Apr 082026
 

This portrait of Philadelphian Najee Spencer-Young was created by artist Amy Sherald in 2019 for Mural Arts Philadelphia.

From the Mural Arts website about the work-

Artist Amy Sherald made headlines around the world with her stunning official portrait of Michelle Obama, portraying not only the beauty and intelligence of the woman herself but the depth and breadth of all that she represents as our first African-American First Lady. Sherald’s overall body of work represents reflective, everyday moments within the lives of Black people, evocative portraits that explore how people construct and present their own identities.

Now Sherald brings her work to a new scale: working with Mural Arts Philadelphia on a massive mural portrait in Center City. The portrait is of Najee S., a young Philadelphian and participant in our art education program. Like the First Lady’s portrait, Sherald’s mural challenges ideas about identity and the public gaze, asking the questions: “Who is allowed to be comfortable in public spaces? Who is represented in art? How can one woman’s portrait begin to shift that experience for others?”

The project began with a field trip to Sherald’s studio by some of Mural Arts’ art education participants. The young people spent a day with Sherald, learning about her unique artistic practice, exploring costumes, and taking photographs together that would form the inspiration for the mural.

Three of Mural Arts’ Art Education assistant artists, Kien Nguyen, Arthur Haywood, and Emily White, also had the opportunity to study with Sherald in order to learn about her artistic process. They shared her unique process in classroom exercises with Philadelphia students, and also began work from Amy’s design to execute the six-story-high mural.

Mural Arts Philadelphia Executive Director Jane Golden says, “We are so honored to be working with Amy Sherald. For years we have admired her painting; there is such strength in her composition, her color and the way she captures a gaze. And now she has teamed up with our art education program to create a unique mural in the heart of our city. What an extraordinary moment for Mural Arts and for Philadelphia.”

 

Mar 132026
 

Today’s flashback is to Davina Semo‘s public art installation Reverberation in Brooklyn Bridge Park. Curated by Daniel S. Palmer and organized by Public Art Fund, the sculptures were on view from August 2020 until April of 2021.

From Public Art Fund about the work-

A ringing bell organizes our civic life, inviting us to come together in public space. Its unmistakable sound marks the hours, calls us to assemble, alerts us to danger, and announces momentous occasions. These and other modes of public address can unify communities and define the auditory landscape of our city, even when all else is silent and still.

Davina Semo (b. 1981, Washington, DC) has created five cast-bronze bells to be rung by visitors in the Brooklyn Bridge Park, recalling the maritime communication once common at this waterfront site. While their percussive function is familiar, the traditional bell form has been reimagined by the artist as an elongated streamlined sculpture that dangles aloft from a heavy industrial galvanized steel frame. The holes she has drilled through each bell create constellations of light in their darkened interiors and staccato patterns on their exterior shells. These arrangements give them unique identities that are characterized through their evocative titles: Reflector, Singer, Dreamer, Listener, and Mother. Their distinctive voices are also expressed in the subtle nuances in their tones when rung.

Semo’s bells are coated with a lustrous pearlescent paint that glows hot orange to evoke the international color of urgent alarm—meant to heighten our attention in precarious times. During this turbulent year, auditory interventions have characterized our collective experience, whether through the evening cheers for essential workers or the chanting voices of protesters demanding justice. The exhibition builds upon this moment, encouraging audiences to add their own contribution to our urban soundscape. Ultimately, Semo intends for these bells to sound an optimistic note. As we ring out the old and ring in the new, each bell reverberates in concert with its neighbors, creating a collective resonance together.

In this video she and the curator discuss the work and you can see more of the installation-

 

Mar 102026
 

These three murals by British artist David Puck were created for Sacramento’s 2019 Wide Open Walls mural festival.

You can find their most recent work on Instagram.

Mar 102026
 

Pictured are two murals from artist Lin Fei Fei‘s Introspection series, located in Sacramento.

She is also the founder of Sacramento’s Inbetween Tattoo + Arts, which includes an arts studio and gallery space.

