Aug 062026
 

Leonard A. Harmon, “Untitled”, c.1980s, Oil on masonite

Leonard D. Harmon, “Last Copper Moon”, 2025, Acrylic, spray paint, oxidized copper shavings, paper on wood panel

Leonard D. Harmon, “Last Copper Moon”, 2025 (detail)

Delaware Art Museum‘s Living Indigenous showcases and celebrates Indigenous communities and artists in multiple locations in the museum. The exhibition is part of the museum’s programming for the 250th anniversary of the United States.

Developed in partnership with the Nanticoke Indian Museum, one room dedicated to works created by Indigenous artists includes paintings by Leonard A. Harmon and his nephew, Leonard D. Harmon.

From the museum and artist about Last Copper Moon (pictured above):

Leonard D. Harmon notes the rich artistic legacy that precedes him. He explains, “I draw inspiration from my ancestors to infuse a modern twist into traditional arts.” This painting references the architectural forms his uncle, Leonard A. Harmon, was creating in the 1980s. A copper moon, or total lunar eclipse, is a sacred Indigenous occurrence, and the images Harmon includes refer to associated rituals.

The exhibition continues upstairs with two different series of portraits of members of Delaware’s Indigenous communities– Will Wilson‘s Critical Indigenous Photographic Exchange (CIPX) and Andre’ L. Wright, Jr.’s Indigenous Faces of Wilmington. In 2022 the museum invited Wilson to continue his CIPX project in Delaware and facilitated a photoshoot of citizens of the Lenape Indian Tribe of Delaware (The Original People) and the Nanticoke Indian Tribe (The Tidewater People). That same year the museum also commissioned Andre’ L. Wright, Jr. to create a project showcasing diverse Wilmingtonians, two of which are pictured below.

Two portraits by Andre’ L. Wright, Jr. from his series “Indigenous Faces of Wilmington”

Living Indigenous is on view until 8/23/26 and the museum is free to visit every Thursday from 4-8pm.