Sep 182026
 

2011 mural by Shepard Fairey surrounded by work from Danny Clinch and RC Hagan’s 2016 collaborative mural project

The updated Shepard Fairey mural (2026) by photographer Connor Kane (images from PlusOne.ap Instagram account)

The updated Shepard Fairey mural (2026) by photographer Connor Kane (images from PlusOne.ap Instagram account)

Lots to do in Asbury Park, New Jersey, this weekend! Tonight marks the beginning of Wooden Walls inaugural three-weekend art party, PlusOne. It will include new murals, immersive installations, exhibitions, art tours, and more.

Artist Shepard Fairey has returned for the first time since 2011 and has updated his original mural and added several more. The first image above is from 2024 and shows the original mural, plus a few leftover pieces from a 2016 collaborative project (the images of musicians) between photographer Danny Clinch and RC Hagans . The second images are the recent updates, courtesy of PlusOne and photographer Connor Kane.

Raw Power, an exhibition of artwork by Fairey presented by Wooden Walls and Jonathan Levine Projects, is showing in two locations in Asbury Park– The Art Spot (where it opened yesterday, 9/17) and Parlor Gallery (opening tonight 9/18). The works will be on view in both locations until 10/18/26.

Also part of PlusOne’s programming, the 4th Annual “March of Medusa” procession created by multidisciplinary artist Dennis McNett, aka Wolfbat, is taking place on Sunday (9/20).  The procession route is along the Boardwalk from the Carousel House to 4th Avenue Pavilion.

The full schedule for all three weekends can be found here and the press release for the event here.

 

Sep 162026
 

Sculptor Claes Oldenburg‘s Clothespin was installed across from City Hall in downtown Philadelphia in 1976. It was commissioned as part of the Redevelopment Authority’s Percent for Art program.

Two details about the 45-foot, 10-ton Cor-Ten steel sculpture may have you looking at it a bit differently. The first is it’s spring, which is meant to resemble the number 76, a reference to the signing of the Declaration of Independence in Philadelphia in 1776. The other is that Oldenburg was influenced by Constantin Brâncuși‘s The Kiss when creating this work. The Kiss is on view at the Philadelphia Museum of Art.

For more information about the sculpture and its history, this article on The Encyclopedia of Greater Philadelphia, is worth checking out.

 

Sep 112026
 

Jennifer Hintz Eggers, “Through the Night”, Oil on birch panel

RitaMarie Cimini, “After the Dream”, Oil on acrylic

Maia Palmer, “Splitting Headache”, Migraine Portrait Series, Charcoal and pastel on paper

Jennifer S. Rodgers, “Nearly every day PHQ-9 Depression” and “More than half the days (GAD-7 Anxiety)” acrylic paint, ink on canvas

Interactive work by Jennifer S. Rodgers– gallery visitors are encouraged to write down worries, fears or anxieties on the paper and place them in the box

Acrylic on wood paintings by Carly Maiorano

Tonight (9/11/26)  is the closing reception for Shadow Work, a group exhibition at Chris White gallery in downtown Wilmington. Curated by Jen Hintz Eggers and Rebecca Howell, nine local artists present work exploring what can be discovered through “shadow work“.

From the gallery:

Shadow Work invites impolite conversations. By shining a light on the hidden aspects of ourselves and our society, each artist examines their experience through honest dialog around parts rarely seen or discussed. From impeccably constructed portraits and florals to expressive large scale paintings and found object sculptures, these works offer a space for vulnerability by opening up the door to community.

Other artists included in the exhibition but not pictured: Regina Katz, Jane Quarterone, Rebecca Howell, and Samara Weaver.

Tonight is also Art Loop Wilmington, a monthly event where galleries and cultural spaces stay open late.

 

Aug 282026
 

Kusama- Infinity- Official Trailer

Yesterday it was announced that Japanese artist Yayoi Kusama passed away on August 14th, at the age of 97. Although she had a long career, she became very popular much later in life for her dot-covered sculptures and paintings, as well as her Infinity Mirror Rooms installations. Infinity Mirrored Room—The Souls of Millions of Light Years Away (2013) and  Longing for Eternity (2017), are currently on view at The Broad in Los Angeles.

Kusama: Infinity, directed by Heather Lenz, follows Kusama’s life from her childhood in the mountain town of Matsumoto, to years trying to build a career in New York in the 1960s, her struggles with mental illness, and later, years after her return to Japan, her tremendous career success. The film is a fascinating portrait of an artist who dedicated so much of her energy into making art.

Aug 282026
 

As part of their programming for the nation’s 250th birthday, Delaware Art Museum is showing the work of local artists in their current exhibition, The People’s Gallery. It is a non-juried exhibition which allowed artists at all levels to contribute work.

It’s a fantastic opportunity to see what this community of artists has created and to purchase local art. Check it out before it closes on 9/6/26.

Aug 262026
 

Paintings by E. Lizé

The members of this year’s Artist-in-Residence Cohort (ARC) at The Delaware Contemporary, Mo Berrouet, E.Lizé, and Celeste M. Rodriguez, each explored an element of the self for their culminating exhibition, Self, Realized.

This exhibition was curated by Amber M. Chacana, the first ARC curator-in-residence, and closes on 8/30/26.

Paintings by E. Lizé

E. Lizé’s series is titled Familial World.

E.Lizé is a musical artist and trained visual artist, who paints portraits and scenes dedicated to the Black experience. E.Lizé’s goal is to bridge the gap between predecessors and successors in order to remain a catalyst in preserving Black culture and Black history. E.Lizé is dedicated to archiving and preserving cultural and artistic history. She has a strong interest in tangible history and what it means to inherit it.

Inspired by the women who raised her, E.Lizé created these portraits as a way to honor their legacies and their lives (so far). In doing so, she created a personal archive, marked by her own perspective and care for her family.

