May 092025
 

The Creation of the Creatures of Day and Night by Rosana Paulino was recently commissioned by the High Line in New York and is on view until December 2025.

From the High Line’s website about the artist and the work-

Rosana Paulino’s practice spans drawing, painting, suture, printmaking, collage, sculpture, and installation. Her work foregrounds social, ethnic, and gender issues, taking particular care to explore the lasting legacy of slavery and the history of both racial and gender-based violence in Brazil. The artist weaves personal, scientific, and historical archives throughout her work, using these materials to demonstrate and then deconstruct violent colonial structures, particularly as they relate to Afro-Brazilian women. Taking into account the impact these archives and memories have on collective values and belief systems, Paulino examines the construction of myths—not only as an aesthetic pillar but also as a key influence on cultural consciousness.

The Creation of the Creatures of Day and Night is a continuation of the artist’s mangrove series, which depicts tree-women as a mythological archetype and symbol for the Brazilian biome. Paulino notes that mangroves, like the country’s Black and Indigenous people, have been mistreated and exploited. The artist highlights the symbolic meaning inherent in this ecosystem: It is where life begins, as a home for countless species and as a blue carbon reservoir, and where life ends, due to the decomposition of the mangrove itself. In The Creation of the Creatures of Day and Night, Paulino re-imagines this duality between life and death as day and night. From left to right, the color of the sky fades from daylight to a deeper, midnight hue. In lieu of gilded halos traditionally seen in European representations of holy figures, the tree-women’s heads are framed by halos resembling the sun and the moon. Similarly, the animals surrounding the goddesses also reference the transition from day to night. On the left side of the composition, Paulino depicts two diurnal birds native to the mangrove biome: the white egret and, in the tree-woman’s hands, the scarlet ibis. To her right, the other goddess holds an owl and is flanked by two bats, both of which are nocturnal. Together, these elements present a rich, new mythological framework for the mangrove, offering a departure from depictions shaped by colonization and exploitation.

May 032025
 

Bradley Hoffer’s works in the foreground, Michael McLoughlin’s photos on the wall behind

Images to the left and right by photographer Mike McLoughlin

Asbury Park in New Jersey is most famous for its music scene, but recently murals and other artworks are adding another reason to visit this seaside town. Many of these pieces would not exist without the hard work of local Jenn Hampton, who started the Wooden Walls Project in 2015. The collaborative arts initiative has worked on numerous projects in the area with local artists and others from farther afield.

One of these projects is New Jersey photographer Mike McLoughlin‘s Art Lives Here- a series of portraits of local arts community members. Each portrait is based on a famous work of art. All of them can be found here.

Below are a few of the murals and works created in collaboration with Wooden Walls. They are located around Asbury Park Boardwalk‘s Historic Steam Plant building and the Carousel Casino Complex. They include works by Porkchop and Bradley Hoffer who currently have a joint exhibition on view at The Art Spot.

Hearts by Amberella, work by Tina Schwarz and mural by Keya Tama

Mural by Keya Tama

Work by ONEQ (@negiyakisoba)

Work by Joe Iurato (left) and Beau Stanton (right)

Ray Geary “St. Shadi and the Madd Doggs” Pigmented resin on board

Work by Pau Quintanajornet (@artofpau)- “Yemaya and her Sea Birds”

Mural is by Porkchop and Bradley Hoffer

Mural by Porkchop of Yemaya

Apr 252025
 

Mural by Donald Walker

ArtFields Community Mural by Jessica Diaz, Morgan Funkhouser, Olivia Cramer, Sam Ogden

Today’s flashback is to 2021 and a trip to Lake City, South Carolina to check out ArtFields.  Started in 2013, the event is a wonderful example of how the arts can revitalize local economies.

So what is ArtFields? Every year for one week local businesses and galleries host works created by artists from the Southeastern United States for a competition with prizes totaling over $145,000. There are also two People’s Choice Awards which are determined by the attendees of the festival. The other awards are chosen by a panel of art professionals. Special events take place throughout the week and ArtFields Jr. offers a chance to see work by South Carolina students.

This year the event runs from April 25th to May 3rd, 2025. Even if you can’t make it, it’s worth taking a look here at this year’s artwork as well as from past years.

Below are a few selections from 2021-

Mural by Lance Turner

“From This Moment Forward” by Herman A. Keith Jr. inspired by Gee’s Bend Quilters

Partially finished mural by Broderick Flanigan honoring Lake City educators Elouise Cooper and Derrick Faison.

