Oct 282020
 

This is the last week to see the exhibition, Luchita Hurtado. Together Forever, at Hauser & Wirth’s Chelsea, New York location. The exhibition was organized with Hurtado, who sadly passed away this year at the age of 99. There is also a video on the website of Hurtado’s son discussing the exhibition and his mother’s work that is worth watching for additional insight into the artist and her work.

From the gallery’s website-

‘Together Forever’ presents over thirty works from the 1960s through the present day in which she explored the self and the surrounding world as her primary subject. Many of these highly personal artworks – recent paintings of birth along with early works on paper that have remained largely private up to this point – will be on view to the public for the first time.

Parallel to a dynamic period of experimentation between abstraction and figuration in the early 1960s, Hurtado also focused her work inward, marking a trajectory to uncover new forms of self through portraits of herself in mirrors, looking down at her own body, and studies of her shadow. Describing this time in her practice, Hurtado explained “At a certain point, I said ‘there is no way that I can express, let’s say, except by painting myself.’ I said, ‘This is a landscape, this is the world, this is all you have, this is your home, this is where you live.’ You are what you feel, what you hear, what you know.” [1]

Throughout her practice up until recent years, Hurtado documented the forms of shadows in photographs and drawings, studying their size, shape, and potential. In early examples from the series included in this exhibition, the artist rendered her own body with oil, charcoal, or graphite on paper, sometimes juxtaposed with her own environment. In some works, a number of figures are depicted. However, these are multiple representations of her own shadow and the artist remains in solitude as her only subject. Another work from the series does not depict a figure at all, but only text where the artist states, ‘The only reasonable facsimile of me is in my shadow’.

During this solitary time of artmaking, Hurtado served as her own model and prioritized her own subjective experience in the world. These works represent significant moments of introspection, seclusion, and the claiming of time for herself. In an early self-portrait in crayon and ink on paper, the artist is surrounded with the text of her own poem written about family and memories of her life in New York before motherhood. Other works, such as ‘Untitled,’ show the artist interacting with the everyday domestic objects in her home – a bookshelf, a window, a door. Another work, also ‘Untitled,’ shows Hurtado emitting a single tear as she poses amongst plants.

In the most recent paintings on view, Hurtado evolves into the landscape as she explored ways in which her own body would transform and regenerate the earth. Functioning as a symbolic proxy and an intimate meditation on the Earth as mystic progenitor, these works underscore the interconnection between corporeality and the natural world – a delicate balance that is now in jeopardy.

‘Luchita Hurtado. Together Forever’ celebrates the various forms of the artist throughout her career and life. Even in the last days of her life, Hurtado continued to experiment and push the boundaries of her own practice.

This exhibition closes 10/31/20.

Jan 032020
 

Closing 1/5/20  at Hauser & Wirth’s Los Angeles location is Charles Gaines’ exhibition Palm Trees and Other Works. This exhibition will debut new works from his signature Gridworks series.

Using photographs of native trees from Palm Canyon near Palm Springs, Gaines selectively layers paint on acrylic sheets atop black and white photographs of corresponding landscapes with trees. Following this process, each tree is assigned a distinctive color and a numbered grid that reflects the positive space of the tree in the original photographic image.

The exhibition also includes new watercolor work and Manifesto 3– which takes Martin Luther King, Jr.’s speech given at the University of Newcastle upon Tyne (1967) and James Baldwin’s essay Princes and Powers (1957) and using a rule-based system to convert letters from the text into their equivalent musical notes creating a musical score.

From Hauser & Wirth’s website-

Reflecting on his personal history, Gaines observed that ‘one thing that made me different from other conceptual artists is that I was not shying away from language or meaning or content’ – a truth perhaps best exemplified by ‘Manifestos 3’ (2018). This work functions as a systematic transliteration of revolutionary manifestos into musical notation. The installation is comprised of two parts: a single channel video monitor that scrolls the manifesto texts, and two large graphite drawings of the music scores that were produced by the translation. Each text scrolls in succession on a monitor while a recording of the music produced by Gaines’s system plays. Created by way of a rule-based system, Gaines transcribes letters ‘A – H’ from the text into their equivalent musical notes. The use of the letter ‘H’ represents the code used in early Baroque tradition for B-flat. All other letters and spaces between words are noted as rests or silent beats. While the resulting composition does sound intentional, it is controlled only by the preconceived notation system that follows the compositional structure of language. This produces the fluidity that the audience hears.

