May 132026
 

Roberta Tucci‘s beautiful layered paintings celebrating spring flowers and plants are currently on view in her solo exhibition Bloom, at The Delaware Contemporary.

Her statement about her work from her website-

I paint images that express how I perceive organic forms and the world of nature. To do this I develop personal meditative practices that enhance my awareness of nature: both particular details and living systems. I visually interpret this abstract awareness by using traditional indirect painting techniques. These techniques involve layering with varnish and glazing. This slow painting process allows me to accumulate ethereal levels of tone and color on which to create unique images. I then introduce and develop shapes, lines and patterns that represent the complexities of my natural subjects. The compositions that result invite viewers to perceive, connect and engage in a way that encourages their own with meditative contemplation.

This exhibition is on view until 5/31/26.

May 112026
 

Spanish surrealist Salvador Dalí was born today, May 11th, in 1904. The painting above, Soft Construction with Boiled Beans (Premonition of Civil War), from 1936, is part of the Philadelphia Museum of Art‘s permanent collection. It was also included in their recent exhibition, Dreamworld: Surrealism at 100.

From the museum’s website about the work-

Salvador Dalí painted this allegory of self-inflicted carnage while living in Paris in early 1936, on the eve of the devastating civil war in his Spanish homeland between Francisco Franco’s right-wing nationalist forces and the elected Republic. The painting flaunts its flair for gruesome detail. A grimacing colossus towers over a sunbaked Spanish landscape and deliriously rips itself apart. Limbs are switched around and turned upside down, and the body’s trunk is missing entirely. A limp phallic shape draped over the truncated hip is a striking example of Dalí’s soft forms, implicitly referring to putrefaction and death. The scattered beans of the title exemplify the bizarre incongruities of scale to conjure the workings of an unconscious mind. Dalí interpreted the Spanish conflict in psychoanalytic terms, and he included an homage to Sigmund Freud, the initiator of psychoanalysis whose work inspired him to embrace such nightmarish visions, by including a tiny portrait of Freud inspecting the gnarled hand at lower left.

 

May 092026
 

Cats, painted in the 1930s, is by artist and educator Dorothy Geneva Simmons Skelton. It is currently on view at Crocker Art Museum in Sacramento as part of their permanent collection.

From the museum about the artist-

Dorothy Simmons was born in Woodland, California, and grew up in Oakland. She attended the University of California, Berkeley, where she completed a B.A. and M.A. in art and education. During World War II, after marrying U.S. Army Air Corps officer John Skelton, she moved to Arlington, Virginia, and worked at the Pentagon in military intelligence. In 1948, she became a civilian member of Monuments, Fine Arts, and Archives Section Unit (aka the Monuments Men), which protected cultural monuments during the war and subsequently restituted art and other objects confiscated by Nazis.

May 062026
 

Detail from the center work in the image above

In Stone Formations, Kira Krell‘s exhibition at the Mezzanine Gallery in Wilmington, her large multilayered paintings and smaller delicate sculptures find a cohesive balance, much like the natural formations that inspired them.

From Mezzanine Gallery and Delaware Division of the Arts-

Stone Formations is a solo exhibition by Kira Krell that guides viewers from volcanic deserts to beautiful coastlines. Through diverse geological imagery, and weathered forms, the work traces place and time, evoking memory, endurance, and the lasting presence of landscapes once called home.

Krell’s process begins by layering sand, plaster and earth pigments to create relief-like texture paintings. Adding, subtracting, and distressing these elements is necessary to achieve surfaces that appear weathered and time-worn, in pursuit of capturing geological structures: Stone Formations. Intricate details are revealed through dry brushing and mark making techniques, using acrylic and pencils. Fascinated by natural forms and their portrayal of permanence and strength, the artist offers an impression of steadiness and belonging. This acts as a counterpoint to our fast-paced, ever-changing world. Krell invites viewers to take a moment to pause, breathe and reflect on our beautiful world.

The exhibition will be on view until 5/29/26.

May 052026
 

Artist Meg Saligman has created several murals for the City of Philadelphia Mural Arts Program including Philadelphia Muses, pictured above, which was painted in 1999.

From the Mural Arts website about this mural-

Intended as a contemporary interpretation of the classical muses, Saligman has created an arts landscape filled with figures and elements symbolizing today’s art and creativity.

In the center of the composition is an arts machine spinning out spheres, symbols of the perfect art form. Each of the nine muses in the composition is associated with a sphere, and there are circular references throughout the composition, such as the compass.

Through portraits of local performing artists and references to works of art by local artists, Saligman honors the following forms of creative expression.

The entire mural was created by the artist in her studio using large squares of a polyester fabric called non-woven media (or parachute cloth). These were then adhered to the wall with an acrylic gel, much like a giant decoupage. Saligman’s style is very painterly yet also very realistic and makes frequent allusions to classical themes and figures like the muses in this composition.

