Apr 072024
 

“Moon Setting into Fog Bank over Cape Cod Bay, Morning of the Total Lunar Eclipse”, 2007, printed 2023

“1:30-4:30a.m., Moon Rising, Antelope Lake”, 2011, printed 2023

“Sun Ball, Imnamatnoon Creek, Lochsa River Valley”, 1995, printed 2023

“Fireflies”, 2005

One of the smaller prints from the “Fireflies” series

There is something so peaceful about the photographs in Barbara Bosworth: Sun Light Moon Shadow, currently on view at Cleveland Museum of Art. These beautiful moments she has captured allow the viewer to share her sense of wonder.

From the museum about the exhibition-

“My childhood home is where all my photographs come from,” says American photographer Barbara Bosworth (born 1953). Growing up in Novelty, Ohio, Bosworth adored walking with her father and looking up at the night sky, a practice that became a lifelong passion. This exhibition -timed to coincide with the total solar eclipse visible in Cleveland on April 8— features the artist’s photographs of light, from eclipses, sunrises, and sunsets to the luminescent glow of fireflies and a flashlight. Her images both explore how we endow these phenomena with personal meaning and elucidate bonds between humans and the natural world that often go unnoticed.

Photography is an art form with its roots in science, even though the two disciplines are sometimes considered opposites. The term photography was coined in 1839 by British scientist and astronomer Sir John Herschel from Greek words meaning “drawing with light.” Bosworth notes that light is an essential ingredient in both astronomy and photography. The camera and telescope, used together as Bosworth has in a number of the photographs on view, each collect light.

Time is another integral component of photography: a photograph records the light that strikes a sensitized surface-such as film or, in the case of digital photography, a sensor-during a certain length of time. In making her photographs of the heavenly bodies, Bosworth says she wants “to be reminded of the mystery closer to home: the sheer strangeness that light — millions of years old, unfathomably old – can still land on my film and be seen.”

This exhibition is on view until 6/30/24.

 

Mar 202024
 

Akron Soul Train supports local artists through a residency program, exhibitions, and a shop in the front of the gallery which sells their work. Currently the gallery is showing work by Matthew Kurtz (work seen above) and Thomas Smith (work pictured below). Both artists are approaching the environment in different and interesting ways. Several of Kurz’s video pieces are focused on his upcoming performance for the solar eclipse. His photographs, for which he’s created additions to scenes he finds, are charming- as is his sculpture- a piano that moves his natural additions when played.

From the gallery-

Performance artist Matthew B. Kurtz presents Drumroll for a Total Eclipse: A Preliminary Exhibition, a prelude to his upcoming live performance with this year’s solar eclipse. Kurtz’s work fuses place, nature, sound, rhythm, and movement to question the mystery of existence. With humor, curiosity, and in tandem with his surroundings, Drumroll explores the process of trying to understand wonder.

For his upcoming performance on April 8, 2024, Kurtz will invite an audience to celebrate the total eclipse. Collaborating with the cosmos, he will perform a drumroll before “totality” passes over Northeast Ohio and creates the natural phenomenon known as “the blackout.”

“When I engage with a site for an art piece, I consider its history, recontextualize its objects, and insert my identity through intuitive gestures. I was raised to believe that humans are supposed to connect the lines between their innate feelings and the unknown. Making art is [my] attempt to reclaim this existential directive. These experiences are documented so outside viewers can participate in my examination of ambiguities, systems, and the sublime.” — Matthew B. Kurtz

Kurtz is also a musician. Check out his Instagram and Bandcamp to listen to his 2021 album 107.

For Thomas Smith’s sculptures he creates natural environments within man-made structures and uses the results as a commentary on the growth and sustainability of suburban development.

From the gallery-

In SUBARIUM II reprise, Thomas Smith combines materials from big box stores with contained terrariums to generate a sense of security and quality. However, upon second look, the viewer may see past the façade of what may look safe to what is substandard. Perhaps it is even denying growth and positive change. Smith’s sculptures dare to ask questions about survival, public image, and the landscape of today.

“Akin to an ecosystem enclosed in a terrarium, my sculptures depict a vibrant but, ultimately, unsustainable artificial environment. As plants within the terrarium grow, competition for space intensifies, turning the once-comfortable space into a struggle for survival. The metaphor extends to suburban America, where curated living conditions prioritize aesthetics over functionality, reflecting an impermanent American Dream.”

— Thomas Smith

 

Both of these exhibitions close 3/23/24.​