Mar 222014
 
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Luke Gilford / Zackary Drucker

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Flawless Sabrina in Zackary Drucker’s film

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Tim Hawkinson

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Robert Therrien

There are twenty eight artists in the group show Unsparing Quality, curated by Farrah Karapetian, currently at Diane Rosenstein Fine Art. The title is derived from André Breton’s First Manifesto of Surrealism– “Beloved imagination, what I like most in you is your unsparing quality.”

From the press release:

The exhibition poses the question: where do Surrealist impulses manifest in contemporary practice, and why are we seeing this now? The response involves three generations of artists who engage the legacy of Surrealist practice and offer work that investigates the subtle madness of the ordinary world.

The idea of self plays an important role in the collaborative portraits by Zackary Drucker and Luke Gilford titled, This Is What It Looks Like (To Go From One Thing To Everything) pictured above (image via Luke Gilford). In Zackary Drucker’s film with Flawless Sabrina– At least you know: you exist (2010-11) the older and younger artist interact to give a sense of continuation in the exploration of identity.

In Tim Hawkinson’s Samoa (2013), the artist made a bronze cast of his body for the sculpture with chains linking his hands to his tongue. The joints of the chain extending from his mouth are made from casts of the artist’s tongue and lips, while the ones originating from his hands are from casts of his thumb and index finger.  The sculpture poses questions about the nature of being an artist and its limitations with a surrealist approach.

Surrealism’s influence can also be seen in Robert Therrien’s beard sculptures. The larger size (pictured above) and a “beard cart” with varying sizes, some of which very small, offer a chance to question the idea of this prop and its potential uses.

The exhibition also includes work going as far back as the early 1920’s to demonstrate the ways in which artists have been exploring and continue to explore the “unsparing quality” of imagination.

On March 22 at 4pm, Zackary Drucker, Luke Gilford, Ray Barrett, Masood Kamandy, Mie Hørlyck Mogenson, Max Rain and Kim Schoen will be part of a panel discussion at the gallery.

You can watch an excerpt of Zackary Drucker’s film here.

Here is a link to Tim Hawkinson talking about his work for a show at Pace Gallery which included Samoa. He explains that the name for this sculpture came in part from the Girl Scout cookies his daughter was selling at the time.

Mar 152014
 

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Currently at 356 Mission, Scott Reeder’s show consists of large abstract paintings, paintings consisting of humorous lists, and bizarre Star Trek like sets from Moon Dust, a movie described on IMDB as being about “a failing resort on the moon”.

This show is open until 3/16/14.

Mar 082014
 

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Joel Kyack– Old Sailors Never Die

For the sculptures at Joel Kyack’s show at François Ghebaly Gallery, the press release consists of multiple choice questions on the theme of being stranded at sea like, “If you had to die at sea, on which sea would it be?” Interspersed among these are other questions, perhaps getting to more of the reasoning behind the work, like:

3. Film sets are, to varying degrees, “built to camera” – a process where only the elements of the set that will appear in the frame of the camera will be built. For what could this be a metaphor?

(a) some of life

(b) most of life

(c) all of life

and:

8. When you see a sculpture you like you respond by:

(a) wanting to remember it

(b) wanting to buy it

(c) wanting to dismiss it

The theme of being stranded or lost at sea is common in movies and television. It remains unclear whether these sculptures are aiming just to entertain or are attempting to grapple with larger issues.

Perhaps the quote at the bottom of the press release is the most telling:

“High and fine literature is wine, and mine is only water; but everybody likes water.”

― Mark Twain, Letter to William Dean Howells, 15 February 1887

If you go to see this show make sure to check out the inaugural group exhibition at Fahrenheit Gallery located in the same building.

Mar 072014
 

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Daniel Joseph Martinez– The report of my death is an exaggeration; Memoirs of Becoming Narrenschiff

At Roberts & Tilton until 3/8, Martinez’s show is comprised of two parts- the first is a group of text paintings and small framed polaroids of mysterious objects surrounding a group of unearthed bonsai trees in the center of the gallery. In the second gallery is a group of photos of buildings around Los Angeles with Martinez’s text added.

Martinez’s work for this exhibition is based on Das Narrenschiff, or Ship of Fools, a satirical work created by Sebastian Brant in 1494, which focused on human folly in society. For three years Martinez traveled around Los Angeles on the bus with this in mind, observing the other passengers and his surroundings.  The result is a grim but affecting look into the perspective he gained from his travels.

(last image via Roberts & Tilton)

Feb 222014
 
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Samara Golden- Mass Murder

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Jesse Mockrin- Midnight Sun

When you walk into Night Gallery it will take your eyes awhile to adjust. When they do you will see a car parked in the center of the gallery. The next room holds Jesse Mockrin’s paintings, styled after traditional master painters, lit with one light each. The next rooms are filled with odd aluminum covered furniture, a sunset projection on one wall, stuffed animals, pianos, keyboards and more. These objects (and the car) are all part of Samara Golden’s Mass Murder. What does it all mean?