“7 Red Wolves” by Joann Galarza Vega

About the work from the above by Joann Galarza Vega

“There may be as few as only 7 red wolves remaining in the wild. These animals, like so many others, are disappearing in the shadows of our periphery. Their very existence depends on us, as did their extinction. Let us see them, acknowledge them, acknowledge that biodiversity and the balance of life matters. They are painted bright red in order to stand out and bring attention, no longer hidden away.”

Pictured above is The House on Church Street which in 2021 was used for several art installations including the two below. The first is New Histories: The Gadsden Farm Project by Michael Austin Diaz and Holly Hanessian.

About the installation-

The installation below, All Too Brief, was created by Gainesville, Florida artist Cindy Steiler.

From the ArtFields website about the installation-

All Too Brief was inspired by the movement of time and the unconscious process where our present moment is being continuously converted to memory. The elements comprising All Too Brief include a series of scrolls of cyanotype photographs and repurposed textiles wound on antique industrial weaving bobbins. Each scroll has a WW2-era laundry pin embossed with a number that corresponds to the written narrative of the images and textiles it holds. This piece is my attempt to document and archive people, places, and fleeting moments I hold dear. This piece became even more meaningful to me this year. My studio assistant at the time this piece was created has since passed.

Finally- while in town it’s also worth checking out the Ronald E. McNair Life History Center and Memorial Park. The Lake City-born astronaut and physicist died tragically in the 1986 Space Shuttle Challenger explosion.

Mar 172025
 

The Work of Art: How Something Comes from Nothing by former New York magazine editor Adam Moss is a fascinating look at the creative processes of several famous artists. Each artist discusses specific works and gives the reader an inside look at how they came about.

The 43 artists included are visual artists, writers, musicians, editors, designers, and many other creative categories. Moss is also an artist and you can see that in his desire to both inform the reader, and to learn for himself, what makes these individuals tick.

Many of the names will be familiar, but these behind the scenes looks are incredibly enlightening. These discussions often also inspired, for me, a deeper dive. I found myself watching videos of Twyla Tharp‘s choreography, reading Guy Talese’s essay and Sheila Heti’s book, listening to Moses Sumney, watching Tony Kushner’s Angels in America, and so on, as I progressed through the book.

While some artists will appeal more than others depending on your interests, all of them had something interesting and valuable to say. This book was one of my favorites of 2024.

 

Mar 072025
 

This mural by Michael Fatutoa was created for the 2021 edition of SHINE Mural Festival in St. Pete, Florida.

From St.Petersburg Arts Alliance about the artist-

Originally from the island of Tutuila in eastern Samoa, Michael Fatutoa was raised in Hawaii and later relocated to Tampa Bay. His work consists of motifs from the ancient Art of the Samoan Tatau (tattooing) and other Polynesian crafts such as carvings and tapestries. Michael shares this integral part of Samoan culture through his full-time work as a tattoo artist at Sacred Tatau in Tampa.

Mar 062025
 

This mural by Portuguese artist António Correia (aka Pantónio) was created for the 2016 edition of SHINE Mural Festival in St. Pete, Florida. The mural wraps around two walls of the Imagine Museum building.

Feb 262025
 

This mural by Tracey Jones, aka Artist Jones, located on the PSTA ticket office building in St. Pete, was created for the 2023 edition of the SHINE Mural Festival.

The work includes an image of John Donaldson, a former slave from Alabama who became the first black man to settle on the lower Pinellas Peninsula. He purchased a forty acre farm there and was one of a small group of pioneers who, along with his family, created the foundation for the community that would later grow into today’s St. Petersburg.

 

Feb 212025
 

As part of PST ART: Art & Science Collide, The Getty is highlighting the incredible work created by the engineers and artists that made up the group Experiments in Art and Technology (E.A.T). The exhibition focuses on the history of the group and two of its most ambitious projects- 9 Evenings: Theatre & Engineering (1966) and the Pepsi Pavilion from Expo ’70 in Japan.

