Aug 302019
 

This is the last weekend (closing 9/1) to see Black is Beautiful: The Photography of Kwame Brathwaite at Skirball Cultural Center.

From the center’s website-

See the iconic images that amplified one of the most influential cultural movements of the 1960s: “Black Is Beautiful.” Featuring over forty photographs of black women and men with natural hair and clothes that reclaimed their African roots, Black Is Beautiful: The Photography of Kwame Brathwaite, organized by Aperture Foundation, New York, is the first-ever major exhibition dedicated to this key figure of the second Harlem Renaissance.

Inspired by the writings of activist and black nationalist Marcus Garvey, Brathwaite (b. 1938) combined his political vision with the medium of photography to effect social change. Along with his brother Elombe Brath (1936–2014), Brathwaite founded two organizations that were instrumental in realizing his vision: African Jazz-Art Society and Studios, a collective of artists, playwrights, designers, and dancers, in 1956; and Grandassa Models, a modeling group for black women, in 1962. Working with AJASS and Grandassa Models, Brathwaite organized fashion shows featuring clothing designed by the models themselves, created stunning portraits of jazz luminaries, and captured behind-the-scenes photographs of the black arts community.

During an era when segregation still prevailed across the United States, Brathwaite’s work challenged mainstream beauty standards that excluded women of color. His photographs celebrated black beauty and instilled a sense of pride throughout the community. Black Is Beautiful: The Photography of Kwame Brathwaite demonstrates how the medium of photography is an essential cultural tool in the dissemination of new visual paradigms and political ideas.

Aug 232019
 

CONTACT HIGH: A Visual History of Hip-Hop, Annenberg Space for Photography‘s latest exhibition, includes an excellent selection of photos from the beginning of hip-hop until now. Over 75 original and unedited contact sheets are also being shown. These are a great addition to the exhibition and give the viewer added insight into the thought process that went into the final work.

In the center of the gallery, there is an exclusive new documentary short film featuring several of the photographers from the show at work and in conversation. There is also a pop-up record shop featuring rare hip-hop on vinyl.

This exhibition closes 8/25/19.

Apr 122019
 

Annie Leibovitz. The Early Years, 1970 – 1983: Archive Project No. 1 at Hauser and Wirth Los Angeles, is an engrossing look into the beginnings of a photographer who is now one of the most famous in the world. The exhibition, curated by Leibovitz herself, features more than 4,000 photographs. Despite that large number, the layout keeps it from feeling overwhelming. Photographs are put together on the walls by theme and time period. As you wander from room to room looking at the often recognizable faces, Leibovitz’s distinct style emerges.

The early sections of the show give the viewer a chance to see Annie Leibovitz as a young artist just starting out and developing her way of looking at the world through a camera. On one wall is a collage of photos creating a panorama of the Pont Neuf bridge in Paris. She took it when she realized she was standing where Henri Cartier-Bresson, one of the photographers she most admired, had once stood to photograph that same bridge. The sense of excitement she felt at that moment informs the image she would later take of Cartier-Bresson himself. That portrait is included on another wall with images of other photographers and artists she admired.

Walking from room to room, the famous faces blend together with the history of the time period. Political protests, music festivals and tours, presidential campaigns, Nixon’s resignation, Warhol’s factory- she was there documenting what was happening, often in unique ways. Her ability to observe and capture moments without intruding in her subject’s personal space remains present whether it is a rock star, politician, or a member of her own family.

As the show moves through Leibovitz’s timeline, her increased focus on the portraiture that would make her famous emerges. Her staged photographs from the 1980s of celebrities including Keith Haring, Whoopi Goldberg, and Meryl Streep appear. The transition makes logistical sense as this progression of her career is made clear by all the work that came before. Her portraits are the works that stand out the most, even at the beginning.

The exhibition captures an incredible period of time in both the artist’s work and the history of America. Make sure to leave a lot of time to see it before it closes on 4/14/19.