Will Ferrell and Joel McHale visit the Hammer Museum
What makes an object art? Does an object only have importance with a narrative attached to it? Conceptual art can be challenging. Walking around the exhibition Stories of Almost Everyone, at the Hammer Museum, it’s hard not to share a bit of the sentiment in the above video. There are so many questions to ask. What am I looking at? Is it art? Why? Does the stack of mail being added to every day feel like art (Mungo Thomson’s contribution)? What about the empty postcard rack (Ceal Floyer’s Wish You Were Here)? Does it gain more meaning when you read about why it’s there? These questions are subjective, of course, but some of the works included resonate more than others. Danh Vo (who currently has an exhibition at the Guggenheim Museum) contributes a lit up globe once owned by Robert McNamara, US Secretary of Defense during the Vietnam War. The object itself is beautiful but is given additional meaning when looked at through the eyes of the Vietnamese artist. Other objects are manipulated, like Fayçal Baghriche’s The clock, which has been sped up to give the illusion of altering time.
In addition to the wall texts, author Kanishk Tharoor contributed a short story that can be listened to on an audio guide or read. As you listen to (or read) the story, the objects now take on a different meaning with their inclusion within the fictional narrative. Does this change your perception of the works? Does it make them resonate more with you? All of this depends, ultimately, on the individual. You’ll have to head to the Hammer to decide for yourself.
This exhibition closes 5/6/18.