Feb 042023
 

Le’Andra LeSeur, “In Reverence (An Honoring)”, 2019

Le’Andra LeSeur, “There are other hues of blue”, 2019-2022 (ongoing)

Le’Andra LeSeur, “There are other hues of blue”, 2019-2022 (ongoing)

Le’Andra LeSeur, “The CD Man”, 2017

Le’Andra LeSeur, “Superwoman”, 2018

Spirit, Rhythm, Blues,  Le’Andra LeSeur’s exhibition at Gallery221@HCC Dale Mabry Campus is a multimedia exploration of life, death, and rebirth- all bathed in blue.

From the Gallery 221 website-

LeSeur’s body of work—a celebration of Blackness, queerness, and femininity—seeks to dismantle systems of power and achieve transcendence and liberation through perseverance. In “Spirit, Rhythm, Blues” at Gallery221@HCC, LeSeur’s installation encourages viewers to contemplate themes such as identity, family, grief and joy, the experience of invisibility, and the power of language.

From the Gallery 221 press release description of Superwoman–

This video is a documentation of a self-baptism that took place in the summer of 2018. The work speaks to the cyclical process of the emotional “waves”- highs and lows- experienced in life. As LeSeur conducts the baptism Donny Hathaway’s rendition of Superwoman plays over the visual, and the words “Where were you when I needed you last winter” repeat as the video proceeds then visually plays out in reverse. The words in the song symbolize the internal struggle present when asking how we show up for ourselves during moments of transition and change. Instead of putting pressure on ourselves to be better or do better, those words bring us back to a place of understanding the importance of self-love in how we overcome and get back to a place of grounding and balance in our lives.

It is a moving piece and works well as a balance to the other video works that reference the police killings of Akai Gurley and Alton Sterling (The CD Man, 2017, pictured above).

This exhibition is on view until 3/2/23.

 

Dec 162022
 

“Themes for a Left-Handed Pitcher”, 2021: “Still Life with Left-Handed Pitcher (04-06)”, 2021. serigraphy, pochoir, collage, acrylic ink, gouache on paper; “Left-Handed Pitcher Still Life (II)”, 2021. particle board, acrylic ink, concrete, polymer clay; “Perfect Games (Theme for a Left-Handed Pitcher)”, 2021. projected sound from single speaker. 9:00 min. (infinite loop)

While at Dunedin Fine Art Center to hear Ry McCullough’s talk, I was reminded of seeing this work at the USF Contemporary Art Museum last year as part of Skyway 20/21: A Contemporary Collaboration. The discussion was great and touched on a lot of interesting topics, especially around his use of collage.

From the gallery’s wall plaque about Themes for a Left-Handed Pitcher–

Inspired by the perfect game Los Angeles Dodgers’ pitcher Sandy Koufax threw against the Chicago Cubs in 1965, Themes for a Left Handed Pitcher engages compositional fielding of the domestic pitcher and black and white balls in a callback and comparative dialogue between sculptural objects and works on paper. Inviting playful and participatory discovery, the project includes an amplified palindromic sound score and a zine, which are both available to download. Interspersed with abstracted baseball references, the project evokes a change-up between the fabricated and found forms, the known and the unknown.

On McCullough’s website you can find the downloadable zine and the audio file mentioned in the description above and its a chance to check out more of his impressive collage pieces. For his most recent work, also check out his Instagram.

In addition to his independent practice, he is part of the collaborative project, small_bars, with artist Nick Satinover.

From the small_bars information page about the project-

Within their collaborative practice they explore the structural authority of their band name moniker, small_bars. This ambiguous name serves as an all-encompassing banner which simultaneously referencing pixels on a screen, lines of type of a letter press, halftone processes, and the physical clubs and venues their former bands played. As small_bars, McCullough and Satinover are able to generate a collection of collateral materials such as audio recordings, videos, printed ephemera, performative events, and structural arrangements, all of which support and expand the notion of what the moniker suggests. This collaborative effort seeks to use the form of a band-like entity to create a space where the acts of publishing, printing and performance co-exist.

