Aug 202026
 

Philadelphia artist Jim Houser created this mural, Wide Open, in 2019 for Mural Arts Philadelphia.

From Mural Arts:

Wide Open by artist Jim Houser features a design that speaks directly to the artist’s view of Philadelphia. Located in the Northern Liberties neighborhood, the mural’s themes include the concept of brotherly love, family and friends, a love of skateboarding and music, and the complex interaction of danger and beauty. The struggle of loss, hope and pride in where one lives intertwine in this striking mural.

His mixed media paintings, seen below, were also recently on view at Philadelphia’s Paradigm Gallery.

Work by Jim Houser at Paradigm Gallery in May of this year

You can find his most recent work on Instagram.

Aug 042026
 

In Miguel Horn‘s 2021 artwork ContraFuerte, his figures, made from aluminum plates, appear to be holding up a bridge between two buildings. Located on Cuthbert Street, an alley off of 18th Street in downtown Philadelphia, it was created as part of the city’s Percent for Art program.

For additional information on the work, check out this article from WHYY.

 

Jul 022026
 

The Talented Mr. Trotter: You Can Be Anything, located on the wall of The Clay Studio building, was created by Philadelphia artist Roberto Lugo in 2022.  It is a portrait of Philadelphia musician Tariq Trotter, aka Black Thought, of The Roots.

From Mural Arts Philadelphia about the mural:

The Talented Mr. Trotter: You Can Be Anything by artist Roberto Lugo is located in the Olde Kensington neighborhood of Philadelphia, Pennsylvania. Lugo has taken inspiration from musical artist Tariq Trotter of The Roots, particularly his story of growing up in Philly as a renaissance man. The mural design explores Trotter’s personal and artistic influences, while materially representing his myriad elements of inspiration and support through combining textile and ceramic patterning from across the world. Trotter’s central portrait is elevated in being formally honored on a highly decorative vase, flanked by his grandmother, who raised him, on the left and Afrika Bombaataa on the right. Traditional floral patterns are spread across the background but are filled with primarily non-Western and street culture patterns. Visual references range from African and South American textile prints, to the graffiti-esque fonts of sneaker culture.

A Kensington-born potter, social activist, spoken word poet, and educator, Roberto Lugo sees his pottery as a process of transforming the ground we walk on into something we eat from. His studio practice communicates with diverse audiences that, in some cases, are not so invested in using art to understand the world. Over the past two years, Lugo has led ceramic workshops at Tyler School of Art and several virtual design challenges with youth in Mural Arts’ Education program. These workshops have tapped into everyday patterns and ceramic traditions from all over the world. Lugo has created a large mural inspired by Roots leading member and proud Philadelphian, Tariq Trotter. Trotter’s multi-talented and visionary approach to his creative practice and humble dedication to his home city are core aspects of Lugo’s mural homage.

A longtime advocate for The Clay Studio and its community programs, Lugo’s mural is installed on The Clay Studio’s building in Olde Kensington at 1425 N American Street that opened in spring 2022.

Jun 252026
 

Curry J. Hackett, “The Gilded Block (Porch)”

mk. “you are so much to me pt. 1.” 2022

A golden inflatable porch by artist Curry J. Hackett welcomes visitors from outside the entrance to Spaces of Encounter, the current exhibition at Temple Contemporary, Temple University’s art gallery. Inside the gallery, Rokh Research & Design Studio founder and PhD student Danicia Monét Malone’s public arts research combines with NYU MA candidate Alyse Tucker‘s art curation to present an interesting selection of artwork, installations, and infographics that explore public art and shared spaces.

From the press release:

… Spaces of Encounter explores public space across North and Latin America and the Caribbean through the lens of public art. The exhibition brings together research and artistic material from Albuquerque; Cartagena; and Indianapolis, examining how people interact with public artworks across different urban contexts. Visitors are invited to reflect on who is welcomed into shared spaces—and who is made to feel excluded.