From the museum-

In 1966, engineers Billy Klüver and Fred Waldhauer and artists Robert Rauschenberg and Robert Whitman founded Experiments in Art and Technology (E.A.T.), a not-for-profit organization dedicated to promoting and supporting collaborations between artists, engineers, and scientists. These partnerships brought disparate fields together, bridging the gap between culture and emerging technology. E.A.T.’s debut event, 9 Evenings: Theatre & Engineering (1966), integrated art, theatre, and engineering at the 69th Regiment Armory in New York City, resulting in a technology-aided performance experience that proved to be a launchpad for artistic exploration. Their second major project, the Pepsi-Cola Pavilion at Expo ’70 in Osaka, Japan (1970), presented a multisensory environment featuring experiments with sound, light, lasers, a mirrored dome, and fog. Through their collaborations, E.A.T. artists and engineers came to believe that such team efforts could benefit society; subsequent multidisciplinary endeavors, such as Projects Outside Art (1970), addressed issues of housing, education, environmental sustainability, and communication.

About 9 Evenings

In 1965, Swedish electrical engineer Billy Klüver and American artist Robert Rauschenberg gathered 10 avant-garde artists and 30 Bell Labs engineers to participate in a collaborative, multidisciplinary project combining new technologies with theatre, dance, and music. The event,9 Evenings: Theatre & Engineering, took place at the 69th Regiment Armory in New York, from October 13-22, 1966. More than 10,000 people attended performances by John Cage, Lucinda Childs, Oyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Rauschenberg, David Tudor and Robert Whitman. These performances incorporated technological equipment such as photocells, doppler sonar, remote controls, infrared cameras, and transistors. In addition, 9 Evenings engineers created the Theatre Electronic Environmental Modular, a flexible, wireless, networked control system, and the Proportional Control System (PCS), which used photocells to adjust light and sound levels. The event led to the founding of Experiments in Art and Technology the following month.

Below are images and objects from two of the nine evenings, Open Score and Physical Things

Performance description of “Open Score” by Robert Rauschenberg

About Open Score

Open Score began with a tennis match between professional player Mimi Kanarek and painter Frank Stella. Engineer William Kaminski wired their rackets with transmitters that caused every strike of the ball to emit a loud sound and extinguish an overhead light. The game continued until the Armory was completely dark. At that point, a cast of 300 volunteers walked onto the court and performed a series of loosely choreographed movements while infrared cameras projected their images onto large screens. Rauschenberg described the action as “the conflict of not being able to see an event that is taking place right in front of one except through a reproduction,” an idea that resonates in today’s world of social media, streaming, and smartphones. For the second performance, Rauschenberg added a third section in which he carried dancer Simone Forti around the Armory in a burlap bag while she sang an Italian ballad.

About Steve Paxton and Dick Wolff’s Physical Things

For 9 Evenings, Paxton created an enormous, inflated sculpture using Polyethylene and box fans and invited visitors to walk through the structure at their own pace, confronting different environments and performances along the way. After climbing through a 100-foot inflated tower, participants emerged into an enclosed area with wire loops suspended above their heads. Using modified transistor radios, they could listen to an array of sounds, including animal noises and sports commentary. One’s location underneath the sound loops determined which part of the score was audible, allowing people to choose where to linger and what to listen to.

One of the group’s most ambitious projects was for the Pepsi Pavilion (pictured above).

From the museum-

In 1970, the Pepsi-Cola Corporation commissioned E.A.T. to design a pavilion for Expo ’70 in Osaka, Japan. Artists Robert Whitman, Robert Breer, David Tudor, and Forrest Myers made early contributions to the design of the pavilion; eventually the design team included 20 artists and 50 engineers and scientists.

Outside the pavilion, a water-vapor cloud sculpture by the artist Fujiko Nakaya covered the white, faceted dome. On the plaza, seven of Breer’s Floats, six-foot-high dome-shaped sculptures, glided in slow motion while emitting sounds.

Visitors entered the pavilion through a tunnel and descended a staircase into a clamshell-shaped room lit by moving patterns of laser light. On the far end, another staircase led up into the Mirror Dome, a 90-foot diameter, 210-degree spherical mirror made of aluminized Mylar. Within the Mirror Dome, visitors’ reflected images appeared to float upside down above their heads.

You can find more images and further documentation here.

This exhibition closes 2/23/25.

Feb 072025
 

This mural, Southern Expansion, was created by Zulu Painter and is located in St. Pete, Florida.

Located in the old phone booth on the corner is a plaque that reads-

In the late 1800’s, Black Men were hired to continue the railroad in to the territory that is now known as St. Petersburg, FL. These men settled in this area and were largely responsible for building our city and streets and creating this Gulf Coast community.

This mural honors the history and legacy of the African American people at the foundation of our great city.

You also find Zulu Painter’s work on Instagram.