Feb 222015
 

pierrehuyghebeehead

pierrehuyghedoghuman

Today (2/22) is the last day to see Pierre Huyghe at LACMA. There is so much to see within the show and it is, at times, overwhelming. You enter the exhibition with your name announced by a live announcer and then proceed through the maze like space to find aquariums with live sea creatures in them; video work, including a film with a monkey walking around wearing the mask of a girl; sculptures including the one pictured above with a head of live bees (Untilled (Liegender Frauenakt)); and Human, a live dog who is around the gallery at various times.  It’s Huyghe’s first retrospective in his twenty-five year career and well worth a trip into his unique visual world.

Feb 222015
 

lvlogoshowred

lvshowroom

lvheadsbeginning

Today (2/22) is the last day of exhibition LOUIS VUITTON SERIES 2 – Past, Present and Future in Hollywood.

From their website:

The Series 2 exhibit is a modern and unexpected interpretation of a fashion show that contextualizes the Spring 2015 Women’s Ready-to-Wear collection, conceived by Women’s Artistic Director, Nicolas Ghesquière. The exhibit allows visitors to explore the creative process behind the collection through a “series” of distinctive rooms that thematically share his influences and inspirations as well as the excitement of the fashion show experience.

It is an interesting exhibit and does immerse you in the fashion show world. There is even a video section where you learn about the process of creating the items themselves.  And free stickers at the end!

Jan 242015
 

gillianwearingregenprojectsfearandloathingviasite

gillianwearinghandregenprojects

gillianwearingmeasnecklace

Today is the last day to see British artist Gillian Wearing’s exhibition everyone at Regen Projects.  The two new video works are especially affecting.

Fear and Loathing, the artist’s first work produced in the US, presents a split screen with two people wearing masks, one on each side, alternating monologues about either a fear or a loathing from their personal lives.  In the second, We are Here, residents of the West Midlands of England, tell stories of their lives as if they have returned from the dead. This piece was inspired by the American poet Edgar Lee Masters’ 1915 book Spoon River Anthology.

The artist also includes portraits of herself within the exhibition, including a portrait of herself in a mask of her younger self, a large necklace with a pendant that is a mask of her face, and a series of sculptures of her hand with different fortune teller readings written on them.

There’s a certain sadness to the exhibition as Wearing examines lives caught in circumstances that are often beyond their control. This ties in to the idea of the fortune teller, who is sought out for the feeling that life is predestined.  Yet the various fortune tellers here tell different stories for the same hand. Perhaps these are like the different stories we are presenting to the world throughout our lives, at times with our true faces masked.

 

Dec 132014
 

NicolasGrenier_MiddleGround2_web

nicolasgrenieroneday

From a distance the paintings in Nicolas Grenier’s  One Day Mismatched Anthems Will Be Shouted in Tune, his exhibition at Luis de Jesus gallery, look like patterns and gradients. On closer inspection though, words materialize to comment on the societal structures currently controlling us.

In the first image above, Middle Ground II, anger in the darker colors moves to the “whatever” placed in gray. The center text reads “toward a bipartisan middle ground”. In the second, One Day Mismatched Anthems Will Be Shouted in Tune, the top text line fading in the pinkish gray reads “mass of folks that are left out and slowly sink to the bottom”, and further lines describe increasing ways that “folks” deal with their lot in life until the bright yellow center which reads “few folks that actually make things what they are”.

From the press release-

For Grenier, color functions as a kind of ecosystem to house the social, political, and cultural systems that serve as points of departure within the work. Gradation is used as a scalable, mutable device for organizing the paintings into large, concentric forms, as well as the interface through which we experience smaller letterforms and vectors. Thus, color plays a double agent: working to both solidify meaning (produce readability) and obscure signs as they become recognizable.

Grenier will be speaking at the gallery Saturday, December 13th at 3pm. This show closes December 20th.

(top image via Luis de Jesus gallery)

Nov 082014
 

This has been a great year for sculpture shows in Los Angeles, and this selection of work from artists based in this city is one of the best.

From the press release:

This group exhibition will address representations of the domestic object in fine art, including issues of still life, consumerism, gender, and identity. Exploring destabilization and the transformative shifts in cultural and aesthetic value that elevate the ordinary to art, the exhibition examines how everyday objects can be lifted from the mundane.

Today (11/8) is the last day to see this impressive show at Angles Gallery.

Oct 252014
 

kehindewileyannecynthia

kehindewileyvenusatpahos

kehindewileylasource

kehindewileygossipingwomen

Kehinde Wiley The World Stage: Haiti at Roberts & Tilton

Today (10/25) is the last day to see Kehinde Wiley‘s The World Stage:Haiti, the latest in his series of global portraits. For this exhibition he altered his usual process for finding subjects.

From the press release:

…Kehinde Wiley found beauty in Haiti bringing it to the forefront by creating his own beauty pageants, in the long tradition of pageant culture native to the region. In previous World Stage iterations, Wiley conducted his castings on the streets. With The World Stage:Haiti, he employed a different approach specific to the culture: open calls on the radio, posters around the streets of Jacmel, Jalouise and Port-au-Prince culminating in beauty pageants. Across the Caribbean, pageants serve as mass entertainment events, allowing locals to do more than exhibit poise, talent and physical beauty; pageants are a manifestation of collective cultural values. Wiley’s pageant winners were chosen randomly rather than through a judging process. By showing the pageant contestants paintings of European masters on which the new works would be based, Wiley deepened the connection between both place and era.

For a really fascinating look at his previous work and process, I recommend watching the recent PBS documentary Kehinde Wiley: An Economy of Grace, available on their website (free).

Oct 242014
 

oliverjones1

oliverjonesgusford2

oliverjonesgusford3

 

Oliver Jones Love the Skin You’re In at Gusford Gallery (images via their site)

Plastic surgery is popular topic, especially in Los Angeles, and even more so this week, after a famous actress reappeared looking different enough to cause a flurry of media and public speculation.

British artist Oliver Jones’ photorealist drawings, created in colored chalk pastel, look at and question the beauty industry and our appearance obsessed world. In many of the images the subject is looking directly into the eyes of the viewer. Are we judging them, relating to them, questioning them? Is it possible to love the skin you’re in? And if so, for how long?

This exhibition closes 10/25.

Oct 102014
 

samfallshannahhoffmangallerytheirpic

The paintings in Sam Falls’ current exhibition at Hannah Hoffman Gallery are created by taking local vegetation, adding pigments and letting the elements, including rain form silhouettes on the canvas. The results are striking, especially the larger canvases. This show continues through 10/25.

The area on and around Highland Avenue between Fountain and Melrose is a great place to check out art. If you are there this weekend, these exhibitions are also worth a look:

Doug Aitken at Regen Projects (closing 10/11)

Hannah Hummel at Diane Rosenstein Fine Arts (closing 10/11)

Lisa Anne Auerbach at Gavlak Gallery (closing 10/18)

Also in the area- Brazilian artist Eduardo Kobra’s mural is between Fountain and Lexington on Highland.

(image via Hannah Hoffman Gallery)