Mar 052026
 

Nonstop (2107) by Arden Bendler Browning was commissioned by Philadelphia’s Percent for Art Program and is on view at Philadelphia International Airport.

From Art at PHL about the work-

Philadelphia artist Arden Bendler Browning is known for creating large-scale, highly energized, gestural paintings inspired by her urban surroundings. Browning’s paintings are mostly abstract, yet include hints of realism with the suggestion of architectural structures, roadways, telephone poles, and green spaces. Browning’s paintings envelop the viewer with their scale, intensity, and sense of movement. Her imagery is derived from photos taken while traversing the city. The photos enable her to see the city from various vantage points and, as she has described, “jump through time and space.”

Browning’s paintings visually capture that sense of timelessness as she often conveys a disorienting landscape where colors and shapes collide and overlap, where only glimpses of reality come into focus. She speaks of the urban environment as “a vast sea of fluctuating boundaries arguing claim to the demarcation of space.” This statement also describes Browning’s work as she depicts the urban landscape using an amalgam of colors, shapes, and painterly marks adrift and influx.

Browning has said, “Nonstop is multifaceted and dense, full of action, and vibrancy in unexpected places with pockets of space and clusters of commotion. It is just like Philadelphia.”

Browning is currently part of the group exhibition, The Landscape: Lost and Found at Ellen Miller Gallery in Boston, on view until 3/28/26.

Feb 182026
 

This mural by Justine Kelley is one of several located in Philadelphia International Airport as part of their rotating exhibition programming.

From Art at PHL curator Helen Cahng and the artist-

Justine Kelley is a Filipino-American, Philadelphia-based printmaker, illustrator, and designer. She is inspired by vibrant colors, emotions, and the accidents that happen during the art-making process. Most of Kelley’s work is hand-drawn, infusing it with an honest, intimate quality. Her illustrations aim to explore the social barriers that exist between people to create new structures of meaning and connectivity. Kelley likens her art-making process to cooking—she uses the resources she has to feed the people she loves. Her goal is to synthesize emotion as a raw material and use it to create a magic funhouse mirror which reflects the world back at itself.

For her exhibition at Philadelphia International Airport, Kelley presents the Bella Vista neighborhood with an emphasis on the Italian Market, the nation’s oldest open-air market which spans 20 city blocks in South Philly. Bella Vista means “Beautiful Sight” in Italian. For many generations, this neighborhood has been home to a variety of immigrant communities, from Irish, Italian, and African descendants in the 1800s to Vietnamese, Korean, Cambodian, and Mexican communities settling in the 1900s. Having recently moved to South Philly, Kelley says, “I wanted to celebrate the abundance of food and fresh produce, colorful signage and typography, and bustling community that exist in the Italian Market and Bella Vista area, with much thanks to the shopkeepers who run their businesses and the neighbors who live here… If the path to one’s heart is through the stomach, then this place is an artery pumping vitality to the city, feeding us with nutritious foods and delicious sights. It’s a feast for all the senses. If I were to rename Bella Vista, it would be the Italian words for “Beautiful Sights, Sounds, Tastes, Smells, and Feelings”.

Feb 182026
 

King Saladeen created these murals for the Philadelphia International Airport’s Exhibitions Program.

From Art at PHL about this exhibition

Philadelphia artist King Saladeen has created his largest painting installation to date currently on view at Philadelphia International Airport. Saladeen’s art is motivational and energetic. His paintings are filled with vibrant colors, shapes, patterns, markings, and text, along with representational imagery that includes his trademark JP the Money Bear and Philadelphia’s skyline. The work represents his passion to inspire as he says, “Dream Big, Love What You Do!” A message evident in this epic four-part painting.

Saladeen created this artwork partially in his studio as four paintings scaled to the proportions of the four gallery walls. The original paintings were scanned, printed on vinyl, and adhered on site. Over two nights, Saladeen painted atop the vinyl to complete his vision. It was an amazing performance to watch as he intuitively added more colors, shapes, and details until it was deemed complete.

 

Feb 132026
 

Currently on view at Philadelphia International Airport, It’s A Wrap 2, brightens a section of the airport with art work and installations by several local artists.

