety, followed by other favorites at Zebulon
Worn-Tin is performing at the Echoplex with Yung Heazy
Keystone Art Space is having an open studios event from 6-9pm
Girl Gang Craft is having a holiday market at Grand Central Market (free and also on Sunday)
Arroyo Arts Collective and Avenue 50 Studio are hosting a holiday art market in conjunction with NELA’s Second Saturday Art Walk
DROELOE are performing at The Novo with MEMBA and Eastghost
Instrumental rock groups MONO and The Album Leaf will be performing at the Regent Theater
L.A. Drones! and CHUD are playing a free show at Gold Diggers
Saturday and Sunday
Tyler, The Creator’s Camp Flog Gnaw is taking place at Dodger Stadium with a great lineup that includes- IDK, FKA twigs, YG, BROCKHAMPTON, Thundercat, 21 Savage, DaBaby, Yuna, yasiin bey and more, plus carnival games
Tropicalia Fest is happening a bit further afield in Pomona with two days of music- performers include Natalia Lafourcade, Zoé, La Santa Cecilia, Quitapenas, and more on Saturday and on Sunday bands include Oh Sees, Wallows, The Drums, Surf Curse, FIDLAR, Skegss, Beach Fossils, Hockey Dad, The Red Pears, The High Curbs and many, many, more
The Wende Museum is having an all day opening celebration for their exhibition The Medea Insurrection: Radical Women Artists Behind the Iron Curtain with a tour, reception and panel discussion with artists from the show
Hunter Shaw Fine Art is hosting a party for the release of Carla Issue 18- which includes music, drinks, and free copies of the magazine
Kanye West’s Jesus is King Sunday Service Experience is happening at The Forum
Teebs is performing at The Masonic Lodge at Hollywood Forever
Sloan are playing at The Echo
It’s the last weekend to see Theaster Gates’ exhibition Line Drawing for Shirt and Cloak at Regen Projects in Los Angeles, closing 11/2/19.
From the press release–
Line Drawing for Shirt and Cloak presents a complex reflection on desire, consumption and surrender using contemporary activations of the storefront as a vehicle for expressing both emotional and aesthetic intent. With a highly honed metal strategy and the artist’s entire wardrobe, this multi-faceted installation represents a conscious movement toward the freedom found when one’s appetite and the world’s insistence asks for everything, and a moment of clearing when emotive freedom is found.
Referencing the exhibition’s title, the gallery will be transformed by a series of free-standing and wall-mounted metal structures that demarcate the interior of the space, forming a series of line drawings onto which varying sculptural and quotidian works will hang. Additional sculptural forms supported by large stone pillars and large metal and wood platforms form the basis of an extant atelier. In preparation for the exhibition, Gates will transform his entire wardrobe into many smaller symbolic works, which will be placed en masse as a large sculptural work. This body of work, while a departure in material motif, underscores Gates’ ongoing interest in both the transcendental acts of reclusion and denouncement, and his inability to totally reconcile his appetite for spiritual truth with his competing desire for the things of this world. Through painting, sculpture, sound, and up-cycling, Gates continues to find truth in the unseen and evidence growth in ways unexpected.
A new vocal score conceived of and performed by Gates punctuates the exhibition space. The lyrics of the piece playfully riff on the biblical verse from which the exhibition’s title is inspired, and offer an explication for the artist’s metamorphosis.
“I’ve always been a lover of material things; fashion, antiques, adornment. A believer in the beautiful. But in this moment, I’ve never felt more need to question my own contempt and appetite. This process is not a spiritual attempt; it’s actually quite worldly. I can’t feel growth because I’m weighted by the things around me and people can’t see my growth. The accumulations are a distraction. But the title has much to do with what happens when the world charges you – the outside forces that judge and gnaw and hate. If the world wants to pursue me for this shirt, well, they can have it all.
The sculptural intent of the show is to introduce an unexpected spatial strategy at Regen that gives me permission to be free of conventional gallery tropes and form a set of new sculptural dictates that consider more of the everyday world of fashion and street activity. The project is a minor response to the growth of interest that the fashion world has in art and perhaps my own reckoning with the power of the hyper-public, hyper-everyday considerations that fashion affords. I’m in dialogue with Willie Wear, Girbaud, the Prada concern, retail projects in China, the historic fashions that Chicago House Music produced, and my mama’s church hats. While none of these things need to be immediately perceived, they are no-less present.” –Theaster Gates, 2019
Closing 11/2 at Tanya Bonakdar’s Los Angeles location is Ernesto Neto’s interactive exhibition Children of the Earth.
From the press release-
In Children of the Earth, Neto creates an alluring environment of color, materials, fragrances and sound, transforming the gallery into a living organism, where visitors are encouraged to wander, touch, feel, interact and connect.
