Aug 202026
 

Philadelphia artist Jim Houser created this mural, Wide Open, in 2019 for Mural Arts Philadelphia.

From Mural Arts:

Wide Open by artist Jim Houser features a design that speaks directly to the artist’s view of Philadelphia. Located in the Northern Liberties neighborhood, the mural’s themes include the concept of brotherly love, family and friends, a love of skateboarding and music, and the complex interaction of danger and beauty. The struggle of loss, hope and pride in where one lives intertwine in this striking mural.

His mixed media paintings, seen below, were also recently on view at Philadelphia’s Paradigm Gallery.

Work by Jim Houser at Paradigm Gallery in May of this year

You can find his most recent work on Instagram.

Aug 112026
 

There Is Trouble ‘Til The Robins Come was created by artist Dennis McNett (aka Wolfbat) for Mural Arts Philadelphia in 2025. It incorporates layers of printed woodcut patterns along with painted elements.

The mural is a tribute to David Lynch, who passed away in January of that year.  Lynch lived in Philadelphia’s Callowhill neighborhood, where the mural is located, when he attended Pennsylvania Academy of Fine Arts (PAFA) in the late 1960s.

From McNett’s artist statement on the Mural Arts website:

“The loss of David Lynch leaves a huge void to those he effected with his work and wisdom. As a young artist, I saw Eraserhead, Blue Velvet and Twin Peaks in 1991 when I was 18 and it changed my perspective on what art could be. It made it ok to be weird and feel out of place. It was one of my first introductions to art outside of an art history book and contributed to my development of becoming an artist. I still revisit his work almost yearly. When I was talking about doing a small mural with [Mural Arts Philadelphia], David Lynch had just passed and I was rewatching his films and a documentary. I really wanted to do a mural dedicated to him.

Philadelphia was his biggest influence. 1965-70. The character played by Jack Nance, Eraserhead, had a very memorable head of hair that stood straight up like he had been electrocuted. I put this head of hair on David Lynch’s portrait. Eraserhead was David Lynch’s first film released in 1977.

In Blue Velvet (1986 film) the character played by Lauren Dern, Sandy, describes a dream of robins. In her dream the world is dark and all there was [was] darkness because there was no love. Suddenly thousands of robins flew in and created this blinding light and the light was love. At the end of the movie when all the turmoil is resolved, there is a robin on the windowsill. The robins in the mural are from Sandy’s dream. There is also a drape of blue velvet in the bottom part of the mural. The ear is also from Blue Velvet and is the ear the Jeffrey finds.

The iconic zigzag patterned floor and deep red curtains are from Lynch’s 1990-91 Twin Peaks and later in 1992 Fire Walk With Me. They are the setting of the Black Lodge. The symbolic blue key is from the 2001 movie Mulholland Drive and is tied to Camilla’s reality. The edges or the mural are not cut straight but intentionally extend past the edges like Lynch’s unbound imagination and subconscious mind.”

McNett has a few other murals around town, including the one below, created in 2014, located on the side of what once was Philly Home Brew.

Aug 062026
 

Artist and muralist Egypt Hagen created With Thunder in Our Hearts for the 2022 edition of St. Pete’s  SHINE Mural Festival.  Her most recent projects can be found on Instagram.

From her website about the mural:

With Thunder in Our Hearts celebrates the courage to create, dream, and flourish. Through symbolic gestures of offering and exchange, the mural reflects on how compassion, creativity, and shared experiences can spark transformation within ourselves and our communities.

Her work can also be found brightening the walls of Ybor Urban Mart, located in the Ybor City neighborhood in Tampa.

Aug 042026
 

In Miguel Horn‘s 2021 artwork ContraFuerte, his figures, made from aluminum plates, appear to be holding up a bridge between two buildings. Located on Cuthbert Street, an alley off of 18th Street in downtown Philadelphia, it was created as part of the city’s Percent for Art program.

For additional information on the work, check out this article from WHYY.

 

Jul 032026
 

Artist Meg Saligman created this mural, Our Flag Unfurled, in 2001, for Mural Arts Philadelphia.

From the Mural Arts website:

In the wake of the 9/11 attacks, artist Meg Saligman volunteered to paint this now iconic mural, Our Flag Unfurled on the massive south facing wall of Philadelphia Warehousing and Cold Storage building. The design was intended to appear slightly sad, as if unfurling down the side of the building.

Painted just north of center city, between I-95 and the Benjamin Franklin Bridge, the size and location of the mural make it a gateway to the city for thousands of daily commuters.

Originally intended as a temporary display of resilience, the 6,000 square foot image of the flag has remained one of Mural Arts’ most visible and iconic works since the fall of 2001. Although Sherwin Williams donated their highest quality paint for the original project, 15 years is a long time for any work of public art. In 2016, the mural received a refresh in time for the Wawa Welcome America July 4th ceremonies, and the Democratic National Convention later that month.

Jul 022026
 

The Talented Mr. Trotter: You Can Be Anything, located on the wall of The Clay Studio building, was created by Philadelphia artist Roberto Lugo in 2022.  It is a portrait of Philadelphia musician Tariq Trotter, aka Black Thought, of The Roots.

From Mural Arts Philadelphia about the mural:

The Talented Mr. Trotter: You Can Be Anything by artist Roberto Lugo is located in the Olde Kensington neighborhood of Philadelphia, Pennsylvania. Lugo has taken inspiration from musical artist Tariq Trotter of The Roots, particularly his story of growing up in Philly as a renaissance man. The mural design explores Trotter’s personal and artistic influences, while materially representing his myriad elements of inspiration and support through combining textile and ceramic patterning from across the world. Trotter’s central portrait is elevated in being formally honored on a highly decorative vase, flanked by his grandmother, who raised him, on the left and Afrika Bombaataa on the right. Traditional floral patterns are spread across the background but are filled with primarily non-Western and street culture patterns. Visual references range from African and South American textile prints, to the graffiti-esque fonts of sneaker culture.