The two political texts transcribed in ‘Manifestos 3’ are Martin Luther King, Jr.’s speech given at the University of Newcastle upon Tyne (1967), wherein King nominates racism, poverty, and war as the three most urgent problems of the contemporary world, and James Baldwin’s essay ‘Princes and Powers’ (1957) which describes the dominating power of cultural control. These two manifestos are systematically translated into the above described musical notations as written and arranged for piano by Gaines and edited by John Eagle.

This series not only takes social justice and politics on as its subject, but also as it may critique our understanding of the relationship of the practice of art and politics. By converting these powerful and poignant texts into music, Gaines unites the rational, mathematical, and lyrical structures of music with the irrationality of violence, racial tensions, and social injustice. The predetermined process developed by Gaines widens the distance between concepts and their interpretation, effectively removing the artist’s subjectivity while empowering the viewer’s. The combination of the elegiac music with the stirring words of the scrolling manifestos creates an unexpected conflict for the viewer; it is within this dissonance that the indelible truths of Gaines’s work are revealed.

 

Nov 212019
 

Julia Jacklin- Pressure to Party

Things to do in Los Angeles this weekend (11/21-11/24/19)-

Thursday

Devon Welsh of Majical Cloudz has a new solo project and is performing at Bootleg Theater with Sorry Girls.  Get there early for a screening of Moses Sumney’s new music video Virile with a behind the scenes Q & A at 6:30pm (free with RSVP).

There are still free tickets available to see LA based educator, writer, theater actor, and documentarian Carolina Rivera Escamilla read her work in conjunction with Shirin Neshat: I Will Greet the Sun Again, for The Broad’s series The Logic of Poetry and Dreams

Union Station is having it’s annual holiday tree lighting (with snow) and the first of this year’s cocoa concert series, starting at 6:30pm

Bloc Party are performing their 2005 album Silent Alarm at the Hollywood Palladium

Music producers Ali Shaheed Muhammad and Adrian Young will be performing together at The Midnight Hour at Lodge Room

The Get Up Kids are playing at the Echoplex with Kevin Devine and The Whiffs opening

 

Friday

Curator Jamillah James will be leading a tour of No Wrong Holes: Thirty Years of Nayland Blake followed by a happy hour with light refreshments at ICA LA for their monthly Art Buzz event  (free but register)

Our Girl are playing at the Bootleg Theater with Particle Kid and a DJ set by SadGirl

Moon Duo are playing at Lodge Room with Umberto opening

 

Saturday

Artist Thomas Joshua Cooper, who has exhibitions currently on view at Hauser & Wirth and LACMA, will be in conversation with Michael Govan at Hauser & Wirth at 11:30am (free but register)

Los Angeles Municipal Art Gallery (LAMAG) is having a cyanotype workshop with educator Marissa Gonzalez Kucheck at 12pm.

The Great LA Walk is your annual chance to walk across Los Angeles county with a group of other energetic walkers. This year’s route runs from Arcadia, through Pasadena and onward to City Hall.

Cultural Traffic Arts Fair is happening at Delicious Pizza, free from 12-8pm

Death Valley Girls and Crocodiles are playing at Lodge Room

Creature Feature Festival II is happening at the Bootleg Theater with performers that include The Blank Tapes, Early Evil, Young Creatures and more

L.A. Drones, Death Hags, and Big Fun are performing at El Cid

 

Saturday and Sunday

Renegade Craft Fair returns to Los Angeles State Historic Park with its free holiday market

 

Sunday

Julia Jacklin is playing at the El Rey Theatre with Christian Lee Hutson

Bootleg Theater is screening a double feature of Louis Malle’s God’s Country, about the farming community in Glencoe, Minnesota in 1979, which was thriving at the time. Forced to abandon the project early, Malle returns in 1985 to follow up, and finds that things have taken a dark turn during the Reagan era. The second film is Lee Grant’s The Willmar 8 a film about “a group of eight women who, in 1981, carried out the longest bank strike in American history to protest gender discrimination at great cost to their reputations, marriages and livelihoods in the 14,000-person town of Willmar, Minnesota- 60 miles north of Glencoe”.

Kanye West is premiering his new opera Nebuchadnezzar at the Hollywood Bowl, directed by performance artist Vanessa Beecroft and feature music from West’s Sunday Service choir.

