Oct 252014
 

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Kehinde Wiley The World Stage: Haiti at Roberts & Tilton

Today (10/25) is the last day to see Kehinde Wiley‘s The World Stage:Haiti, the latest in his series of global portraits. For this exhibition he altered his usual process for finding subjects.

From the press release:

…Kehinde Wiley found beauty in Haiti bringing it to the forefront by creating his own beauty pageants, in the long tradition of pageant culture native to the region. In previous World Stage iterations, Wiley conducted his castings on the streets. With The World Stage:Haiti, he employed a different approach specific to the culture: open calls on the radio, posters around the streets of Jacmel, Jalouise and Port-au-Prince culminating in beauty pageants. Across the Caribbean, pageants serve as mass entertainment events, allowing locals to do more than exhibit poise, talent and physical beauty; pageants are a manifestation of collective cultural values. Wiley’s pageant winners were chosen randomly rather than through a judging process. By showing the pageant contestants paintings of European masters on which the new works would be based, Wiley deepened the connection between both place and era.

For a really fascinating look at his previous work and process, I recommend watching the recent PBS documentary Kehinde Wiley: An Economy of Grace, available on their website (free).

Oct 242014
 

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Oliver Jones Love the Skin You’re In at Gusford Gallery (images via their site)

Plastic surgery is popular topic, especially in Los Angeles, and even more so this week, after a famous actress reappeared looking different enough to cause a flurry of media and public speculation.

British artist Oliver Jones’ photorealist drawings, created in colored chalk pastel, look at and question the beauty industry and our appearance obsessed world. In many of the images the subject is looking directly into the eyes of the viewer. Are we judging them, relating to them, questioning them? Is it possible to love the skin you’re in? And if so, for how long?

This exhibition closes 10/25.

Oct 102014
 

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The paintings in Sam Falls’ current exhibition at Hannah Hoffman Gallery are created by taking local vegetation, adding pigments and letting the elements, including rain form silhouettes on the canvas. The results are striking, especially the larger canvases. This show continues through 10/25.

The area on and around Highland Avenue between Fountain and Melrose is a great place to check out art. If you are there this weekend, these exhibitions are also worth a look:

Doug Aitken at Regen Projects (closing 10/11)

Hannah Hummel at Diane Rosenstein Fine Arts (closing 10/11)

Lisa Anne Auerbach at Gavlak Gallery (closing 10/18)

Also in the area- Brazilian artist Eduardo Kobra’s mural is between Fountain and Lexington on Highland.

(image via Hannah Hoffman Gallery)

Oct 042014
 

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Doug Aitken- Still Life (images via Regen Projects)

From the press release:

Spanning a variety of media encompassing photography, sculpture, publications, sound, and single and multi-channel video installations, Aitken’s work explores the modern landscape and posits possibilities for new uncharted frontiers. This exhibition, the artist’s fourth solo presentation at Regen Projects, will feature an installation of new sculptural objects within a labyrinthine space designed to create an experience of unexpected encounters and a sense of mystery and discovery for the viewer to navigate.

This is a really fun show. Tomorrow (10/4), there will be a performance by Doug Aitken and then he will be signing his book. This event begins at 4pm with the book signing from 6-8pm.

Sep 142014
 
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Kees van Dongen– “Modjesko, Soprano Singer (Modjesko, chanteur soprano)”, 1908

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Franz Marc– “Sketch- Nudes on Vermilion (akte auf Zinnober, Skizze)”, 1909-10

Cuno Amiet– “Mutter und Kind im Garten (Mother and Child in Garden)”, circa 1903

Today is the last day to see Expressionism in Germany and France: From Van Gogh to Kandinsky at LACMA. Make sure to download their app and use their free wifi to get some additional information about several of the paintings in the exhibition.

Sep 072014
 

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Juan Capistrán‘s I Am Hoping to See the Day for Hammer Museum’s exhibition Made in L.A. 2014.

Sep 072014
 

Today (9/7) is the last day to see Hammer Museum’s Made In L.A. 2014, their second biennial exhibition consisting of Los Angeles based artists.

Jul 262014
 

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If you are in Culver City make sure to check out Joshua Abarbanel’s show at Hinge ParallelSee Life. The biologically influenced shapes created out of layers of laser cut wood are incredible.

Jul 262014
 

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 Tonight (7/26/14) is the closing party for Mike Kelley’s exhibition at MOCA. It is free from 6-10pm. There will be DJs, food trucks and a cash bar.

Jun 282014
 

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There’s a lot going on at Mark Ryden’s show at the Kohn GalleryThe Gay 90s:West. The paintings are incredibly detailed as are the frames. In one room there is a diorama-like sculpture that for a penny becomes an active parade through an intricately created town. There are also listening booths for a record created for the show in which several pop artists, including Katy Perry, Tyler the Creator and Nick Cave recorded versions of Daisy Bell (Bicycle Built for Two).

From the press release:

In the inaugural exhibition Mark Ryden, underscores his aesthetic forays into cultural kitsch through his exploration of the lost but not forgotten “Gay 90s”. Employing the visual trappings of the formally idealized 1890s in America—women dressed in satin skirts with large bows, large wheeled bicycles, Main St. USA, vaudevillian stages—Ryden recreates scenes from this marginalized slice of pop culture. This important new body of work—which includes paintings, works on paper, installations, and sculpture—negotiates the aesthetic value of clichéd nostalgia through the lens of polished neoclassic painting, and will include Ryden’s largest and most ambitious work to date, The Parlor (Allegory of Magic, Quintessence and Divine Mystery): a 96 x 120 inch painting with a wooden frame hand-carved in bas-relief.

It’s hard to tell what it all means, but it is certainly worth checking out for the spectacle. This show closes 6/28/14.