Jan 202025
 

Still from “Mulholland Drive”

Club Silencio scene with Rebekah Del Rio from David Lynch’s Mulholland Drive

Today would have been artist and filmmaker David Lynch’s 79th birthday.

Although it was sad to hear of his passing, it was such a joy to spend the weekend looking through his artwork, reading the tributes from those who knew him, and rewatching his films and the documentary about him, The Art Life.

He also wrote Catching the Big Fish: Meditation, Consciousness, and Creativity, a short book filled with his thoughts on transcendental meditation, his films, digital video, creativity and more- worth checking out. Below is a short clip from one of his interviews with The Atlantic.

He also acted occasionally, both in his Twin Peaks series and in other projects. Below he plays another famous director, John Ford, in a clip from Steven Spielberg’s semi-autobiographical film The Fabelmans.

And here he is on Louis C.K.’s show Louie.

David Lynch’s creative legacy will continue to influence and inspire people for many years to come. He was one of the greats.

Sep 202024
 

Isaac Julien’s video installations use multiple images on different sized screens to tell complicated stories. For Lessons of the Hour, currently on view at MoMA, he is telling the story of American abolitionist Frederick Douglass. The work presents this history in a thought-provoking way that is also visually stunning.

From the museum-

In Lessons of the Hour (2019), Sir Isaac Julien presents an immersive portrait of abolitionist Frederick Douglass, who obtained freedom from chattel slavery in 1838 and became one of the most important orators, writers, and statespersons of the 19th century. Across the 10 screens of this video installation, a nonlinear narrative melds Douglass’s life and work with excerpts from several of his speeches, literary works, and personal correspondence. The most photographed American of his era, Douglass understood that portraiture could challenge racist tropes and advance the freedom and civil rights of Black Americans and subjugated people around the world.

For the first time, historical objects directly related to Lessons of the Hour will be on view alongside the work. They include albumen silver print portraits of Douglass, pamphlets of his speeches, first editions of his memoirs, a facsimile of a rare manuscript laying out his ideas about photography, and a specially designed wallpaper composed of period newspaper clippings, broadsides, magazine illustrations, and scrapbook pages. These objects reveal how Douglass’s image and words circulated in the transatlantic, 19th-century world, and also bear out Julien’s insight in Lessons of the Hour: that Douglass’s ideas about citizenship, democracy, and human dignity remain timeless.

This exhibition closes 9/28/24

Sep 152024
 


This weekend I revisited 2011’s The Tree of Life, directed by Terence Malick. The film unfolds like a visual poem and the cinematography is breathtaking. It’s a beautiful meditation on all aspects of life including family, love, death, suffering, grace, nature, and God.

It received mixed reviews at the time, and the narrative may not come together for everyone, but the performances and ambition of the film make it worth a watch.

 

Sep 082024
 

What if you could only take one memory with you for eternity-what would you choose? This is the question at the heart of Hirokazu Kore-eda’s 1998 film, After Life.

The beautiful and touching film follows several recently deceased people as they arrive at a processing center to be interviewed, choose a memory, and then have it recreated for them before they move on.  The film also combines scripted interviews with actors with those of real people reminiscing about their lives.

 

Sep 012024
 

Trailer- “The First Monday in May”

The 2016 documentary The First Monday in May, follows chief curator of The Costume Institute at the Metropolitan Museum of Art Andrew Bolton as he prepares the 2015 exhibition China: Through the Looking Glass.  The film also follows Anna Wintour as she prepares for the Met Gala party that accompanies the exhibition. Bolton’s work on the show with director Wong Kar Wai, as well as the negotiations and logistics behind creating it are fascinating.

The film is full of celebrities and fashion designers including Karl Lagerfeld, Jean Paul Gaultier, and John Galliano.

The Costume Institute’s latest exhibition, also curated by Andrew Bolton,  Sleeping Beauties: Reawakening Fashion, closes on 9/2.

Aug 262024
 

Ingmar Bergman’s Persona, from 1966, explores the relationship between an actress who has become mute, played by Liv Ullman, and the nurse who is in charge of her care played by Bibi Andersson. The pair travel to a cottage on the beach where their personalities begin to conflict and blend.

The unsettling film contains several experimental elements, as well as images that are outside of the main narrative, that provide more questions than answers.

 

 

Aug 182024
 

Famous French actor Alain Delon passed away on Sunday, 8/18.

The stills above are from his film Le Samourai from 1967, directed by Jean-Pierre Melville.  The beautifully shot film follows a mostly silent Delon as an assassin trying to discover who is trying to kill him. It also stars his then wife Nathalie Delon.

Aug 122024
 

After hearing the sad news of Shelley Duvall’s passing, I decided to watch a few films from her filmography and started with 3 Women, released in 1977. Based on a dream writer/director Robert Altman had, the film follows Duvall and Sissy Spacek as their lives and identities intertwine in the California desert. Later a third woman played by Janice Rule, becomes more important in the pair’s world.

Using reflections, water, mirrors, mirrored actions, and twins, Altman creates a mysterious space for these women to inhabit. Adding to the unsettling energy of the film are a series of murals created by artist Bodhi Wind (Charles Kuklis).

It’s definitely worth a watch, with an ambiguous ending that has been subject to many interpretations.

 

 

May 202024
 

Die Spitz- I Hate When Girls Die

Twin Peaks references and heavy metal vibes combine for Austin band Die Spitz’s latest video.

This week they are playing in Los Angeles at Zebulon on Thursday, 5/23 (with Teen Mortgage and Dagger Polyester) and Friday (5/24/24) at Permanent Records Roadhouse.

May 142024
 

Kwakwaka’wakw artist and activist Chief Beau Dick’s (1955-2017) carved masks for the exhibition Walas Gwa’yam / Big, Great Whale at Andrew Kreps Gallery draw you in with their intriguing visages.

From the press release-

Our whole culture has been shattered. It’s up to the artists now to pick up the pieces and try and put them together, back where they belong. Yeah, it does become political. It becomes beyond political; it becomes very deep and emotional.” – Beau Dick speaking in the 2017 film ‘Maker of Monsters: The Extraordinary Life of Beau Dick.

Beau Dick’s works are deeply informed by the tradition of potlatch, a gift-giving ceremony practiced by Indigenous people of the coast of Pacific Northwest Canada, which focused on the redistribution of wealth as a tool for building solidarity. Outlawed by the Canadian Government for nearly seventy years as part of an ongoing history of forced assimilation, the seclusion of Dick’s birthplace on Kingcome Inlet (Gwa’yi) allowed his community to continue practicing customs relatively free from the gaze of colonial authorities. Trained in wood-carving by his father, grandfather, and other master carvers, and completing his education in Vancouver, Dick was acutely aware of inherent tensions between contemporary consumer culture and Kwakwaka’wakw teachings. Refuting his masks as static objects, his carvings reference supernatural figures, like Dzunuk’wa, the “wild woman of the woods,” and her counterpart, Bakwas, “wild man of the woods,” which are reanimated to combat what Dick saw as capitalism’s “ravenous” oppression. Frequently employing his works in dances and performances, in 2012 he took forty Atlakim (Forest) masks to his community in Alert Bay, where after one final ceremony, they were ritually burned, referencing the ongoing responsibility for rebirth, and recreation in the face of erased tradition.