At the center of the exhibition is a guiding question: What does public space ask the body to believe about safety, care and belonging?

“For Black residents navigating environments marked by surveillance, neglect or misrecognition, aesthetic conditions operate as cumulative exposures that influence how safety, care and civic participation are felt in the body,” says Malone.

Through documentation, archival material and sculptural elements, Spaces of Encounter considers how public art mediates lived experience and contributes to collective memory. One featured work includes preserved fragments of a dismantled Black Lives Matter street mural in Indianapolis, foregrounding the fragility and afterlife of public artworks. Even when removed or destroyed, such works persist through memory, documentation and community impact.

“We’re interested in the afterlife of public art—what remains when the physical object is gone,” says Tucker.

The exhibition is particularly resonant in Philadelphia, a city shaped by one of the nation’s most expansive public art and mural programs. As development continues to transform neighborhoods, Spaces of Encounter offers an opportunity to reflect on how public artworks are preserved, displaced or erased—and what those changes mean for communities.

“Our gallery commissioned Spaces of Encounter to demonstrate Tyler’s commitment to being a beacon for art, architecture and community imagination in North Philadelphia and beyond,” says Temple Contemporary’s Director of Exhibitions and Public Programming Matthew Jordan-Miller Kenyatta, PhD. “By blurring inside and outside, the interior versus exterior, it smartly knits together the intimate, culturally specific meanings with public moments of spectacle that anyone can enjoy.”

This exhibition closes 6/27/26.

May 052026
 

Artist Meg Saligman has created several murals for the City of Philadelphia Mural Arts Program including Philadelphia Muses, pictured above, which was painted in 1999.

From the Mural Arts website about this mural-

Intended as a contemporary interpretation of the classical muses, Saligman has created an arts landscape filled with figures and elements symbolizing today’s art and creativity.

In the center of the composition is an arts machine spinning out spheres, symbols of the perfect art form. Each of the nine muses in the composition is associated with a sphere, and there are circular references throughout the composition, such as the compass.

Through portraits of local performing artists and references to works of art by local artists, Saligman honors the following forms of creative expression.

The entire mural was created by the artist in her studio using large squares of a polyester fabric called non-woven media (or parachute cloth). These were then adhered to the wall with an acrylic gel, much like a giant decoupage. Saligman’s style is very painterly yet also very realistic and makes frequent allusions to classical themes and figures like the muses in this composition.

Apr 082026
 

This portrait of Philadelphian Najee Spencer-Young was created by artist Amy Sherald in 2019 for Mural Arts Philadelphia.

From the Mural Arts website about the work-

Artist Amy Sherald made headlines around the world with her stunning official portrait of Michelle Obama, portraying not only the beauty and intelligence of the woman herself but the depth and breadth of all that she represents as our first African-American First Lady. Sherald’s overall body of work represents reflective, everyday moments within the lives of Black people, evocative portraits that explore how people construct and present their own identities.

Now Sherald brings her work to a new scale: working with Mural Arts Philadelphia on a massive mural portrait in Center City. The portrait is of Najee S., a young Philadelphian and participant in our art education program. Like the First Lady’s portrait, Sherald’s mural challenges ideas about identity and the public gaze, asking the questions: “Who is allowed to be comfortable in public spaces? Who is represented in art? How can one woman’s portrait begin to shift that experience for others?”

The project began with a field trip to Sherald’s studio by some of Mural Arts’ art education participants. The young people spent a day with Sherald, learning about her unique artistic practice, exploring costumes, and taking photographs together that would form the inspiration for the mural.

Three of Mural Arts’ Art Education assistant artists, Kien Nguyen, Arthur Haywood, and Emily White, also had the opportunity to study with Sherald in order to learn about her artistic process. They shared her unique process in classroom exercises with Philadelphia students, and also began work from Amy’s design to execute the six-story-high mural.