May 012026
 

Today’s flashback is to Allison Hueman‘s 2017 mural Bloom, spotted in 2019 in downtown LA’s Arts District.  The mural pays tribute to local community activist Joel Bloom, who passed away in 2007.

For more work by Hueman, also check out her Instagram.

Apr 252026
 

Cy Twombly “Fifty Days at Iliam: Shield of Achilles”, 1978

Cy Twombly “Fifty Days at Iliam”, 1978, oil, oil crayon, and graphite on canvas

“Fifty Days at Iliam: Achaeans in Battle”, 1978

“Fifty Days at Iliam: The Fire that Consumes All before It”, 1978

“Fifty Days at Iliam: Shades of Achilles, Patroclus and Hector”, 1978

“Fifty Days at Iliam: Shades of Eternal Night”, 1978

Cy Twombly was born today, April 25th, in 1928. One of his most famous works is Fifty Days at Iliam, his visual interpretation of Homer’s poem the Iliad. This “painting in ten parts” is currently on view at the Philadelphia Museum of Art and images of each of the individual works can be found on the museum’s website.

About Fifty Days at lliam from the museum-

The pinnacle of Twombly’s lifelong preoccupation with Greek and Roman mythology, Fifty Days at lliam is the artist’s rendition of the last fifty days of the Trojan War. The monumental series fuses elements of Homer’s epic poem The lliad, probably written before 700 BCE, and Alexander Pope’s translation of that poem from the 1700s.

The artist purposefully misspells the name of the besieged Trojan city as lliam, instead of the Latin llium or the Greek Ilion. The letter “a” stands as a symbol for the Greek warrior Achilles, whose rage sparked by the death of his friend Patroclus propels the end of the decade-long conflict.

Partaking in a long artistic tradition of depicting war, Twombly addresses themes of heroism and aggression, comradeship and revenge, jubilant victory and the mourning of the dead. The ten canvases can be encountered sequentially or experienced as an all-encompassing panorama that gives the sensation of witnessing the battle firsthand.

Twombly’s signature style combines the poignant gestures of abstraction with poetic allusions to classicism. Relocating from the United States to Italy in the 1950s proved decisive for Twombly’s art, which uses raw mark-making to allude to the myths of antiquity.

For a look at Twombly’s life and career, the 2018 documentary Cy Dear, is well worth a watch. The film begins with a discussion of Fifty Days at lliam, which was on view as part of a 2017 retrospective at Centre Pompidou in Paris. It also includes interviews with several of his friends and colleagues– including former assistants, his son Alessandro, art dealer Larry Gagosian, and photographer Sally Mann.

Apr 232026
 

The painting above, [12:02 AM] by Nicole James, was part of Harsh Collective‘s 2024 exhibition Entropy in NYC. She is currently part of the group exhibition March Madness at Room57 Gallery, on view until 5/1/26. Loft Projects will also be showing some of her smaller paintings and mini-paintings at Future Fair in Chelsea, May 13-16th.

A little bit about the artist from Harsh Collective-

Nicole James (b. 1987, Los Angeles, CA) embraces chaos in her figurative compositions, even amidst the quest for aesthetic perfection. Using a systematic painting approach, James seamlessly integrates elements from modern photography, pop culture, and self-documentation. Her compositions, born from this fusion, offer viewers a glimpse into the beauty inherent in life’s chaos, inviting them to immerse themselves in the captivating allure of disorder while imagining themselves as the subject of the composition.

Also check out her Instagram, where James often shares videos and still shots of the process behind creating her work.

 

Apr 212026
 

Todd Gray, “The Song Remains (assumptions about the nature of time)”, 2024, Two UV pigment prints on Dibond, artist’s frames

In LA-based artist Todd Gray’s The Song Remains (assumptions about the nature of time), two images, one of Iggy Pop and the other of a statue in Italy, merge both visually and conceptually. It was on view as part of While Angels Gaze, his exhibition at Lehmann Maupin in NYC in 2025.

About the work from the gallery-

In The Song Remains (assumptions about the nature of time) (2024)—one of the exhibition’s smallest works, composed of just two panels—Gray depicts Iggy Pop in black and white, his image overlaid against a statue from Villa Torlonia of a figure holding a pan flute. The gesture of the statue’s outstretched arm on the left is mirrored in Iggy’s raised hand on the right, connecting the two figures across time as if by an invisible thread. The image suggests an enduring human archetype, different and yet unchanged over the course of many centuries, and invites wider questions about the essence of human nature.

Gray’s latest solo exhibition, Portals, is currently on view in Perrotin‘s new Los Angeles gallery through until 5/30/26. His commissioned piece, Octavia’s Gaze, was installed last year at LACMA in the new David Geffen Galleries, which are opening to the general public in May (they are currently open to members only).