Dec 052023
 

“THE RIVER. THE REALMS.” 2021, Acrylic on canvas

“THE RIVER. THE REALMS.” 2021, Acrylic on canvas (detail)

“HANUMAN WITH MIRROR”, 2014, Oil on canvas

“HANUMAN WITH MIRROR”, 2014, Oil on canvas (detail)

“HANUMAN WITH MIRROR”, 2014, Oil on canvas (detail)

Nancee Clark’s paintings for Insights and Follies at Dunedin Fine Art Center create a dreamlike world, a jumping off place for your imagination to fill in its own stories.

The artist’s statement about her work-

I find humor in life’s absurdities.

Some time ago, after the impact of family tragedy, a shift happened in my painting. The new direction began with a series of colorful monotypes using images of monkeys on fruit strewn tables looking at themselves in mirrors, monkeys throwing up. The animal was a stand-in for human; the table a stage, and the monkeys a reflection of ourselves.

In current paintings, I create my own strange space, a gap space of irony, populated with intimate, playful, ambiguous narratives of human folly. They are my visual response to life’s ever-changing moment — where what is expected is not what actually occurs. A world where the observed and the observer occupy the same space. With a delight in illuminating the absurd, I offer wickedly humorous metaphors revealing keen, often poignant observation of human behavior.

The launch pad for my paintings is my sketchbook. It fosters idea generation by providing a free pass to just draw anything. Some sketches become formal paintings that evolve to a new version of the original idea. Some just remain in the sketchbook.
Drawing is primary to my painting; it is the skeleton and the continuing definer of the imagery.

My painting process is intuitive and spontaneous. Staying at the ready for chance opportunities, I play with illusion and sleight of hand. Discovery is sometimes funny, and I have found laughter to be a part of the evolution of my work. The final painting usually arrives as a blend of intellectual formal decisions, intuition and chance.

This exhibition is on view until 12/22/23.

“THE RING GAME”, 2017, Oil on canvas

“WAKING”, 2018, Oil on Canvas

Nov 142023
 

This past weekend was Studio Waltz, an annual artist studio tour that takes place around Dunedin and Palm Harbor. One of the stops was The Mosaic House of Dunedin.

Carol Sackman and Blake White’s magical home has so much going on you almost don’t know where to look first. The couple teach classes from November thru April and can be contacted for tours of their home.

The Mosaic House was also featured in a gallery exhibition at the Dunedin Fine Art Center last year.

Spotted while at their home was a mural, pictured below, by former local artist Jennifer Kosharek, pictured below. She recently relocated to Alaska.

 

Nov 072023
 

Featured artist at Art Harvest- Michelle Mardis

Paintings by John Maurer

Paintings by John Maurer

The weather this past weekend was perfect for enjoying two big outdoor art events in the Tampa Bay area- the annual Art Harvest juried art show in Dunedin and the autumn edition of the biannual Art in the Yard event in Gulfport (the next one is next year in March).

Wendy Boucher’s collages made entirely of paper on canvas

More work by Wendy Boucher

Linda Heath’s work

Linda Heath (work above) uses the Gyotaku technique to make prints from the fish she catches in the Gulf of Mexico.

Below are a few artists from Art in the Yard-

A homemade sign from Art in the Yard

Art in the Yard is a great way to interact with local Gulfport artists and to see their creations. Stopping at the home of The Oiseaux Sisters (Susan Andrews and Carolyn Fellman), is a journey into their whimsical world. The head above was filled with little cards with their website and a different word, like a fortune, on each. My card read “Surrender”. All around their property you can find work hidden among the vegetation, on walls, and in among tables of materials they use for their work.

Outside at The Oiseaux Sisters’ home

Outside at the The Oiseaux Sisters’ home (the upper left work is a recreation of an image of Tallulah Bankhead turned into a movable figure)

Mixed media works by Dorian Angello

Jayne van der Voordt’s house had lots of fun decorated mannequins and mannequin body parts

 

Oct 312023
 

“Steelhead” Terracotta sculpture by Ako Castuera

Spooky season may be coming to a close but there is still time to see the ghosts, and the artists behind them, in At Home with “City of Ghosts” at Dunedin Fine Art Center. Thoughtfully curated by Nathan Beard, the exhibition focuses on artwork, in a variety of mediums, by 17 of the artists who helped create the award winning Netflix series City of Ghosts.

Created by Elizabeth Ito, City of Ghosts follows a group of children as they track down and record stories about the history of Los Angeles from the ghosts who also live in the city.