Mural Arts Philadelphia Executive Director Jane Golden says, “We are so honored to be working with Amy Sherald. For years we have admired her painting; there is such strength in her composition, her color and the way she captures a gaze. And now she has teamed up with our art education program to create a unique mural in the heart of our city. What an extraordinary moment for Mural Arts and for Philadelphia.”

 

Mar 132026
 

Today’s flashback is to Davina Semo‘s public art installation Reverberation in Brooklyn Bridge Park. Curated by Daniel S. Palmer and organized by Public Art Fund, the sculptures were on view from August 2020 until April of 2021.

From Public Art Fund about the work-

A ringing bell organizes our civic life, inviting us to come together in public space. Its unmistakable sound marks the hours, calls us to assemble, alerts us to danger, and announces momentous occasions. These and other modes of public address can unify communities and define the auditory landscape of our city, even when all else is silent and still.

Davina Semo (b. 1981, Washington, DC) has created five cast-bronze bells to be rung by visitors in the Brooklyn Bridge Park, recalling the maritime communication once common at this waterfront site. While their percussive function is familiar, the traditional bell form has been reimagined by the artist as an elongated streamlined sculpture that dangles aloft from a heavy industrial galvanized steel frame. The holes she has drilled through each bell create constellations of light in their darkened interiors and staccato patterns on their exterior shells. These arrangements give them unique identities that are characterized through their evocative titles: Reflector, Singer, Dreamer, Listener, and Mother. Their distinctive voices are also expressed in the subtle nuances in their tones when rung.

Semo’s bells are coated with a lustrous pearlescent paint that glows hot orange to evoke the international color of urgent alarm—meant to heighten our attention in precarious times. During this turbulent year, auditory interventions have characterized our collective experience, whether through the evening cheers for essential workers or the chanting voices of protesters demanding justice. The exhibition builds upon this moment, encouraging audiences to add their own contribution to our urban soundscape. Ultimately, Semo intends for these bells to sound an optimistic note. As we ring out the old and ring in the new, each bell reverberates in concert with its neighbors, creating a collective resonance together.

In this video she and the curator discuss the work and you can see more of the installation-

 

Mar 102026
 

These three murals by British artist David Puck were created for Sacramento’s 2019 Wide Open Walls mural festival.

You can find their most recent work on Instagram.

Mar 102026
 

Pictured are two murals from artist Lin Fei Fei‘s Introspection series, located in Sacramento.

She is also the founder of Sacramento’s Inbetween Tattoo + Arts, which includes an arts studio and gallery space.

Mar 052026
 

Nonstop (2107) by Arden Bendler Browning was commissioned by Philadelphia’s Percent for Art Program and is on view at Philadelphia International Airport.

From Art at PHL about the work-

Philadelphia artist Arden Bendler Browning is known for creating large-scale, highly energized, gestural paintings inspired by her urban surroundings. Browning’s paintings are mostly abstract, yet include hints of realism with the suggestion of architectural structures, roadways, telephone poles, and green spaces. Browning’s paintings envelop the viewer with their scale, intensity, and sense of movement. Her imagery is derived from photos taken while traversing the city. The photos enable her to see the city from various vantage points and, as she has described, “jump through time and space.”

Browning’s paintings visually capture that sense of timelessness as she often conveys a disorienting landscape where colors and shapes collide and overlap, where only glimpses of reality come into focus. She speaks of the urban environment as “a vast sea of fluctuating boundaries arguing claim to the demarcation of space.” This statement also describes Browning’s work as she depicts the urban landscape using an amalgam of colors, shapes, and painterly marks adrift and influx.

Browning has said, “Nonstop is multifaceted and dense, full of action, and vibrancy in unexpected places with pockets of space and clusters of commotion. It is just like Philadelphia.”

Browning is currently part of the group exhibition, The Landscape: Lost and Found at Ellen Miller Gallery in Boston, on view until 3/28/26.