Oct 312019
 

Boy Harsher- Fate

Things to do in Los Angeles this weekend (10/31-11/3/19)-

Thursday

Foxes Magazine is hosting a Halloween Extravaganza at Lodge Room with a performance by theremin virtuoso Armen Ra, live bands performing songs by Bauhaus, Alice Cooper and The Damned, a burlesque show, DJ and more

The West Hollywood Halloween Carnaval runs from 6-11pm and is filled with fun costumed madness for a one mile stretch of Santa Monica Blvd. It gets VERY crowded. Don’t drive there.

Dead Ghosts are playing at El Cid with Adult Books and Venetian Blinds

 

Friday

Constitutional Happy Hour returns to Hammer Museum this time with Loyola Law School professor Kimberly West-Faulcon discussing the executive branch—Article II.

Metro Art is screening the 1926 film The Adventures of Prince Achmed with live music provided by Gamelan Merdu Kumala, as the first installment of their animated film series at Union Station. (free)

It’s the first night of the Substance 2019 concert at the Los Angeles Theatre with performances by Gary Numan, Adult., Xeno & Oaklander, and Kanga. For tickets to both nights go here.

TR/ST is playing The Novo with SRSQ and Saro opening

Johnny Goth and Ralph Castelli are playing at The Hi Hat with Finkel

 

Friday through Sunday

Blum & Poe is hosting the ACID-FREE Los Angeles Art Book Market. The three day event includes over 90 West Coast and international exhibitors presenting new publications and projects, film programming by Now Instant Image Hall and La Collectionneuse, an archival exhibition curated by Guadalupe Rosales, music by Pacoima Techno, and a schedule of additional programming.

 

Saturday

Boy Harsher are playing as part of the second night of the Substance 2019 concert. Tonight’s bands also include A Place to Bury Strangers,  John Maus, Black Marble, Crack Cloud and more

Día de los Muertos returns to Hollywood Forever for an all day/night event that includes over 100 altars, five stages of musical and theatrical performances, Aztec Ritual Dancers, an art exhibition, arts and crafts vendors, face painting, food, drink and more. Musical performers this year include Sávila, The Delirians, Lido Pimienta, and Café Tacvba. Get there early it draws a big crowd.

From 11am-4pm is Grand Ave Arts: All Access, a day of free programming that includes free admission to MOCA Grand Avenue, family films at REDCAT, an art and architecture tour of the Central Library, a backstage tour of the Dorothy Chandler Pavilion, a chamber music performance, a chance to check out the altars for Día de los Muertos in Grand Park and more

From 4-10pm Self Help Graphics is having a Día de los Muertos Party with performances by Buyepongo, Blanco Y Negro and more, plus a procession with life size Calaveras, face painting, crafting, and you can check out their exhibition Ancestral Lights

Artist Donna Huanca will be discussing her work at Marciano Art Foundation with British Venezuelan curator and art historian Cecilia Fajardo-Hill (free but ticket required)

Lala Lala is opening for Whitney at The Wiltern

Miss June are playing an early show at Moroccan Lounge

Guerilla Toss are playing at the Bootleg Theater with Gap Girls and Jonny Kosmo

 

Sunday

Artist Charles Gaines will be discussing his work and approach to art making with Thelma Golden, Director and Chief Curator of The Studio Museum, Laura Owens, and Gary Simmons, LA-based artists and former students of Gaines, at Hauser & Wirth (free but register)

Cherry Glazerr are part of this iteration of Dynasty Handbag’s Weirdo Night at Zebulon. Other performers include Peter Kim, Vik Floyd, Sandy Smiles, and the Uberdanzlabor Theatre of Gdansk.

Mykki Blanco, Brooke Candy, Phranc, and more will be performing at The Regent Theater for Queer Noise, a fundraiser for ONE Archives Foundation

Oct 222019
 

Hauser & Wirth is currently showing two painting exhibitions. On the ground floor of their 22nd Street location are Ed Clark’s gorgeous abstract works, some of which are pictured above. The paintings on view are recent, made between 2000 and 2013. Created on the floor using a push broom, there is a high energy in the motion and blend of color in these canvases.

Sadly, Clark passed away on Friday, October 18th at the age of 93. He was an innovative abstract painter who worked for more than 60 years. This is a wonderful opportunity to see his work in person.

