Sep 162022
 

Started above a Detroit record store in 1969, CREEM magazine would go on to cover the music scene until 1989. Now, 33 years later, it’s back. The first new issue of “America’s Only Rock ‘n’ Roll Magazine” is now in print and online- with a cover by artist Raymond Pettibon.

CREEM magazine gained a loyal following for both its unique writing and format. It also covered the punk, new wave, and heavy metal scenes in a time still dominated primarily by pop and rock music. Lester Bangs, who became more widely known after his portrayal by Philip Seymour Hoffman in Almost Famous, was editor of the magazine for five years. Cameron Crowe, who wrote and directed that film, also contributed articles for CREEM.

The premiere issue of the magazine has something for every music fan, while keeping the feel of the original. Special Interest, Mac DeMarco, Amyl and the Sniffers, Warthog, and KeiyaA are among the current artists covered. There’s an article on an album by The Osmonds and an excerpt from an unreleased book on The Who. Features from the original magazine like “Stars Cars” and their letters section also make a return.

This Wednesday (9/21/22) at The Grammy Museum, there will be a screening of the 2020 documentary  CREEM: America’s Only Rock ‘n’ Roll Magazine. The film will be followed by a conversation with JJ Kramer (CREEM Chairman and son of CREEM founder Barry Kramer), Jaan Uhelszki (Editor at the original CREEM and Editor Emeritus today), and Dave Carnie (CREEM Editorial Director), moderated by journalist Scott Sterling.

CREEM also just released a special David Bowie edition of the magazine. It includes articles from past issues, as well as an interview with Brett Morgen, director of Moonage Daydream, the new Bowie documentary which opens in theaters today, 9/16/22.

There are digital and print subscription options for the quarterly magazine and all subscriptions give you access to the digital archives- all 224 of the past issues.

 

Mar 082018
 

#Dysturb is a group of photojournalists who paste large-size posters in cities around the world, focusing on under-reported stories with the intention of getting this information to a wider audience. In addition to their public projects, they also have a quarterly print journal.

I first saw their work in Newcastle, UK (pictured above) as part of The Newbridge Project’s Hidden Civil War, a month of programming by various artists around the city in October of 2016.

#Dysturb’s current project is #WomenMatter, focusing on the fight against all types of violence against women. On International Women’s Day 2018, the group will be celebrating their fourth anniversary with a free discussion of this project, as well as their other work and the role of paste-up campaigns in contemporary documentary practice at ICP Museum in NYC.