A Kensington-born potter, social activist, spoken word poet, and educator, Roberto Lugo sees his pottery as a process of transforming the ground we walk on into something we eat from. His studio practice communicates with diverse audiences that, in some cases, are not so invested in using art to understand the world. Over the past two years, Lugo has led ceramic workshops at Tyler School of Art and several virtual design challenges with youth in Mural Arts’ Education program. These workshops have tapped into everyday patterns and ceramic traditions from all over the world. Lugo has created a large mural inspired by Roots leading member and proud Philadelphian, Tariq Trotter. Trotter’s multi-talented and visionary approach to his creative practice and humble dedication to his home city are core aspects of Lugo’s mural homage.

A longtime advocate for The Clay Studio and its community programs, Lugo’s mural is installed on The Clay Studio’s building in Olde Kensington at 1425 N American Street that opened in spring 2022.

Jun 252026
 

Curry J. Hackett, “The Gilded Block (Porch)”

mk. “you are so much to me pt. 1.” 2022

A golden inflatable porch by artist Curry J. Hackett welcomes visitors from outside the entrance to Spaces of Encounter, the current exhibition at Temple Contemporary, Temple University’s art gallery. Inside the gallery, Rokh Research & Design Studio founder and PhD student Danicia Monét Malone’s public arts research combines with NYU MA candidate Alyse Tucker‘s art curation to present an interesting selection of artwork, installations, and infographics that explore public art and shared spaces.

From the press release:

… Spaces of Encounter explores public space across North and Latin America and the Caribbean through the lens of public art. The exhibition brings together research and artistic material from Albuquerque; Cartagena; and Indianapolis, examining how people interact with public artworks across different urban contexts. Visitors are invited to reflect on who is welcomed into shared spaces—and who is made to feel excluded.

At the center of the exhibition is a guiding question: What does public space ask the body to believe about safety, care and belonging?

“For Black residents navigating environments marked by surveillance, neglect or misrecognition, aesthetic conditions operate as cumulative exposures that influence how safety, care and civic participation are felt in the body,” says Malone.

Through documentation, archival material and sculptural elements, Spaces of Encounter considers how public art mediates lived experience and contributes to collective memory. One featured work includes preserved fragments of a dismantled Black Lives Matter street mural in Indianapolis, foregrounding the fragility and afterlife of public artworks. Even when removed or destroyed, such works persist through memory, documentation and community impact.

“We’re interested in the afterlife of public art—what remains when the physical object is gone,” says Tucker.

The exhibition is particularly resonant in Philadelphia, a city shaped by one of the nation’s most expansive public art and mural programs. As development continues to transform neighborhoods, Spaces of Encounter offers an opportunity to reflect on how public artworks are preserved, displaced or erased—and what those changes mean for communities.

“Our gallery commissioned Spaces of Encounter to demonstrate Tyler’s commitment to being a beacon for art, architecture and community imagination in North Philadelphia and beyond,” says Temple Contemporary’s Director of Exhibitions and Public Programming Matthew Jordan-Miller Kenyatta, PhD. “By blurring inside and outside, the interior versus exterior, it smartly knits together the intimate, culturally specific meanings with public moments of spectacle that anyone can enjoy.”

This exhibition closes 6/27/26.

Jun 242026
 

Magic Hour, by artist and educator Brad Carney and poet Ursula Rucker, was created in 2021 for Mural Arts Philadelphia.

From Mural Arts about the work:

Magic Hour by artist Brad Carney and poet Ursula Rucker was created to reflect personal moments and shared feelings from community experiences during magic hour. Magic hour is a transitional moment each day at sunrise and sunset where the light embraces us and gives us pause to view the awe of the light. The design represents a scene of transition. The sun is just about to set, people are coming and going, embracing the moment of illuminating light.

The mural, placed across the street from the Berks SEPTA station, is also reflective of a location of transition for many commuters going to work, school, and home. The mural aims to provide a moment of pause to those in their daily commute and passers-by, just as magic hour does — reflect in a moment, shed light on our lives, and embrace the day.

Each figurative element represents an expression of joy or wonder as the viewer connects within themselves or with others. The landscape draws from nature, historical buildings, and local contemporary settings reflecting the past, but also looking ahead at the collective bright future. The words and images in the mural are meant to stand alone. They can be formed into one’s own narrative, or be something that the viewer thinks about and interprets as they walk away from the mural.

Jun 172026
 

Isaac Tin Wei Lin created Start From Here in 2015 for Mural Arts Philadelphia.

From the Mural Arts website about the work:

Start From Here is a deconstruction and distillation of Isaac Tin Wei Lin’s previous abstract work which used calligraphic brush marks in single colors. In this piece similar marks were layered in different colors creating a chaotic tapestry. The layered marks are then presented individually like Lego pieces laid out before assembly, allowing them to be seen as parts of a whole.

Start From Here is a reference to operational and instructional manuals for building something. The colors of the marks were chosen based on color theory, what looked good to the artist and national flags. The title plays into the idea of newness and beginnings, while the use of colors of national flags speaks to the idea that (unless you are Native American) we all come from somewhere else as immigrants or refugees, and as the artist’s parents did, are here to start a new life.

You can also find his work on Instagram.

Jun 042026
 

Ohio artist and muralist Lizzi Aronhalt created this mural in 2023. It is located on the Arts in Stark building in downtown Canton.

Elsewhere, an exhibition of her landscape and cityscape paintings, is currently on view at Cyrus Custom Framing and Art Gallery in Canton until 6/30/26.

You can also find her work on Instagram.