On the second floor of the gallery is Amy Sherald’s the heart of the matter… , (pictured below) her inaugural exhibition with the gallery. If her style looks familiar, it may be because she gained a lot of attention with her portrait of Michelle Obama for the Smithsonian’s National Portrait Gallery.

“If you surrendered to the air you could ride it” (2019)

“Precious jewels by the sea” (2019)

From the press release-

Informed by the artist’s reading of key texts that explore tensions between interior and public realms, the heart of the matter… draws its title from the first chapter of bell hooks’ seminal book ‘Salvation,’ and builds on themes of silence and stillness explored in Kevin Quashie’s ‘Sovereignty of Quiet’ and U.S. Poet Laureate Elizabeth Alexander’s ‘Black Interior.’ In her new paintings, Sherald considers how these relate to the conceptualization of blackness as it is represented publicly, questioning representation of black identity, which often negates the complex reality of an interior life. She envisions black American identity beyond the conceits to which it has largely been restricted, attempting to restore a broader, fuller picture of humanity.

Sherald’s portraits are vivid, large in scale but intimate in effect, capturing both the ordinary likeness and extraordinary essence of her subjects while simultaneously detaching them from everyday reality. Varying in expressiveness, gesture, clothing, and emotional auras, the individuals portrayed maintain a persistent sense of privacy and mystery, requiring viewers to ponder the sitters’ thoughts and dreams. Drawn to each of her subjects instinctively and spontaneously, these ‘Americans doing everyday American things,’ as Sherald has described them, are part of an informal network of people who populate our universe.

Once Sherald commences painting, a transformational moment ensues as the artist begins to view her sitter as an archetype in the history of representation and therefore a vehicle for challenging assumptions. Working from carefully composed and dramatically staged photographs, Sherald situates her subjects in brightly colored, ambiguous environments, then meticulously tweaks expressions and patterns to emphasize a sense of universality and connection. While her subjects are always African-American, Sherald renders their skin-tone exclusively in grisaille – an absence of color that directly challenges perceptions of black identity.

the heart of the matter… debuts two paintings that reach a new, monumental scale for the artist. In these works, Sherald’s monochromatic backgrounds evolve into fully realized scenes that reference quintessential Americana: friends posed at the beach and a man atop a metal construction beam. For the latter, Sherald draws inspiration from Charles C. Ebbet’s iconic photography of 30 Rockefeller Plaza in New York City. Sherald often looks to vintage photography for source material, drawn to what she describes as its capacity ‘to narrate a truer history that counters a dominant historical narrative… Photography was the first medium I saw that made what was absent, visible.’ Sherald continues, ‘It gave people who once had no control over the proliferation of their own image the ability to become authors of their narratives.’ By mining and positioning images associated with archetypal or nostalgic American moments – burgeoning industry, sunny beachside locales – Sherald is able to firmly situate and make fully visible black Americans within the canon of American iconography. In this way, her portraits reclaim space and author a narrative for people that official art history omitted, speaking to the human condition and holding up a mirror to American life.

Lastly,  take a trip to the top floor for the group show Personal Private Public, a group exhibition “exploring the idea of the inner life in three main themes: introspection, intimacy, and voyeurism”.  The exhibition includes work by Jonathan Lyndon Chase, Ivy Haldeman, Celia Hempton, Tala Madani, Paul McCarthy, B. Ingrid Olson, Paul Mpagi Sepuya, Emily Mae Smith, Mira Schor, and Kohei Yoshiyuki.

All three of these exhibitions close 10/26/19.

 

 

 

Aug 092019
 

 

When trying to talk about the David Hammon’s exhibition at Hauser and Wirth Los Angeles, his first in Los Angeles in 45 years, it’s hard to know where to start. There are no titles or descriptions of any of the works in the show, although there is writing on the walls in certain places. The press release, shown below, is a mass of lines and a dedication to jazz musician Ornette Coleman.

Before you enter either of the two massive galleries housing the exhibition you encounter a courtyard filled with tents, some with “this could be u and u” stenciled on them. Tents also line the corridor under Martin Creed’s neon piece, EVERYTHING IS GOING TO BE ALRIGHT, with a rack of fancy vintage coats nearby. Once predominantly in Skid Row, Los Angeles’ tent cities have been growing rapidly on street corners and under bridges and highways all over the city, but they often just blend into the background for people walking and driving past. What does a fake tent city in the courtyard of a high end gallery in a newly gentrified neighborhood mean? Is its fake version more affecting than the real one to gallery and restaurant patrons wandering by?

