Barbara Kruger designed this mural, Untitled (Blind Idealism Is…) for the High Line in 2016. It is based on the quote “Blind idealism is reactionary” by Afro-Caribbean psychiatrist and political philosopher Frantz Fanon.
From the High Line website-
The original statement by Fanon, “Blind idealism is reactionary,” suggests that political and religious convictions stem from the situations from which they grow, not from the inherent nature of individual human beings. According to Kruger, the work reflects “how we are to one another” within “the days and nights that construct us.” These texts, along with Kruger’s own writings, resonate with particular potency in today’s political climate.
For more on this work at the time it was made, check out this interview with Kruger by The Intelligencer at New York Magazine.
This was one of the pieces from Neighborhood Reflections, eco friendly banners created last year for the Arts Gowanus Art Walk event in Brooklyn.
Artist Scherezade García’s large-scale community altar at Green-Wood Cemetery’s Historic Chapel for Día de los Muertos. Visitors were encouraged to bring personal offerings to a community altar, including flowers, photographs, and notes, among other objects.
Info from the artist’s Instagram–
Inspired by altars found throughout Mexico and the Mexican diaspora, Garcia’s altar combines her own unique style with this centuries-old celebration of the departed.
The centerpiece of the altar is a weeping, cinnamon-colored Statue of Liberty. By mixing all the colors in her palette, Garcia achieves a brown hue that embodies the ideals of diversity and inclusiveness. Her rendition of the Statue of Liberty, an iconic symbol of New York City, evokes the multitudes of immigrants that have found home here, including large Latin and Caribbean American communities. Garcia has dedicated the altar to all the New Yorkers who fell victim to the coronavirus.
Currently at Mitchell-Innes & Nash is Masses & Mainstream, an exhibition of Karl Haendel’s incredibly detailed drawings and his musings on life in current day America. The drawings can be humorous at times, including a comparison of himself to Jared Kushner through a checklist, and a record of his types of sneezes. They are balanced by others, where he expresses his anxiety when it comes to selling art, or a smaller piece that lists “wishful thinking” items that includes healthcare, education, housing, and equity for all.
From the press release-
While Karl Haendel’s newest work covers a wide range of subject matter from a stack of lawnmowers to a portrait of Barbara Walters, the common thread that links these disparate images is a dialogue between memory, both personal and collective, and national identity. Many of the works on view are drawn from overlooked sources in contemporary American life—cultural leftovers the artist combs through and resuscitates in order to represent an alternate picture of American reality. Other works, like the aforementioned stack of lawnmowers, come from the artist’s personal history and experiences—a once-submerged detail from his childhood home that has floated to the surface of recollection—that could also be read, more symbolically, as the paraphernalia of American comfort, excess and, perhaps even, of the endangered middle class.
This exhibition closes 2/16/19.