Apr 052014
 

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Liquid Crystal Palace: Recent Works with Jeremy Blake

(image via Honor Fraser)

Inspired by Jeremy Blake’s Liquid Villa, the curators Rhizome Editor, Michael Connor and Nate Hitchcock, present colorful artworks including paintings, video and sculpture created by more recent artists that share a similar sensibility.  Rafaël Rozendaal’s lenticular paintings and installation (pictured above) are particularly captivating.

Jeremy Blake’s work may look familiar to those who have seen the opening credits to the film Punch Drunk Love or the cover of Beck’s album, Sea Change. He sadly gained notoriety in 2007 when he committed suicide not long after his girlfriend, artist Theresa Duncan.

This show closes 4/5/14.

Apr 052014
 

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Yutaka Sone and Benjamin Weissman: What Every Snowflake Knows in Its Heart

A celebration of snow, skiing and nature, Yutaka Sone and Benjamin Weissman’s collaboration is part sculpture, part painting, and part story- complete with working mini chairlift.

Today (4/5) is the last day to see this show at Santa Monica Museum of Art.

If you like the writing part of the exhibition, Benjamin Weissman also created a blog for it.

Mar 222014
 
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Luke Gilford / Zackary Drucker

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Flawless Sabrina in Zackary Drucker’s film

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Tim Hawkinson

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Robert Therrien

There are twenty eight artists in the group show Unsparing Quality, curated by Farrah Karapetian, currently at Diane Rosenstein Fine Art. The title is derived from André Breton’s First Manifesto of Surrealism– “Beloved imagination, what I like most in you is your unsparing quality.”

From the press release:

The exhibition poses the question: where do Surrealist impulses manifest in contemporary practice, and why are we seeing this now? The response involves three generations of artists who engage the legacy of Surrealist practice and offer work that investigates the subtle madness of the ordinary world.

The idea of self plays an important role in the collaborative portraits by Zackary Drucker and Luke Gilford titled, This Is What It Looks Like (To Go From One Thing To Everything) pictured above (image via Luke Gilford). In Zackary Drucker’s film with Flawless Sabrina– At least you know: you exist (2010-11) the older and younger artist interact to give a sense of continuation in the exploration of identity.

In Tim Hawkinson’s Samoa (2013), the artist made a bronze cast of his body for the sculpture with chains linking his hands to his tongue. The joints of the chain extending from his mouth are made from casts of the artist’s tongue and lips, while the ones originating from his hands are from casts of his thumb and index finger.  The sculpture poses questions about the nature of being an artist and its limitations with a surrealist approach.

Surrealism’s influence can also be seen in Robert Therrien’s beard sculptures. The larger size (pictured above) and a “beard cart” with varying sizes, some of which very small, offer a chance to question the idea of this prop and its potential uses.

The exhibition also includes work going as far back as the early 1920’s to demonstrate the ways in which artists have been exploring and continue to explore the “unsparing quality” of imagination.

On March 22 at 4pm, Zackary Drucker, Luke Gilford, Ray Barrett, Masood Kamandy, Mie Hørlyck Mogenson, Max Rain and Kim Schoen will be part of a panel discussion at the gallery.

You can watch an excerpt of Zackary Drucker’s film here.

Here is a link to Tim Hawkinson talking about his work for a show at Pace Gallery which included Samoa. He explains that the name for this sculpture came in part from the Girl Scout cookies his daughter was selling at the time.

Mar 152014
 

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Currently at 356 Mission, Scott Reeder’s show consists of large abstract paintings, paintings consisting of humorous lists, and bizarre Star Trek like sets from Moon Dust, a movie described on IMDB as being about “a failing resort on the moon”.

This show is open until 3/16/14.

Mar 082014
 

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Joel Kyack– Old Sailors Never Die

For the sculptures at Joel Kyack’s show at François Ghebaly Gallery, the press release consists of multiple choice questions on the theme of being stranded at sea like, “If you had to die at sea, on which sea would it be?” Interspersed among these are other questions, perhaps getting to more of the reasoning behind the work, like:

3. Film sets are, to varying degrees, “built to camera” – a process where only the elements of the set that will appear in the frame of the camera will be built. For what could this be a metaphor?

(a) some of life

(b) most of life

(c) all of life

and:

8. When you see a sculpture you like you respond by:

(a) wanting to remember it

(b) wanting to buy it

(c) wanting to dismiss it

The theme of being stranded or lost at sea is common in movies and television. It remains unclear whether these sculptures are aiming just to entertain or are attempting to grapple with larger issues.

Perhaps the quote at the bottom of the press release is the most telling:

“High and fine literature is wine, and mine is only water; but everybody likes water.”

― Mark Twain, Letter to William Dean Howells, 15 February 1887

If you go to see this show make sure to check out the inaugural group exhibition at Fahrenheit Gallery located in the same building.

Mar 072014
 

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Daniel Joseph Martinez– The report of my death is an exaggeration; Memoirs of Becoming Narrenschiff

At Roberts & Tilton until 3/8, Martinez’s show is comprised of two parts- the first is a group of text paintings and small framed polaroids of mysterious objects surrounding a group of unearthed bonsai trees in the center of the gallery. In the second gallery is a group of photos of buildings around Los Angeles with Martinez’s text added.