Artists included in the exhibition- Mike Andrews, Kwasi Boyd-Bouldin, Ako Castuera, Alex Cline, Mercedes Dorame, Luis Grané, Chloe Hsu, Elizabeth Ito, Jasmin Lai, Bob Logan, Yulissa Maqueos, Hugo Morales, Keiko Murayama, Adam Muto, Claire Nero, Zen Sekizawa, and Pen Ward, with additional contribution from Decibel Studios LA.

This exhibition closes 12/23/23.

Below are some additional selections from the show.

Chloe Hsu– “Fish Market”, drypoint and watercolor

Jasmin Lai– “The 110 and Downtown LA”, digital print

Acrylic and ink work by Kwasi Boyd-Bouldin

Prismacolor and watercolor work by Alex Cline

Luis Grané– “Pool Maintenance” , acrylic on canvas

“La Mejor Herrencia”, Maqueos-Gonzalez family photos and “Maqueos Music (Banda Oaxaqueña)”, 2023, video by Decibel Studios LA with Los Angeles based clarinet player Yulissa Maqueos

Pendleton Ward (left) and Elizabeth Ito (right) both created Pepper’s Ghost animations for the exhibition

 

 

 

 

Oct 122023
 

Cardboard sculpture by Richard Entel and his 5 year old daughter Emily; Photographs by Jane Housham

Jane Housham, “Color Squares”

Meryl Bennett, “Fountain 3”, epoxy resin

Sculptures by Richard Entel and his daughter Emily

Every autumn Dunedin Fine Art Center chooses a universal theme that runs through all of their galleries. This year they chose PLAY. It’s a wonderful choice and makes for a delightful time in the various galleries.  This is the last week to see two of the exhibitions- PLAY On!, a selection of wonderful artist made toys and toy related art (photos above), and LOL: Funny Papers, a juried selection of  art work incorporating comics, illustrations, zines and mixed media collage (photos below).

Catch both of these shows before they close on 10/15/23.

Barbara Hubbard, “Quantum Entanglement #5”, print collage/hand colored

Cory Robinson, “Just a Reminder”, spray paint and acrylic (left); and Cort Hartle “You’ll Come Back to Haunt You” acrylic, and “We were running hand in hand”, ceramic

Michael Crabb, “Spaceman Spiff”, mixed media

Kaitlin Crockett/ Print St. Pete, “Rizo Zoo” and “Welcome to My Adult Life” risograph zines; Denis Gaston, “Fear of Flying”, book

Yhali Ilan, “Meanwhile”, acrylic

Corey Robinson’s work can also be found every week in the Creative Loafing Tampa Bay newspaper.

Print St. Pete, founded by Kaitlin Crockett and Bridget Elmer is a small community letterpress and risograph printshop which offers studio access, workshops, and custom printing.

Aug 112023
 

Work by Jenny Granberry (top) and Victoria Block (bottom)

Journals by Eva Avenue (top left) and Laura Waller (bottom left) and photography by Andrew Sovjani

On the second floor of the Dunedin Fine Art Center are photographs by Andrew Sovjani and a collection of sketchbooks from a variety of artists, many of which you can look through- with gloves of course. It’s easy to spend lots of time with all the inspiring books these artists have created.

The exhibition closes 8/13/23.

About Andrew Sovjani, from the gallery-

Andrew Sovjani is a visual artist recognized for blurring the boundaries between photography, printmaking and painting. Raised in a family of working studio artists, art making is in his blood. Andrew has drawn from his life experiences in the scientific world and living in Asia to create transcendent bodies of work that are often extremely peaceful. His award-winning photographs have been shown in exhibitions throughout the U.S., Europe and Japan and are held in many public and private collections. He has won awards of distinction at many of the top fine arts festivals in the nation and was a finalist for the Critical Mass book awards in 2008 and 2016.

Some of the artists whose books are included in the exhibition are- Jenny Granberry, Victoria Block, Eva Avenue, Laura Waller, Dion Dior, Daniel Mrgan, Julia Collver, Coralette Damme, Joan Duff Bohrer, Marjorie Greene Graff, Lukas Mosimann, Luis Colan, Kathy Pollak, Jennifer Kosharek, and Katy Deits.

Work by Eva Avenue

Work by Dion Dior

Work by Daniel Mrgan (top) and Julia Collver

Work by Coralette Damme

Work by Joan Duff Bohrer

Work by Marjorie Geene Graff

Work by Lukas Mosimann

Work by Luis Colan (left) and Lukas Mosimann

Journals by Kathy Pollak

Work by Jennifer Kosharek

Work by Katy Deits

 

Aug 042023
 

The work above is from Regina Durante Jestrow’s current exhibition Free Form Connections at Dunedin Fine Art Center.

