Sep 282023
 

“Ripening Shadows”, 2023, Colored pencil on toned paper

It was great to see Lauren Mann’s drawings again, this time at Art Center Sarasota for her exhibition The Ephemerality of Being. Her work was previously part of 2022’s emerging artist exhibition Fresh Squeezed 6 at Morean Arts Center, in St. Petersburg, Florida.

The artist’s statement about the show-

Growing up and getting older is seeing time pass and recognizing you can’t do anything but try to take in every moment. It’s exhausting. It’s taking a deep labored breath and deciding to rest in the peaceful aftermath of the realization that your time on earth is finite.

This work combines delicate portraiture with the rich symbolism of inanimate objects to create new, contemporary still lives. Bright, sanguine memento moris. By carefully veiling these reminders of humanity’s brittle ephemerality behind the facade of beautiful and nuanced illustrations of ordinary characteristics and relationships found in everyday life, it compels the viewer to reflect on their own lived experiences and feelings towards mortality, comparatively to those conveyed in these works.

This exhibition closes 9/30/23.

Jun 202022
 

Florida Roadside- Gatorland, 2020

Dusk Pines, 2020 (left) and Pinelands, 2020

Artists Sam McCoy (works above) and Sheherazade Thenard (work below) were both part of the recent exhibition Fresh Squeezed 6: Emerging Artists in Florida at Morean Arts Center in St. Petersburg, Florida.

Information on Sam McCoy from her website

Sam McCoy was born and raised in Orlando, Florida in the 90s. She is a contemporary painter who focuses on the boundaries between natural and hyperreal landscapes of Florida. She pulls her inspirations from a place where spectacles and roadside attractions dominate America’s tourism capital. Between eco-tourism destinations and constructed gardens, McCoy explores the contradictions of her experiences in these places. By pulling back the metaphorical curtain on a carefully crafted image of Florida, McCoy’s ideas of disenchantment and re-enchantment are enacted in each painting. The viewer can still find meaning in the shadier discordant corners of the State.

Magnolia, 2020

From Sheherazade Thenard’s information page

For me, a landscape painting is not merely a visual representation of the world. It is a metaphor for the human condition. I paint to try to make sense of the fragility of our world, the passing of time, and our shared experiences of light, color, and space. The incorporation of figures within my paintings are often swallowed or hidden by their constructed lush surroundings. Painting the land and its inhabitants continues to be a way of engaging with the strangeness of being here.

The undercurrent themes of mysticism, escapism and fantasy are reoccurring within my pieces. Through these works, I aim to create psychological spaces paired with hidden symbolism integral to the understanding of each painting.

Check out both of their websites to see more of their excellent work.