Paintings by Mo Berrouet

Mo Berrouet‘s series of work is titled Emotional World.

From the museum:

Mo Berrouet is a visual artist based in Philadelphia, Pennsylvania with a BFA from West Chester University. Her work explores themes of mental and physical health, personal narrative, and the complexities of the human experience, expressed through a variety of mediums including painting, sculpture, ceramics, and photography.

Berrouet delves into the world of her emotions and how they exist within her body, and how her body exists in relation to her emotions. While her subject matter is personal, the emotions and feelings within them resonate with others. For Berrouet, our collective human experiences inspire her.

Work by Celeste M. Rodriguez

Celeste M. Rodriguez chose Cultural World for this body of work.

From the museum:

Celeste M. Rodriguez is a Puerto Rican-American artist born and raised in Camden, NJ. She received her B.A. in Painting from Rutgers University-Camden. Her work examines the complex relationship between Puerto Rico and the United States through visual storytelling, addressing themes of colonialism, cultural erasure, and resilience. Utilizing video, painting, drawing, sculpture, and collage. She confronts exploitation while honoring Puerto Rican strength. She views art as personal and political, and through her art, reimagines a future for Puerto Rico rooted in dignity and self-determination.

Aug 202026
 

Philadelphia artist Jim Houser created this mural, Wide Open, in 2019 for Mural Arts Philadelphia.

From Mural Arts:

Wide Open by artist Jim Houser features a design that speaks directly to the artist’s view of Philadelphia. Located in the Northern Liberties neighborhood, the mural’s themes include the concept of brotherly love, family and friends, a love of skateboarding and music, and the complex interaction of danger and beauty. The struggle of loss, hope and pride in where one lives intertwine in this striking mural.

His mixed media paintings, seen below, were also recently on view at Philadelphia’s Paradigm Gallery.

Work by Jim Houser at Paradigm Gallery in May of this year

You can find his most recent work on Instagram.

Aug 172026
 

“Surprise”, 2012, Oil on canvas. (Photo by Thomas Müller) Image courtesy of the artist and Hauser & Wirth

Installation view of “Mary Heilmann: Long Line” 2025 at Whitney Museum of American Art, New York, On wall: “Long Line, 2025”; “Monochrome Chairs”, 2015; “April Chairs”, 2025. Photograph by Ron Amstutz

“Mode O’Day”, 1991, Oil on canvas, Image courtesy of 303 Gallery

Artist Mary Heilmann passed away on Friday, at 86. Heilmann started her career working in sculpture, but in the early 1970s shifted to making the paintings she would become known for. The influence of sculpture never left entirely though. She returned to making ceramic pieces, which sometimes accompanied her paintings, and began designing her signature chairs, in the early 2000s.

For more about the artist, Art21 has a few videos on their site, including the one below in which she discusses her work, inspirations, and the importance of the titles she uses.

For a deeper dive into Heilmaann’s life and career, including her childhood and education in California, check out Matt Creed’s excellent 2023 documentary Waves, Roads, & Hallucinations.

Aug 132026
 

“Lightning Strike Lamp”, 2025

Top: “Piano Shelf”, 2014, Lacquered mahogony, steel ; Bottom: “Wave Cabinet”, Lacquered Baltic birch, steel, glass

“Occupy Chair”, 2012

“IMAGINE Neon”, 2025, Neon tubing

Detail from wall of AI generated drawings behind “IMAGINE Neon”

Mixing art, design, and politics, Sebastian Errazuriz‘s exhibition Double Take at the Philadelphia Museum of Art is a lot of fun. On one side of the room a neon bolt of lightning repeatedly flashes against the wall, while on another neon letters alternate between “IMAGINE” and “AGI” (Artificial General Intelligence) illuminating AI-generated drawings based on his original sketches. There’s also uniquely designed furniture, lamps made using taxidermy chickens, chairs referencing the Occupy Movement, objects incorporating Greco-Roman statue head reproductions, and more, all encouraging visitors to think about nature, technology, and the world around them.

From the museum:

Sebastian Errazuriz (Chilean, born 1977) twists our typical expectations and experiences of using furniture, lighting, and everyday objects. Embracing humor and appropriation, his limited edition and one-of-a-kind pieces often have a subtext that goes beyond form or function, offering personal narrative, a political message, or cultural commentary. This mid-career survey presents over twenty years of a multi-hyphenate practice that gives design a conceptual, Surrealist slant.

Works featured in the exhibition span art, craft, design, and technology. His “kinetic” furniture, constructed from the early 2010s, is characterized by moveable parts – doors, drawers, and shelves that are repositionable, creating new configurations. Other works take nature as a source of inspiration or make new and surprising use of found objects, including vintage watches and taxidermy fowl. Also on display are furniture, mirrors, and other objects that the designer creates by scanning original Greco-Roman antiquities that are then digitally-manipulated and recast in poured marble. A newly commissioned fluorescent light explores Errazuriz’s fascination with, and apprehension about, the potential impact of Artificial General Intelligence on artists, designers, and culture more broadly.

The diverse works on view convey imagination and wit, while also bewildering those who encounter them. The pieces are meant to be lived with, but, at the same time, are provocations with an air of mystery around their function and meaning. Attesting to Errazuriz’s expansive definition of design, the works in this exhibition suggest alternate ways of seeing, thinking, and living.

The show is on view until 8/16/26.

 

Aug 042026
 

In Miguel Horn‘s 2021 artwork ContraFuerte, his figures, made from aluminum plates, appear to be holding up a bridge between two buildings. Located on Cuthbert Street, an alley off of 18th Street in downtown Philadelphia, it was created as part of the city’s Percent for Art program.

For additional information on the work, check out this article from WHYY.