Jul 242023
 

This mural by Shark Toof was created for the 2015 edition of the SHINE Mural Festival in St. Pete, Florida.

About the mural from the St. Petersburg Arts Alliance website

The artist hails from Los Angeles and is known around the world for his iconic shark illustrations. Although the shark’s reputation is fearsome, Shark Toof uses the image of a shark to give strength, optimism and possibility to the viewer. He sees the shark as a voice of rebellion, and a conduit for the unheard.

At the artist’s request, the wall was painted red before he got to St. Pete. Even so, the mural took four days and almost one hundred cans of aerosol paint – and it was a challenge because of wires and the architectural details of the wall.

When the painting was done, the artist stepped into the doorway on the bottom right, closed the iron grate and said, “See? Now I’m in a shark cage!”

For more of Shark Toof’s work also check out his Instagram.

Jul 172023
 

This mural by Marina Capdevila was created for the 2022 edition of the SHINE Mural Festival in St. Pete, Florida.

Check out her Instagram as well to see her most recent work.

Dec 012022
 

This mural was created by Jason Harvin (@waywardwalls) for the 2021 SHINE Mural Festival in St. Pete, Florida.

Nov 222022
 

Brightmares was created by Alex Pardee (@alexpardee) for the 2016 SHINE Mural Festival in St. Pete, Florida.

From the St. Pete Arts Alliance website about the work-

The mural is called Brightmare, 46 feet wide and 19 feet tall. An emaciated, purple, naked figure is bowed down under a huge, sagging rainbow-colored ball where her head should be. She’s bony and hunched over, with purple skin and long grey skeletal hands, pendulous breasts and a swollen belly. The figure is on tiptoe, knees bent, one hand on the muddy floor for balance.

The sagging striped ball covers her head and neck and droops toward her belly – a red dot like a bullseye in the center of the ball, is ringed with pink, blue, green, yellow and orange. It’s like a rainbow balloon that’s leaking air, and jammed onto the figure’s head. Colors drip from the ball, and purple splashes from her body, as if the entire mural is melting in the heat.

The figure is stooped in front of a gaping black hole painted on the wall, like the opening of a cave. At her feet, bulbous blobs of white, tan and brown are spurting mud and water into the air.

On the lower left corner, the muddy blobs touch a green metal door in the side of the building. The outline of the cave crosses vertical pipes and electrical connections bolted to the wall. Two dark metal exhaust ducts frame the figure’s heavy rainbow head.

The background of the mural is the same stark industrial tan of the rest of the building, a massive structure that takes up almost an entire block.

Alex Pardee is a multi-media designer and illustrator who’s brought his unique aesthetic to music, film, animation, clothing and comics. When he painted this for the 2016 SHINE Festival, it was the largest mural he’d ever attempted. Ricky Watts, another artist on our tour, flew in from San Francisco to help with the mural’s completion. The mural is painted in aerosol, but the gaping black hole is brush painted.

To your right, in the alley facing this mural, a small window with heavy metal bars reflects the mural’s rainbow colors.

 

Oct 262022
 

Beneath the Shell by Michael Reeder (@reederone) was created for the 2016 iteration of SHINE Mural Festival in St. Pete, Florida.

The St. Pete Arts Alliance website has more information on the artist and this work.

Oct 192022
 

The Blue Hour by Cecilia Lueza was created for the 2018 iteration of SHINE Mural Festival in St. Pete, Florida.

From the St. Pete Arts Alliance website about the work-

A rich, dusky blue with vivid rainbow swirls and the blue-tinted profile of a woman lit by moonlight is the focal point of 100 1st Avenue North. The mural is on the northwest corner of Central Avenue and 1st Street North, across the street from The James Museum.

Cecilia Lueza calls this piece, The Blue Hour. She explains, “It’s inspired by that magical time between daylight and darkness. It explores the visual effects of color, and movement, while evoking wonder and contemplation.”

The mural feels intimate, two sides of a corner angled inward. The left-hand side, facing east, is 17 feet high, 18 feet long. The right-hand side, facing south, is 17 feet high and 22 feet long.

The background is a rich, deep blue, the color of the sky moments after the sun sets. On the right half, facing Central Avenue, a calm and lovely woman’s face looks toward the right. Her face is in profile, from the neck up, so large that the top of her head is cut off by the mural’s edge. She’s painted a range of dark and lighter blues – and very realistic – like an idealized black and white photograph that’s been tinted blue.

Her expression is thoughtful, as if she’s been watching the sun set and is looking at the quickly fading colors as the stars and Moon begin to glow around her.

Her profile shows a graceful neck, high cheekbones and a smooth forehead, one dark eyebrow in a curve, and long dark lashes. The right edge of her face is outlined in light, as if she’s facing a full Moon. Her eye, her cheek, the edge of her nose, her lips, her neck and throat, are highlighted by moonlight. The rest of her face, and her neck, are dark indigo.

Instead of the long dark hair we expect, thick swirls of blue and green – and swirls of red, pink, orange and gold – flow behind her head and across the left half of the mural, the half that’s facing 1st Street.

A swirl of blue, in stripes from dark to light, touches the back of her head, falling in an undulating band from the top of the mural to the ground, as if this ribbon of color continues past the edges of the mural. Another end of this long band curves down and sprawls across the left half before arcing up and away.

A band of color striped from yellow and green to blue, twines across the left half of the mural before it swoops around the other blue band like a crochet stitch.

Behind the swirling blues and greens is a wave striped in pink, red, rose, watermelon and peach. It twists behind the blues and ducks under another wave, with stripes that run from red to gold. The blue-green swirls and the red-pink-gold swirls dive and tangle, full of motion.

The mural is a lovely combination of the calm and thoughtful blue-toned woman gazing out as light falls on her face – caught in thick waves of color.

Cecilia Lueza was born in Argentina and is now based in St. Pete. She’s known for vibrant public art pieces in a range of media. She explains that this mural has a sense of identity, and an element of discovery.

Her goal with this corner space “was to create an uplifting, evocative, and colorful focal piece that could be viewed and enjoyed from every angle.”

Lueza’s website is linked above, but more of her work can also be found on her Instagram.

Aug 052022
 

Jared Wright’s Harmony for Shine Mural Festival 2021 in St. Petersburg, Florida.