Included in this post are works by Nicole Nicolich (pictured above), Tim Eads of Tuft the World, Olivia Chiaravalli, and on the ceiling tiles- work by Miriam Singer and Eurhi Jones.

From the airport about the exhibition

This exhibition features work by Philadelphia area artists who were invited to create unique architectural interventions within the Airport terminal. Using yarn, fabric, felt, found objects, tape, paint, wheat paste, and wood, the artists applied their work to the ceiling tiles, columns, rockers, walls, walkway, and windows. They have visually transformed this location into an immersive and experiential art-filled passageway.

The artists responded to the existing architectural elements to create an unexpected visual experience and an engaging space for people to pass through. It is a form of urban interventionism where art activates the built environment with the intention to see a public space in a new and creative way.

Work by Tim Eads of Tuft the World

Olivia Chiaravalli, “Brick by Brick”

Miriam Singer, “Dreamliner”

Eurhi Jones, “Tinicum”

Feb 132026
 

Anuj Chandra Shrestha, “Sumud”

If you have a layover or arrive early to Philadelphia International Airport, make sure to take some time to check out some of the art on display.  Works like the murals in this post, are part of the airport’s Exhibitions Program.

About Art at PHL:

The Airport’s Exhibitions Program is a nationally-recognized, award-winning visual arts initiative.

In 1998, Philadelphia International Airport established an Exhibitions Program – a visual arts initiative to humanize the Airport environment, provide visibility for Philadelphia’s unique cultural life, and to enrich the experience of the traveling public.

The Exhibitions Program is responsible for organizing and presenting rotating exhibitions that are located throughout the Airport. The exhibits change throughout the year to provide a variety of educational and cultural programs. This forum for presenting visual arts attests to the Airport’s commitment to supporting arts and culture.

The Exhibitions Program provides millions of visitors from around the world access to a wide variety of art forms by artists and arts institutions from the Philadelphia area.

The artists in this post- Anuj Chandra Shrestha, Lale Westvind, Steve Teare, Olivia Fredricks, and Amze Emmons are all part of the exhibition, Jawn 8. Jawn, a slang term local to Philadelphia, is defined as- “a placeholder word that may refer to a thing, place, person, or event, substituting for a specific word/name”. For even more on the word jawn, check out this article on Atlas Obscura.

Lale Westvind, “They Grew The Garden”

Steve Teare, “The Art Museum Games”

Olivia Fredricks, “The City is Our Playground”

Amze Emmons, “Philly Birdsong Onomatopoeia”

 

Feb 052026
 

Symbiosis (2011) by artist Roxy Paine has been on display in Iroquois Park on the Benjamin Franklin Parkway in Philadelphia since June 2014.

About this work from the Association for Public Art (aPA), which organized the installation and acquisition-

Hand-fabricated from thousands of pieces of stainless steel pipe, plate, and rods, Symbiosis suggests both ecological and anatomical branching systems.

Rising 34 feet high, the more than 3.5 ton sculpture was created from standard industrial piping that was welded, formed, and polished in the artist’s studio to create two shimmering, interrelated organic forms that both buttress and weigh on one another, referencing the darker aspects of nature and the fierceness of its laws. Symbiosis represents the collision of two dendroids that result in stasis, a questionable relationship that teeters between support and detriment.

Roxy Paine’s work consistently blurs the lines between the natural and artificial. He is known for work that explores the collision of industry and nature, and his series of stainless steel “Dendroid” sculptures are exemplary manifestations of this practice. The “Dendroids,” a term combining “dendron” (Greek for “tree”) and -oid (a suffix meaning “form”), are monumental structures that convey a fusion of industrial and organic forms. They evoke arboreal structures, vascular systems, synaptic networks, and industrial pipelines, interpreting the natural world through a man-made lens. The structures represent search, growth, and the branching of systems that suggest dormant energy and potential, a theme Paine has explored in his work for the last 15 years.

Nearby you can also find Mark di Suvero‘s painted steel sculpture Iroquois (seen in the second image posted).