Upon entering the gallery, a curtain in green and brown patterns invites the viewer to walk through a tunnel-like path which leads to the main gallery space. Entitled Children of the Earth, a large-scale installation of crochet, spices and leaves hangs from the ceiling to the floor. The large biomorphic shape—hand knitted in vibrant colors of yellows, greens, purples and reds—is flanged by drop-shaped crochet vines that serve as counterbalance and establish the delicate equilibrium of the piece. Here, references to nature interconnect with formal questions of tension, gravity and weight. On the floor, tracing the outline of the structure above, a soft surface of handmade textile is installed. Ceramic vases sprout from the ground, representing the diversity of peoples inhabiting the planet, and that ultimately, we are all the children of the earth. Musical instruments, spices, and crystals comprise an integral part of this malleable, highly tactile sculpture, which engages the five senses, and invites viewers to connect with one another in new and meaningful ways. In expanding the boundaries of physical space and calling for a new type of interaction, Neto creates an experience that is physical, sensorial, intellectual and social all at once.
Surrounding the piece, as another layer of skin, hand-sewn fabric hangs. The organic pattern and color pallet further recall the natural world, as they invoke the forest, wood grain, or the circulatory system of a plant. The path the visitor follows throughout the space, and from within the piece—like an organic line in nature—is analogues to Neto’s conception of life where there is “no separation between humans and nature, nor between art making and art experience”, highlighting that in the exhibition, as in life, everything is connected.
In the back gallery a hanging platform with a crochet canopy and crochet tendrils is installed. Designed for direct interaction, this is a healing bed that offers a moment of rest and respite, where people can connect to themselves, as to one another. The tendrils function as ‘connectors’, as they amplify the pulse of life while connecting us to the environment and to our own physicality. Embracing the participant in its serenity, the healing bed investigates the meeting point of art, sensation, personal connection and the human body.
The exhibition as a whole connects mind, body and nature through a sensory experience that is unmediated. It is an invitation to connect to ourselves and to our planet at a time when connectivity is most needed. For Neto, sculpture is an extension of the body, and the body is ultimately an extension of earth.
From the LACMA’s website-
The title’s references—Ben Jonson’s 1605 play, The Masque of Blackness, and Ralph Ellison’s 1952 novel, Invisible Man—mark two milestones in black history: the first stage production to utilize blackface makeup, and the first novel by an African American to win the National Book Award. In addition to literary references, the artist draws inspiration from Caribbean Carnival, a festival that originated from the Mardi Gras celebrations of the region’s French colonists, and Canboulay, a parallel celebration in which enslaved people expressed themselves through music and costume and paid homage to their African traditions. The installation’s 40 graphite figures stand tall and dignified to represent the strength and resilience of the African diaspora.
In the the video below, Ové provides some interesting insight and information on the work.
This exhibition closes 11/3/19. LACMA is free for residents with ID from 3pm and is open late on Fridays until 8pm.
Boy Harsher- Fate
Things to do in Los Angeles this weekend (10/31-11/3/19)-
Foxes Magazine is hosting a Halloween Extravaganza at Lodge Room with a performance by theremin virtuoso Armen Ra, live bands performing songs by Bauhaus, Alice Cooper and The Damned, a burlesque show, DJ and more
The West Hollywood Halloween Carnaval runs from 6-11pm and is filled with fun costumed madness for a one mile stretch of Santa Monica Blvd. It gets VERY crowded. Don’t drive there.
Dead Ghosts are playing at El Cid with Adult Books and Venetian Blinds
Constitutional Happy Hour returns to Hammer Museum this time with Loyola Law School professor Kimberly West-Faulcon discussing the executive branch—Article II.
Metro Art is screening the 1926 film The Adventures of Prince Achmed with live music provided by Gamelan Merdu Kumala, as the first installment of their animated film series at Union Station. (free)
TR/ST is playing The Novo with SRSQ and Saro opening
Johnny Goth and Ralph Castelli are playing at The Hi Hat with Finkel
Friday through Sunday
Blum & Poe is hosting the ACID-FREE Los Angeles Art Book Market. The three day event includes over 90 West Coast and international exhibitors presenting new publications and projects, film programming by Now Instant Image Hall and La Collectionneuse, an archival exhibition curated by Guadalupe Rosales, music by Pacoima Techno, and a schedule of additional programming.
Boy Harsher are playing as part of the second night of the Substance 2019 concert. Tonight’s bands also include A Place to Bury Strangers, John Maus, Black Marble, Crack Cloud and more
Día de los Muertos returns to Hollywood Forever for an all day/night event that includes over 100 altars, five stages of musical and theatrical performances, Aztec Ritual Dancers, an art exhibition, arts and crafts vendors, face painting, food, drink and more. Musical performers this year include Sávila, The Delirians, Lido Pimienta, and Café Tacvba. Get there early it draws a big crowd.