The work in the show feels at times random, clever, humorous, and confounding, but also impressive, thought provoking, and most importantly never dull. There are stacks of art history books sitting on scales. A water filled bowl that contains what once was a snowball Hammons had sold on the street at one point in his career, sits on a wooden shelf. A room with empty glass cubes on wood columns requires you to bend down to see the feet underneath. A book titled A History of Harlem is filled with empty black pages.

In the room pictured below is a three legged chair next to a wall of photos of women sitting in it. Nearby, one of Ornette Coleman’s suits is surrounded by glass.

Another room is filled with paint splattered and damaged fur coats, one facing an antique mirror that is covered. The symbolism feels a bit heavy handed, like the tents, but it works in that there are still several ways to interpret what Hammons might be saying.

Throughout the exhibition paintings are covered in various ways. One in paper, ripped with a bit of the painting visible. Others are partially hidden with tarps, plastic, different fabrics, even an antique rug (shown below). Once again, you can interpret the meaning of this in several ways. With the rug, for example, it’s turned so that only a bit of its design is visible in front of a painting that is not completely visible. These rugs are often associated with old money and sometimes are hung on walls themselves as artwork. Or is it just another assemblage, a visual combination to be taken at face value.

Ultimately the interpretation of all of the work is up to the viewer. There is something freeing in that, not being given answers. Sure, it’s nice to have an explanation of an artist’s intentions sometimes, but you often add your own ideas anyway. Art should make you think, question things, look at the world from a new perspective- this exhibition does all of that and more.

David Hammons at Hauser & Wirth Los Angeles closed 8/11/19.

 

 

 

Jul 182019
 

Bill Baird- Your Dark Sunglasses Won’t Make You Lou Reed

Things to do in Los Angeles this weekend (7/18-7/21/19)-

Thursday

Italian composer , sound artist, and performer, Drum & Lace will be at Bootleg Theater for her semi songs EP release show that will include visuals, a light installation, and a dance performance

There’s a free performance of Roger Guenveur Smith and Marc Anthony Thompson’s Portrait of Charles White at The California African American Museum

Goon are having an LP release party at the Echoplex with Draag and Kevin also playing

Tyler Ramsey (former lead guitarist from Band of Horses) will be playing with My Morning Jacket’s Carl Broemel at Highland Park Ebell

Hammer Museum’s free Summer Concert Series continues this week with Wild Belle performing

Will Fox and Mara Connor are playing an early free show at Gold-Diggers

 

Thursday through 7/28/19

OUTFEST Los Angeles LGBTQ Film Festival opens Thursday with an Opening Night Gala and a screening of Circus of Books, about the recently closed WeHo store directed by the daughter of the store’s owners. It continues in various locations with screenings that include shorts and television episodes.

 

Friday

UCLA Film & Television Archive is screening the double feature Roman Holiday and Three Coins in a Fountain at Hammer Museum’s Billy Wilder Theater ($9)

21 Savage is performing at Shrine Expo Hall with Calboy and Young Nudy

Dean Wareham will be performing the Galaxie 500 album On Fire at the Teragram Ballroom

Potty Mouth and Colleen Green are opening for Dressy Bessy at Moroccan Lounge

Learn to dance the Argentine Tango at The Music Center’s Dance DTLA night in Grand Park

It Looks Sad. are playing at The Hi Hat with Derek Ted opening

 

Saturday

Bill Baird is playing a free show at Highland Park Bowl with Manhattan Murder Mystery and Mirrorball

ICA LA is hosting Reading the News-a 34,000 Pillows workshop with artist collaborative Díaz Lewis. 34,000 is the quota of detained immigrants per day in 250 facilities around the country mandated by the US Congress and enforced by ICE. Pillows from recycled clothing will be created and added to the 34,000 Pillows project to be sold for $159 (an amount that reflects the average amount of taxpayer money spent each day by Congress to detain one person daily) with 100% of proceeds donated to national and local immigration organizations. While the pillows are made there will also be a reading of news, literature, and poetry. (free)

Union Station is hosting Magic & Mystery, a free night of performances by magicians on the South Patio

Independent Shakespeare Co. is having free performances of the play Twelfth Night in Griffith Park all weekend and tonight as part of their Salon Series, Invertigo Dance Theatre Artistic Director Laura Karlin will lead an exploration into creating story through choreography.

