This song is off Aimee Mann’s album Charmer, released in 2012. The video is a shot for shot version of the video for Voices Carry, her ‘Til Tuedsay hit, introduced by Jon Hamm (playing the director). Keep an eye out for Ted Leo as well, who plays a member of her band. They are currently touring together as The Both and playing at the El Rey on Saturday.
Desert Daze Festival– a smaller music festival with camping in the desert near the Salton Sea- lineup includes Liars, The Raveonettes, Blonde Redhead, DIIV and more
Orson Welles’ Touch of Evil is playing at the Million Dollar Theatre with Grand Market staying open late for dinner
Touring for their latest album, So Long, See You Tomorrow, which was released in February of this year, Bombay Bicycle Club are playing 4/16 at the El Rey Theatre.
Tonight (3/31) is the last night of Moses Sumney’s residency at Bootleg Theater where he is playing with a few other bands for FREE. Definitely worth checking out.
This video of Radars to the Sky is from the Knock and Rock project where bands go door to door trying to get strangers to let them play in their house. In the video above, the band finds a house with a family of musicians and the result is really sweet.
Kraftwerk is currently on tour performing “The Catalogue 1 2 3 4 5 6 7 8” at the Walt Disney Concert Hall. There are eight 3-D multimedia performances, each highlighting one of their albums. Last night I saw them for the album, Trans Europe Express, but the majority of the show consisted of their greatest hits, including “Autobahn”, “The Model”, “The Robots”, “Tour de France”, “Radioactivity”, “Computer Love” (sampled in Coldplay’s Talk) and “Musique Non-Stop”. Though the majority of their albums were released between 1970 and 1981, their influence on a wide range of electronic music, from the past continuing into today, was evident throughout their performance.
One of the most interesting aspects of the show was witnessing the group’s prescience as cultural observers, as well as musicians. When the lyrics to “Computer World” began flashing across the screen behind the band describing the elements of a “computer world”, it was incredible to see the relevance to present day. Issues of government spying, as well as the computer’s role in “business, numbers, money, people” and “crime, travel, communication, entertainment” in a song written over thirty years ago, never felt so current.
Here’s a video taken by an audience member of “Numbers/Computer World” when Kraftwerk played at the Tate Modern (the visuals are a little off because of the 3-D).