Superpalm Mural, by Florida artist Elizabeth Barenis, was commissioned by the city of Dunedin in 2022 for their Parks and Recreation building.
Her solo exhibition, Tropical Splendor, is on view at Morean Arts Center in St. Pete until 9/24/24.
Old Tree, the sculpture pictured above, was created by Pamela Rosenkranz for the High Line in NYC.
From the High Line website–
For the third High Line Plinth commission, Rosenkranz presents Old Tree, a bright red-and-pink sculpture that animates myriad historical archetypes wherein the tree of life connects heaven and earth. The tree’s sanguine color resembles the branching systems of human organs, blood vessels, and tissue, inviting viewers to consider the indivisible connection between human and plant life. Old Tree evokes metaphors for the ancient wisdom of human evolution as well as a future in which the synthetic has become nature. On the High Line—a contemporary urban park built on a relic of industry—Old Tree raises questions about what is truly “artificial” or “natural” in our world. Made of man-made materials and standing at a height of 25 feet atop the Plinth, it provides a social space, creating shade while casting an ever-changing, luminous aura amid New York’s changing seasons.
Pamela Rosenkranz creates sculptures, paintings, videos, and installations that reflect on the human need to anthropomorphize our surroundings in order to understand them. In doing so, she investigates the codes through which people give meaning to the natural world. Her projects center synthetic materials created in the image of nature: a swimming pool filled with viscous fluid, collections of mineral water bottles filled with silicone, or a kitchen faucet streaming water colored with E131 “sky blue” synthetic dye. Color is paramount for Rosenkranz, who employs fabricated colors intended to reflect unblemished and idealized nature. She elaborates on the condition of the body as a malleable system. Questioning the worldview that centers human beings, Rosenkranz addresses our relentless attempts to domesticate and tame the other living beings around us, as well as our own bodies.
Raúl de Nieves created these sculptures for the group exhibition The Musical Brain, located on the High Line in NYC in 2021.
From the High Line’s website about the exhibition-
The Musical Brain is a group exhibition that reflects on the power music has to bring us together. The exhibition is named after a short story by the Argentine contemporary writer César Aira, and explores the ways that artists use music as a tool to inhabit and understand the world. The featured artists approach music through different lenses—historical, political, performative, and playful—to create new installations and soundscapes installed throughout the park.
Traditionally, music is thought of as an art form we construct ourselves. With different organizing rules, instruments, and traditions across cultures, music has underpinned essential collective moments in societies for as long as we know. But music is also the way that we hear the world around us. Often used to described nature (wind whistling through trees), the cosmos (in the Music of the Spheres, or musica universalis), and even the built industrial environment (the rhythmic lull of a train car), music is the order we project onto a cacophonous world. Humans seek order and patterns but also relish chaos and noise; in many ways, music becomes the way that we can experience both at the same time.
The artists in this exhibition listen closely to the sonic world and explore the different temporal, sculptural, social, and historical dimensions of the ways we make music, and the ways we listen. They wonder what stories discarded objects tell when played, what happens when a railway spike becomes a bell, and how the youth of our generation sing out warnings to save our planet. They remind us that music is a powerful tool for communication, especially in times when spoken language fails us. The sonic brings us together to celebrate, protest, mark the passage of time, and simply be together.
And about the artist and this work-
Raúl de Nieves (b. 1983, Morelia, Mexico) makes colorful sculptures and elaborately costumed performances. Having learned to sew and crochet as a child, de Nieves collages found fabrics onto mannequins and coveralls to create fantastical figures that he displays as sculptures and wears in musical performances. De Nieves installs three of these figures sitting on benches on the High Line. The sculptures reference the costumes musicians wear to become their larger-than-life personas and interrupt the crowds with their magical splendor.
This mural was created by German artist Case Maclaim for 2016’s Top to Bottom mural project- a group of murals covering a building in Long Island City organized by Arts Org NYC.
Laura, 2013, and Awilda, 2014, by Jaume Plensa, located in the Faye Sarkowsky Sculpture Garden which surrounds the Artists Council gallery in Palm Desert.
The sculpture garden is open all year round from sunrise to sunset. The gallery will be reopening on 9/5/24 for the Hot Times Cool Art Show.
Above is Jaume Plensa’s sculpture Laura with Bun, 2014, on view at Tampa Museum of Art.
From the museum-
At more than 23 feet tall, this artwork expresses both individual and universal traits at great scale, inviting viewers to consider multiple aspects of beauty and human nature. Like all of his large-scale female portrait heads, Laura has her eyes closed, as if looking within. In speaking about these works, Plensa has said, “Look into yourself. My piece is a mirror to reflect your image, so you can think about your own interior—how much beauty we have inside of ourselves.”
This mural was created by Claudia Walde, aka MadC, for the 2022 edition of SHINE Mural Festival in St. Pete, Florida.
For more of her work, also check out her website and Instagram.
After seeing the Albert Frey exhibition at Palm Springs Art Museum Architecture and Design Center, you can visit his recently unveiled Aluminaire House near the museum’s main location. It’s incredible at every angle as it reflects its surroundings.
The structure has an interesting history. Before it arrived in Palm Springs, it was rebuilt on architect Wallace Harrison’s property in Huntington, Long Island where it remained from 1931 until 1987. From 1988-2012, it was partially rebuilt on New York Institute of Technology’s Central Islip campus before being dismantled and stored in a trailer.
From the museum-
Designed by Albert Frey, Aluminaire House is one of the first examples of European-style modernist architecture in the United States. Built in 1931 as a full-scale model house for a temporary exhibition, it was intended to be a prototype of mass-produced housing, factory made with modern materials. Composed primarily of aluminum, steel, and glass, it was an experiment in realizing a democratic ideal in architecture of creating affordable, well-designed homes using modern industrial methods and materials. Palm Springs Art Museum acquired the Aluminaire House to add to its rich holdings by Albert Frey, who spent most of his life and career in Palm Springs.
Gift, by Lili Yuan was created for the 2020 edition of SHINE Mural Festival in St. Pete, Florida.
This is her statement about the work from the SHINE website–
“With millions of gallons of wastewater spilled around Tampa Bay in recent years, I chose to depict an obscured female surrounded by water to convey an implicit narrative that the water and humanity are more tightly coupled than ever. After going through many ideas, I went for a simplified design because the value of water itself is precious enough to resonate. Holding water in hand symbolizes a precious gift from nature as water sustains all life no matter big or small; and the round shape represents nature’s best gift – our mother earth.
Meanwhile, I chose the Chinese idiom “上善若水“, which means “Be like water, as water stays humble while benefiting all”. It shows the importance of water and strikes a chord with humans whom should all be loving nature and preserving our precious water resources.”- Lili Yuan