 

Saturday and Sunday

Hauser & Wirth is hosting LITLIT: Little Literary Fair, a free two day book fair celebrating independent booksellers, book publishers, and book makers from Los Angeles and beyond. While you are there, make sure to check out the excellent David Hammons and Guillermo Kuitca exhibitions.

 

Sunday

Sculptor Liz Larner will be discussing artist Chris Burden at The Geffen Contemporary at MOCA as part of their Artists on Artists series

Turn It Up!, a new group advocating for gender parity in music, is hosting an afternoon concert fundraiser at the Echoplex, with performances by Solvej Schou, Phranc, and The Groans as well as the Turn It Up House Band featuring Abby Travis (Sumo Princess), drummer Tosha Jones (the Randies), bassist Gere Fennelly (Redd Kross), and guitarists Blare Bitch & Sharon Needles (both from Betty Blowtorch) with vocalists Lisa Kekaula (Bellrays), Nina Diaz (Girl in a Coma), Drew Arriola Sands (TrapGirl), Kristine Nevrose (the Tissues), Alice Bag, Adele Bertei, and Abby Travis.

Later at the Echoplex, Ringo Deathstarr, Tennis System, Blushing and The Meeting Places will be playing for Part Time Punks night

UCLA Film & Television Archive’s screenings at the Hammer Museum continue with three 1990s DIY indie films- Sarah Jacobson’s I Was A Teenage Serial Killer and Mary Jane’s Not A Virgin Anymore and Tina Krause’s Limbo ($9)

Singer-songwriter Natalia Lafourcade will be performing with maestro Gustavo Dudamel and the LA Phil at the Hollywood Bowl

We Were Promised Jetpacks are playing at the Teragram Ballroom with Catholic Action opening

Jul 112019
 

Drinker- Something I Want

Things to do in Los Angeles this weekend (7/11-7/14/19)-

Thursday

As part of Hammer Museum’s Summer Concert Series, Pavo Pavo will be performing in the courtyard. Get there early for happy hour from 6:30-7:30pm and to check out the galleries until 8pm.

Poet Amanda Gorman will be reading at MOCA Grand Avenue and entrance to both MOCA galleries is free this evening

Y La Bamba are performing at The Echo with Rituals of Mine and Vanessa Zamora opening

Bleached are playing at the Moroccan Lounge with The Linda Lindas

Hollywood Night Market at Yamashiro is a lovely way to have some food and drinks while enjoying beautiful views of the city- free shuttles leave from the Mosaic parking lot

 

Friday

The Underground Museum is showing Arthur Jafa’s The White Album and Jean-Luc Godard’s The Image Book. There will be a short conversation with  Arthur Jafa between films. (free)

Business of Dreams and Jo Passed are opening for Mauno at the Bootleg Theater

Jackie Mendoza is playing a free show at The Love Song with Ed Balloon and YUS

How Did This Get Made?, a podcast hosted by Paul Scheer, June Diane Raphael and Jason Mantzoukas, is having a live performance at The Wiltern

The Music Center’s Dance DTLA, a free night of dance instruction and music in different styles, takes place tonight with a hip-hop theme

Freddie Gibbs & Mad Lib are performing at The Novo

Draemings are playing a free show at the Levitt Pavilion with Vaya Futuro, El Mañana, and Bananaleafboy + XOLO

 

Saturday

Ever Present (formerly Friday Flights) is a free night of artistic performances taking place at The Getty. This iteration of the series, Cosmos, will include performances by Deradoorian, Carolyn Pennypacker Riggs, Jennifer Moon & Laub, and A.S.T.R.A.L.O.R.A.C.L.E.S

Cyndi Lauper is performing at the Hollywood Bowl with their orchestra and jazz singer Cécile McLorin Salvant opening (this show is also taking place on Friday)

Hauser & Wirth is screening Britt Banks’ film Ronald: Part 1 with a Q& A with the director to follow (free but register)

The Get Around is a Mar Vista Music & Art Walk and Venice Art Crawl joint event, with music, art vendors and exhibitions, readings, Burning Man art cars, performances, and more- taking place over 3.5 miles from 2-10pm

Vansire and BOYO are playing at The Roxy

Carter Ace and Rat Fancy are opening for Bloodboy at the Bootleg Theater

 