The artist’s statement about the exhibition-

This exhibition includes my organically shaped geometric art quilts from various series from 2020-23. I utilize improvisation, repeat patterns and shifts in scale while incorporating colors, textures, and structures representative of the diversity of the people and the natural surroundings of my current home in South Florida.

I use diversely toned second-hand, gifted, or saved fabrics and dyes from locally sourced plants and rust. Textiles are also manipulated with burning and staining with inks and acrylic paint. Other materials, such as neoprene, sequins, and faux leather, reference Miami’s pop culture.

Along with my constant interest in American Folk-Art Quilts, geometric-abstract artists from the mid to late twentieth century are my influencers, including Gees Bend quilters, Elizabeth Murray, Helen Frankenthaler, Anni Albers, and Gego. These artistic voices have driven me to create quilts of scale with strong personal symbolism and narrative.

This exhibition is on view until 8/13/23.

Aug 042023
 

The sculptures above are from Kat Howard’s current exhibition Controlled Telling, at Dunedin Fine Art Center.

From the gallery about the work-

Kat Howard’s work interrogates the complicated process of healing from trauma. The sculptures in ‘Controlled Telling’ examines the burden and pressure to conceal the truth.

Existing as various restricted forms of cotton, bound braids, transparent quilts, compressed scraps of muslin, mound of raw material, or hand-twined waxed rope, the writhing abstracted bodily forms overwhelm and invade the viewer’s personal space, emulate the feeling of tension, imploring the viewer to navigate physically and emotionally around them.

Howard creates visual art that uses abstraction, the innate language of texture, and the repulsion/attraction of touch to interrogate her identity as a survivor of abuse and sexual violence. The material and texture of the object is integral to her practice, and its connection to the body. Evidence of the hand and the physical marks of the body are always present in her work. What happens to the body when it is forced to become a vessel for trauma? In what ways do we physically carry pain? How is the self altered afterwards?

Howard’s pieces either have a physicality to them that feels almost human, or they are twisted abstractions from the domestic landscape. Repetition and labor are vital aspects to the work. Through the labor, the anxiety tethered to a desire for freedom is palpable. The viewer can sense the thousands of hours, and the fevered precision which act as an echo of the madness in the mind that comes to claim the body. What does freedom look like? The answer is in taking up space. The answer is in speaking up. The answer is in the attempt.

This exhibition is on view until 8/13/23.

Aug 042023
 

There are so many wonderful, detailed art works in Hannah O’Hare Bennett’s current exhibition Recede, on view at Dunedin Fine Art Center. They are all worthy of a closer look.

Below is the artist’s statement about the work-

“From the moment we are born until we die, we are almost constantly in contact with cloth as we move through our lives. Without thinking about it, we are familiar with its varied qualities–the simplicity of white cotton, the luxury of silk velvet, the flexibility of knitting, the structure of weaving. We can see the impact of time in a piece of fabric: how it wrinkles, stains, takes repairs, unravels. Handmade paper is a kind of non-woven cloth and is in fact often made of recycled cotton or linen. It can be dyed, stitched, wrinkled, torn, and repaired much in the same way as fabric.

My work explores the expressive possibilities of these materials, which I use to deal with my fascination with time altered urban and rural landscapes. A piece of land in the Oregon outback, the brick wall of buildings in Madison, a leafy Minneapolis neighborhood, etc. are all impacted by the passing of time, actions of human beings, weather. These occurrences can be incremental or sudden, and the change they bring almost imperceptible or very radical, each change layering on top of what came before. I use that observation to inspire my work. Fabric surfaces are worked over with layers and layers of pigments, embellished with embroidery, dunked into dye, cut and torn. Paper pulp is poured, dipped, mixed with sawdust, painted, crumpled and smoothed out again. In this small human way, I am channeling the world into the objects I create.”

The exhibition closes 8/13/23.

May 242023
 

Rachel Ratcliff, “Roll of the Kaleidoscope”, 2021, acrylic on canvas

Richard Logan “Sea Oats”, 2022, photographic transfer on metal with etched glass

Steven Spathelf, “Orange Blossom”, 2022, acrylic on canvas

This past Friday the city of Dunedin, Florida, celebrated the opening of its new City Hall. As part of the celebration, the building and all of its offices were open to the public. It was the first opportunity to see all the wonderful art by Florida artists- selected and commissioned by Elizabeth Brincklow.

Pictured above are works by Rachel Ratcliff (wave painting) and Richard Logan (photography). The third work is by Steven Spathelf whose oranges can be seen adorning buildings and homes all around town.

Scroll through the pages below to see the other works on view.