 

Dec 132022
 

“Thru” by Jessi Sherbet and “Remi” by Mia Makes It (sculpture on the right)

“Untitled” low fire ceramic by Mike Cannata

There were so many great artists showing work at the group of galleries in the Kress Building in Ybor City, this post needed to be split in two. For part one, on Tempus Projects’ three spaces, head here.

Quaid Gallery is an artist cooperative gallery founded by a group of Tampa artists and is focused on contemporary artists creating mixed media exhibitions. In addition to monthly curatorial projects, they are planning to host events which will include readings, drawing nights and film screenings. Liquid Snow is their current exhibition and included the artwork pictured above by Jessi Sherbet, Mia Makes It, and Mike Cannata.

Parachute Gallery is showing One and Only · يكتا , which centers around the project Green Wedding by Fort Myers, Florida-based Iranian artist, Leila Mesdaghi.

From the website’s description of the project-

In late 2021, Mesdaghi traveled to her childhood home in Tehran, Iran, to throw herself a wedding, sans partner. She writes, “As a child I had dreams about getting married and having a wedding in our house. An Iranian wedding is a heavily glamorized and festive event where the bride is treated like a princess and guests come celebrate and admire her with gold and jewelry. I decided to have a wedding for myself. I made my dress at a high-end fashion boutique, bought a beautiful gold ring with my dad’s money, hired Maryam Saeedpoor (a well-known photographer,) a hair stylist, played Persian wedding music, and had a few friends plus my aunt and uncle as my guests.”

Documentation of the ceremony—a series of six limited-edition portraits by Saeedpoor and a collaborative video piece with director Khashayar Khalilkhani and vocalist Mahboubeh Golzari, reciting a poem by Iranian poet Houshang Ebtehaj about love and longing—beautifully articulates the complex emotions behind the project.

The photos and dress are seen in the image below, along with the work of six regional and national artists whose work ties into this project thematically. These artists are Sharareh Allahyari, Jordan Blankenship, Golbanou Moghaddas, Pottery Boys – Glenn Woods and Keith Herbrand, and Rebecca Stevens.

Tampa artist and photographer Jenny Carey has opened a new space, Gratus, which is currently showing her work. She also had her book, All I See Is Your Glinting: 90 Days in the Pandemic, which she created with Gianna Russo, the inaugural Wordsmith of The City of Tampa, available for sale.

For more of Carey’s work and to see what’s next for the gallery, check out her Instagram. She also founded Creatives Exchange, a collective of professional women artists in Tampa.

Finally, Department of Contemporary Art Tampa, FL, once a week for three weeks is hosting a mystery local artist. During the event the artist of the evening was revealed as Selena Ferrer. This week on 12/15/22, the last artist will be revealed. Also check out the gallery’s Instagram for updates.

Dec 132022
 

“The Great Mother Text, Papaya and Pearls” and “Frozen Conch” photographs from Cristina Molina’s “The Matriarchs” series

Painting by Eric Ondina

“Here, Together” Photograph by Amber Bernard

It was an exciting night for art this past Thursday in Ybor City, Tampa, as several spaces opened their doors in the Kress Building.

Tempus Projects now has three spaces in the building. In their main gallery was KARST GROUNDS ::QUATRO SUNISTRA, the fourth iteration of their annual open call exhibition exploring “the sinister side of the Sunshine State”. The work varied in medium, and included painting, photography, and sculpture.

From their website-

The exhibition title is a portmanteau of “sunshine” and the Latin word “sinistra”—the forebearer of the English word “sinister” which retains some of its original connotations of something that is harmful and inauspicious. The play on words reflects the often idyllic/nightmarish dichotomy Florida embodies in its natural, social, and political climates. This serves as a thematic jumping-off point for the exhibition’s applicants as the artists investigate this peculiar state through their diverse perspectives and unique approaches.

In their Tempus Volta space was Beneath the Mistletoe Screaming, a group exhibition and holiday shop with lots of great affordable art, with most pieces ranging from $5 to $500.

View inside Tempus Volta

Paintings by Alex Torres

Paintings by Lynn Manos

Drift, is Tempus Projects’ independent curator’s space (seen below). On Thursday they were showing and selling work from various artists.

All three spaces were showing strong work. Make sure to check out Tempus Projects’ Instagram for updates on the galleries.