Sunday

Drinker are performing at the Bootleg Theater with Misty Mtn and Talker opening

The UCLA Film and Television Archive is showing the 1989 thriller Miracle Mile at the Hammer Museum with director Steve De Jarnatt present for the screening ($9)

The Egyptian Theatre is showing a double feature of Jack Nicholson films- Chinatown and the sequel The Two Jakes

Independent Shakespeare Co. is having free performances of the play Twelfth Night in Griffith Park all weekend- tonight includes Drag Queen Story Hour with Pickle reading a children’s version of Twelfth Night

Jun 272019
 

Christian Lee Hutson- Northsiders

Things to do in Los Angeles this weekend (6/27-6/30/19)-

Thursday

LACMA is showing Yasujiro Ozu’s film An Autumn Afternoon ($7 for non-members) in the Bing Theater

Emily Reo is opening for Charly Bliss at Lodge Room in Highland Park

Cape Weather and King Dream are opening for Spooky Mansion at Resident

Art Life Practice is hosting the workshop Post-Painterly Abstraction at Hammer Museum- $40 includes wine, snacks, and the art materials needed to explore the techniques of the Abstract Expressionism Movement through “pouring, spraying, dropping, sponging, smearing, and more”

Hollywood Night Market at Yamashiro is a lovely way to have some food and drinks while enjoying beautiful views of the city- free shuttles leave from the Mosaic parking lot

 

Friday

Christian Lee Hutson, is opening for Okkervil River at The Troubadour

LACMA is hosting a free screening of Steve Loveridge’s Sundance award-winning film MATANGI / MAYA / M.I.A., a personal profile of the artist and her journey from refugee immigrant to pop star

Sad Park, The Cozzmos, MoonFuzz, and Conductura are playing at The Smell

FIGFEST, the free concert series at FIGat7th, concludes tonight with STRFKR and De Lux

L.A. Live is hosting a Friday Night Block Party with $5 food and drink menus at many of the restaurants, live painting, street performers, and pop-up shops

Rufrano and Squirrel Flower are playing an early free show at Gold-Diggers

Night Beats are performing at The Roxy with Kate Clover and Hallow Gallows and a DJ set by Cosmonauts

Lido Pimienta, Delsonido, and Subsuelo are performing as part of the free concert series at Levitt Pavilion in MacArthur Park

 

Saturday

COLA 2019 artist Alice Könitz will be hosting a Self Reliance Talk and Workshop with survival expert Christopher Nyerges at Los Angeles Municipal Art Gallery in Barnsdall Park at 1:30pm

LACMA is hosting a free screening of the short films created in the Spring 2019 Veterans Make Movies program from 2-4pm. There will be a Q&A with the filmmakers after the screening.

Self Help Graphics is having its Annual Print Fair and Exhibition from 12-5pm

Photographer Bill Owens will be at Arcana Books to celebrate and sign his brand new book documenting the Rolling Stones’ Altamont Free Festival, Bill Owens: Altamont 1969 from 4-6pm.

Anderson .Paak and The Free Nationals are performing at The Forum with special guests Earl Sweatshirt and Thundercat

Cinespia’s movie in Hollywood Forever Cemetery tonight is Reality Bites

Sinkane is performing at the Bootleg Theater with The Mad Alchemy Liquid Light Show

Steady Holiday are opening for Yeasayer at the Teragram Ballroom

 

Saturday and Sunday

If you are a fan of Stranger Things– this weekend the Santa Monica Pier will be transformed into the “Upside Down” of Hawkins, Indiana, including carnival games, a slime dunk tank and The Curiosity House which will include Demogorgons

 

Sunday

From 11am-6pm Hauser & Wirth will host a screening of Art21’s Extended Play featuring artist Luchita Hurtado, running it on a loop throughout the day

CicLAvia returns- this time it’s Mid City Meets Pico Union- closing streets to traffic from Washington and La Brea (Mid City Hub) to 7th, and Venice Blvd from 7th to Hoover (Pico Union Hub)

Independent Shakespeare Co. heads back to Griffith Park this weekend with free performances of the play Twelfth Night

Mara Connor and Pete Molinari are playing a free early show at Gold-Diggers and if you missed seeing Sinkane on Saturday stay to catch his DJ set

The Technicolors are playing at The Roxy with King Shelter and Palm Springsteen