Apr 262024
 

This tribute to artist Margaret Kilgallen was spotted in Los Angeles in 2014. The quote is paraphrasing what she said during an interview for the PBS program Art21. The full quote reads- “I do spend a lot of time trying to perfect my line work… when you get close up, you can always see the line waver. And I think that’s where the beauty is.” Kilgallen died of cancer in 2001, at only 33, but left behind a remarkable body of work.

You can currently see one of these works at Cantor Arts Center’s as part of the group exhibition, Day Jobs, on view until 7/21/24. The exhibition examines the impact of day jobs in the lives and work of several famous artists.

Image courtesy of Cantor Arts Center: Margaret Kilgallen, “Money to Loan (Paintings for the San Francisco Bus Shelter Posters)” [detail], 2000. Mixed media on paper and fabric, sheet 68 × 48½ inches Courtesy of the Margaret Kilgallen Estate, photo by Tony Prikryl

You can learn more about Kilgallen, her husband and fellow artist Barry McGee, and several other artists including Shepard Fairey, Mike Mills, Ed Templeton and Harmony Korine in Aaron Rose’s film Beautiful Losers.

 

Jan 252024
 

The Mangrove Refuge (The Vorasane Family and Friends; Gandy Beach circa 1980) by Michael Vasquez was created for the 2023 edition of SHINE Mural Festival in St. Pete, Florida.

The artist’s statement about the mural-

A displaced Lao family (and friends) find refuge and a moment of reflection amidst the mangroves of Tampa Bay’s Gandy Beach.

A 1978 Datsun 280Z serves as a centerpiece and point of pride, fusing together car culture and masculinity. Similar aspects of clothing and style signal togetherness, emulation, and a shared sense of identity—yet their solitary gazes set them apart from one another and allude to a deeper and more personal past, present, and future…

Vasquez is currently part of the group show TRADITIONS: Honoring Heritage, Ritual and Family at Muzeo in Anaheim, California. The show is curated by Thinkspace and Tlaloc Studios and is on view until 2/25/24.

Also check out his Instagram for current work.

Jan 252024
 

The image above is of Squeak Carnwath’s painting, Best Borrowed, 2005, Oil and alkyd on canvas, taken at Palm Springs Art Museum in 2018.

A solo exhibition of her work is currently at Pt.2 Gallery in Oakland, California, on view until 2/16/24.

 

Jul 192019
 

Woven Stories, at the Museum of Art and History (MOAH) in Lancaster, is a collection of narrative fiber artworks as well as five solo exhibitions and five site specific installations. There are so many great pieces in the show it was hard to narrow down which artists to include, but below are a few that stood out.

Victor Wilde, Momma Bears, 2019

Vojislav Radovanovic, TWO SIDES OF A LUCID DREAM, 2018

Vojislav Radovanovic, TWO SIDES OF A LUCID DREAM, 2018

Orly Cogan, Confections

Orly Cogan, Sugar ‘n Spice ‘n Everything Nice

Upstairs, the solo exhibitions are equally impressive. Several of these artists utilize nontraditional materials to create their unique work.

Nicola Vruwink uses the film from cassette tapes instead of traditional yarn to create her pieces.

For her large sculptures, Elisabeth Higgins O’Connor, uses materials from second hand shops. The pieces of broken furniture and scraps of fabric form animal figures caught in awkward poses.

Elisabeth Higgins O’Connor, Blamethirst

Peter Hiers’ sculptures are made from found scraps of tires. Using this discarded material, he gives new life to what would ordinarily be littering the sides of highways.

Peter Hiers, Circular Logic, 2010

This exhibition closes 7/21/19.

While in Lancaster, make sure to also check out MOAH Cedar nearby, which is showing Collateral Damage, an immersive installation by Snezana Saraswati Petrovic.