Jul 112025
 

Ai Weiwei‘s Arch, pictured above, was part of his 2017 multi-site exhibition Good Fences Make Good Neighbors. The exhibition was curated by Public Art Fund and took place in several parts of New York City. This work was located in Washington Square Park.

About the exhibition from Public Art Fund’s website-

Ai Weiwei conceived this multi-site, multi-media exhibition for public spaces, monuments, buildings, transportation sites, and advertising platforms throughout New York City. Collectively, these elements comprise a passionate response to the global migration crisis and a reflection on the profound social and political impulse to divide people from each other. For Ai, these themes have deep roots. He experienced exile with his family as a child, life as an immigrant and art student in New York, and more recently, brutal repression as an artist and activist in China. The exhibition draws on many aspects of Ai’s career as a visual artist and architect, and is informed by both his own life experience and the plight of displaced people. In 2016, Ai and his team traveled to 23 countries and more than 40 refugee camps while filming his documentary, Human Flow.

“Good fences make good neighbors” is a folksy proverb cited in American poet Robert Frost’s Mending Wall, where the need for a boundary wall is being questioned. Ai chose this title with an ironic smile and a keen sense of how populist notions often stir up fear and prejudice. Visitors to the exhibition will discover that Ai’s “good fences” are not impenetrable barriers but powerful, immersive, and resonant additions to the fabric of the city.

Seattle Art Museum is currently showing Ai, Rebel: The Art and Activism of Ai Weiwei, his first US retrospective in over a decade. The exhibition “highlights the artistic strategies of his 40-year career for questioning forms of power”. It will be on view until 9/7/2025.

Jun 242025
 

When the Sun is Up, the Moon is Absent! was created by Bryan Beyung and James Lee Chiahan for the 2023 edition of SHINE Mural Festival in St. Pete, Florida.

From the artists about the mural-

In 1987, the Kien family stood on a red dirt road in a refugee camp called Site 2 somewhere along the border of Cambodia and Thailand. With their loved ones scattered, their home displaced, and their country suffused in violence, they place their hopes on a vague future. Absurd events become strangely, sadly common. Fate, or luck, or kindness brings them safe passage across the sea to Boston, MA; Montréal, QC; and finally, Bradenton, FL, a few minutes away from where this wall stands.

The youngest of the four depicted is our friend Anhdi. Today, he lives in Bradenton with his wife and three kids, who we invited to help paint and add to their family’s story directly. It’s a story with many secret turns and memories that shape their specific experience, but it’s also one that’s universal to so many who have had to flee their homes amidst conflict in the search of a new beginning. It’s a story of survival and the human spirit, and we feel so lucky to have been able to try and express it.