From 11am-4pm is Grand Ave Arts: All Access, a day of free programming that includes free admission to MOCA Grand Avenue, family films at REDCAT, an art and architecture tour of the Central Library, a backstage tour of the Dorothy Chandler Pavilion, a chamber music performance, a chance to check out the altars for Día de los Muertos in Grand Park and more
From 4-10pm Self Help Graphics is having a Día de los Muertos Party with performances by Buyepongo, Blanco Y Negro and more, plus a procession with life size Calaveras, face painting, crafting, and you can check out their exhibition Ancestral Lights
Artist Donna Huanca will be discussing her work at Marciano Art Foundation with British Venezuelan curator and art historian Cecilia Fajardo-Hill (free but ticket required)
Lala Lala is opening for Whitney at The Wiltern
Miss June are playing an early show at Moroccan Lounge
Guerilla Toss are playing at the Bootleg Theater with Gap Girls and Jonny Kosmo
Artist Charles Gaines will be discussing his work and approach to art making with Thelma Golden, Director and Chief Curator of The Studio Museum, Laura Owens, and Gary Simmons, LA-based artists and former students of Gaines, at Hauser & Wirth (free but register)
Cherry Glazerr are part of this iteration of Dynasty Handbag’s Weirdo Night at Zebulon. Other performers include Peter Kim, Vik Floyd, Sandy Smiles, and the Uberdanzlabor Theatre of Gdansk.
Mykki Blanco, Brooke Candy, Phranc, and more will be performing at The Regent Theater for Queer Noise, a fundraiser for ONE Archives Foundation
Currently at Gladstone Gallery’s 21st Street Location in New York is Allora & Calzadilla’s exhibition Cadestre.
From the press release–
The exhibition revisits the Surrealist encounter with the anti-colonial movement in the Caribbean to consider present forms of coloniality and its relation to climate justice. The artists have taken inspiration from the radical and transformative collection of poems by Martinican poet and politician Aimé Césaire under the same name. The term “cadastre” refers to the means by which the territorial limits of private property are publicly registered. Taking cue from the powerful mechanics of Césaire’s writing, Allora & Calzadilla’s exhibition Cadastre brings together three works all informed by a poetics of mark making, traces, and survival.
In April 1941, the anti-colonial Martinican poets and theoreticians Susanne and Aimé Césaire, founders of the literary journal Tropiques, met with a group of artists and intellectuals fleeing Nazi-occupied France, whose boat had temporarily docked at the West Indian port of Fort-de-France. The refugees included Helena Benitez, André Breton, Wifredo Lam, Jacqueline Lamba, Claude Lévi-Strauss, André Masson, and Victor Serge, among others. Penumbra takes as its point of departure the now mythic hikes the group took in the gouffre d’Absalom valley in Martinique, which served in part as inspiration for Lam’s masterpiece, The Jungle. Penumbra is a soundscape of “shadow tones,” a psycho-acoustic phenomenon perceived when two real tones create the semblance of a third. The original musical composition by David Lang uses nonlinear distortion of violin sounds to evoke the sensation of walking through that tropical forest.
In Graft, thousands of cast blossoms of the Tabebuia chrysantha tree, a common native species in the Caribbean, appear as though a wind had swept them across the gallery floor. Graft alludes to environmental changes set in motion through the interlocking effects of colonial exploitation and global climatic transformation. Systemic deforestation and depletion of the Caribbean’s original flora and fauna is one of the primary legacies of colonialism. Nevertheless, the Caribbean remains a biodiversity hotspot and, along with thirty-five other hotspots worldwide (which amount to just 2.4% of the earth’s land surface), supports nearly 60% of the world’s plant, bird, mammal, reptile, and amphibian species. As rising global temperatures result in more frequent and violently destructive weather, adding even more pressure to the Caribbean, the uncanny presence of tropical tree blossoms in Graft stands as a potent harbinger for the immeasurable losses that continue unabated after centuries of colonial plunder.
Measuring 6 feet in height and 70 feet in length, and covering the east and south walls, the exhibition’s eponymous work, Cadastre takes electromagnetism as its subject and medium. To make the work, Allora & Calzadilla dropped iron filings on top of a canvas and placed it above an array of copper cables connected to an electrical breaker in the artists’ studio in San Juan, which gets its power from the Puerto Rico Electric Power Authority. When the breaker is turned on, the electrical current causes the iron particles to self-organize into a composition of lines and shapes governed by the electromagnetic field. As the Latin title and full subtitle (Meter Number 18257262, Consumption Charge 36.9kWh x $0.02564, Rider FCA-Fuel Charge Adjusted 36.9 kWh x $0.053323, Rider PPCA-Purchase Power Charge Adjusted 36.9kWh x $0.016752, Rider CILTA-Municipalities Adjusted 36.9kWh x $0.002376, Rider SUBA Subsidies $1.084) suggest, the work probes the propriety politics of electricity and the power grid. Cadastre is part of a continuum of multiple sites and actors that the artists are probing through their artistic process working with electricity, from the oil futures market, to the transnational holders of PREPA bond debt, to the local consumers who are forced to pay for the recently privatized power company’s fiscal mismanagement.
This exhibition closes 11/2/19.
Recently, their film, The Great Silence, was shown at Marciano Art Foundation in Los Angeles. It is subtitled with thoughts from the perspective of an endangered Puerto Rican parrot who lives in the same area as the Arecibo Observatory, which was created to capture and transmit radio waves from and into outer space. The parrot questions why humans look to communicate and make a connection with extraterrestrial life, when there are parrots who can potentially use human language nearby.
It’s a thought provoking and moving piece, well worth a watch.