Here’s a bit of the press release:

It’s Mass murder. It’s the world and then the reversal of the world. It’s trying to find the beautiful inside of a horrible world of hypocrisy and contradiction. It’s personal. It’s optimism and pessimism in a dead lock. It’s two stories. It’s bad blood. It’s a caged thought. It’s a purple light giving a performance. It’s our living room 1975-1988. It’s an airport convention room, it’s a bank, a hospital, a hotel. The wall, a dance club, a parking lot. It’s a flight simulator that makes you believe you’re in the sky when you’re actually crashing into nothing-miles away from real life. It’s the disillusionment of the Vietnam generation, it’s my parents. It’s keyboard lessons, gymnastics, those flowers my mom loves, Vivaldi the four seasons, Pink Floyd, The Ramones. It’s a room that was both my sister’s place and my grandma’s. It’s the records, the boom box, Detroit “wheelz” radio, the two cockatiel birds, Rudy, and heavy metal. It’s the black and white TV, the alcohol, the reading, the neon knitted Afghans, the curly grey hair, the heart problems, the smoke, and the cigarettes. It’s also the matchboxes, the taste, the piano, the white carpet, the abalone box in the ladies room, the jewelry. It’s a highway underpass. It’s sleeping in the street. It’s train hopping. It’s April, it’s her amputated leg. It’s a big mess, seriously. It’s a place to think about it. It’s the fog and the mist. It’s asking why-it’s hoping for a peaceful place. It’s a broken heart for the world.

Worth checking out to draw your own conclusions. It closes 2/22.
Feb 222014
 

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Elias Hansen: I’m a long way from home and I don’t really know these roads.

Anat Ebgi gallery is showing Elias Hansen’s new sculptures until 2/22. There are numerous beakers and other glassware combined with natural materials in setups that look, especially when lit with colored lights, like bizarre science experiments, or possibly something more suspicious.

Also in Culver City and closing 2/22:

Patrick Wilson’s geometric paintings in “Steak Night” seem to move the longer you stare at them- at Susanne Vielmetter Los Angeles Projects.

Tony de los Reyes’s show “Border Theory” at Angles Gallery paintings and lithographs are both abstract and political as the lines within them follow the natural border between the United States and Mexico created by the Rio Grande (or Rio Bravo).

Kevin Cooley and Phillip Andrew Lewis have a show called “Unexplored Territory” at Kopeikin Gallery that consists of video and photography that explores human’s desire to control natural elements like fire, and balances this concept with machines acting in ways that make them seem human. There is a video in the center room in which two fans on one power cord seem to be in a sort of dance/fight.

At LAXART, Brendan Fowler recreates photos with a commercial industrial embroidery machine creating a blend of photography and sculpture.

Feb 222014
 

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Yassi Mazandi– The Sacred Wheel

Currently at Maloney Fine Art, Yassi Mazandi has created intricate ceramic flower-like sculptures (seen above) as well as a larger impeller made of geo-polymer stone. Also on view are a series of 72 colorful watercolor paintings, (one is pictured above- Albaloo Pollo) all named after foods.

This show closes 2/22/14.

Feb 142014
 

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Liz Larner at Regen Projects

This is the final weekend (closes 2/15) for Liz Larner’s show at Regen Projects.

From the press release:

Regen Projects is pleased to present an exhibition of new sculptures by Los Angeles-based artist Liz Larner.The exhibition brings together her recent navigations of geological poiesis, fissures, folds, curves, and reconfigurations, and includes wall-mounted ceramic slabs, a large stainless steel X sculpture, two paper-based planchette pieces, early photographs, and a new “culture” sculpture. Larner has shown at Regen Projects since 1989, and this presentation marks her seventh solo exhibition at the gallery.

Her earlier photos, taken near the pool at the Tropicana Motel in Los Angeles are located in the side gallery and are particularly worth noting. In one a jar containing guitar strings and water sits near people sunbathing. In another, a flask with a mix of liquors hovers near the pool. It’s an interesting juxtaposition, both the objects in the photos, and this series in comparison to her newer work.

Jan 102014
 

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Phranc at Craig Krull Gallery

From the press release:

Phranc, best known as The All-American Jewish Lesbian folksinger, is also a self-described “Cardboard Cobbler,” who fashions cardboard, paper, gouache, and thread into life-size, three-dimensional replications of everyday objects. As a teenager, Phranc attended The Feminist Studio Workshop at The Woman’s Building in Los Angeles, but she traces her obsession with cardboard back to childhood. She says, “From the time I sat in my first refrigerator box submarine, I knew the cardboard sea was for me.” Her first exhibition at Craig Krull Gallery, Phranc of California (Summer of 2011), consisted of hand-crafted beach paraphernalia, such as swimsuits, inflatable rafts, umbrellas and beach balls. For her new exhibition, Winter, Phranc will exhibit painted paper and cardboard snowshoes, ski sweaters, ski pants, lift tickets, and even a shiny new red sled! In these trompe l’oeil re-creations of nostalgic winter items, Phranc remarks upon the reconstruction and idealization of memories.

These whimsical cardboard constructions are great. This show is on view until 1/11/14.

Curious about Phranc’s music?- check out this video-

 

Jan 032014
 
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Kent Twitchell– “Elizabeth”

LAMAG’s current show contains a wide range of works in various forms of media. If you are headed to Barnsdall Park, make sure to check it out. It closes this weekend on 1/5.