Martinez’s work for this exhibition is based on Das Narrenschiff, or Ship of Fools, a satirical work created by Sebastian Brant in 1494, which focused on human folly in society. For three years Martinez traveled around Los Angeles on the bus with this in mind, observing the other passengers and his surroundings.  The result is a grim but affecting look into the perspective he gained from his travels.

(last image via Roberts & Tilton)

Mar 042014
 

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Nude Female with Dark Mask II (2010) and Chalkboard in Flames (2013) by José Alberto Marchi

Currently part of a group show at Latin American Masters, artist José Alberto Marchi’s work stands out. Influenced by photography, in particular the work of Thomas Eakins, many of Marchi’s paintings like the nude shown above, are presented as both a positive and negative image. In others, the images seem to be materializing from the canvas the way a photo would from developing chemicals.

In addition to these works are some from his most recent show at the gallery, Sacrificio. The series was inspired by the final scene of Andrei Tarkovsky’s film The Sacrifice, in which the protagonist burns his house down to save the world. The late 19th and early 20th century people from his previous paintings, are now in new situations forcing them to react to a fire, the only color within the canvas. It is up to the viewer to interpret what the sacrifice, in this context, may be.

Feb 222014
 
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Samara Golden- Mass Murder

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Jesse Mockrin- Midnight Sun

When you walk into Night Gallery it will take your eyes awhile to adjust. When they do you will see a car parked in the center of the gallery. The next room holds Jesse Mockrin’s paintings, styled after traditional master painters, lit with one light each. The next rooms are filled with odd aluminum covered furniture, a sunset projection on one wall, stuffed animals, pianos, keyboards and more. These objects (and the car) are all part of Samara Golden’s Mass Murder. What does it all mean?

Here’s a bit of the press release:

It’s Mass murder. It’s the world and then the reversal of the world. It’s trying to find the beautiful inside of a horrible world of hypocrisy and contradiction. It’s personal. It’s optimism and pessimism in a dead lock. It’s two stories. It’s bad blood. It’s a caged thought. It’s a purple light giving a performance. It’s our living room 1975-1988. It’s an airport convention room, it’s a bank, a hospital, a hotel. The wall, a dance club, a parking lot. It’s a flight simulator that makes you believe you’re in the sky when you’re actually crashing into nothing-miles away from real life. It’s the disillusionment of the Vietnam generation, it’s my parents. It’s keyboard lessons, gymnastics, those flowers my mom loves, Vivaldi the four seasons, Pink Floyd, The Ramones. It’s a room that was both my sister’s place and my grandma’s. It’s the records, the boom box, Detroit “wheelz” radio, the two cockatiel birds, Rudy, and heavy metal. It’s the black and white TV, the alcohol, the reading, the neon knitted Afghans, the curly grey hair, the heart problems, the smoke, and the cigarettes. It’s also the matchboxes, the taste, the piano, the white carpet, the abalone box in the ladies room, the jewelry. It’s a highway underpass. It’s sleeping in the street. It’s train hopping. It’s April, it’s her amputated leg. It’s a big mess, seriously. It’s a place to think about it. It’s the fog and the mist. It’s asking why-it’s hoping for a peaceful place. It’s a broken heart for the world.

Worth checking out to draw your own conclusions. It closes 2/22.
Feb 222014
 

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D.J. Hall– Into Plein Air

D.J.Hall’s larger paintings as well as her smaller gouaches and watercolors of nature taken from her small notebooks are currently being shown until 2/22 at Craig Krull Gallery at Bergamot Station. Also being shown are Los Angeles photographer John Humble’s bright color photos of Pico Boulevard.

Also closing 2/22 at Bergamot Station:

Robert von Sternberg’s vintage black and white photos at dnj Gallery

Fielder Harper’s paintings of Los Angeles in Urban Mosaic at tag Gallery offer a unique perspective of the city

Augustus Francis’s shimmery abstract paintings are at Schomburg Gallery

Feb 222014
 

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Elias Hansen: I’m a long way from home and I don’t really know these roads.

Anat Ebgi gallery is showing Elias Hansen’s new sculptures until 2/22. There are numerous beakers and other glassware combined with natural materials in setups that look, especially when lit with colored lights, like bizarre science experiments, or possibly something more suspicious.

Also in Culver City and closing 2/22:

Patrick Wilson’s geometric paintings in “Steak Night” seem to move the longer you stare at them- at Susanne Vielmetter Los Angeles Projects.

Tony de los Reyes’s show “Border Theory” at Angles Gallery paintings and lithographs are both abstract and political as the lines within them follow the natural border between the United States and Mexico created by the Rio Grande (or Rio Bravo).

Kevin Cooley and Phillip Andrew Lewis have a show called “Unexplored Territory” at Kopeikin Gallery that consists of video and photography that explores human’s desire to control natural elements like fire, and balances this concept with machines acting in ways that make them seem human. There is a video in the center room in which two fans on one power cord seem to be in a sort of dance/fight.

At LAXART, Brendan Fowler recreates photos with a commercial industrial embroidery machine creating a blend of photography and sculpture.