Karen Carson– Big Job (Case International Combine)
Karen Carson’s paintings of farm machines are dramatic, beautiful and at times, huge (the ones on unstretched canvas are between 9 and 12 ft high). Her current show at Rosumund Felsen Gallery, will have you looking at tractors in a whole new way. It is on view until Saturday, 1/4.
Mark Stock- “HOLLYWOOD: UNCOVERED”
Currently at Lora Schlesinger Gallery, Mark Stock’s show is built around a film noir-like story. Images of famous Hollywood figures are embedded in paintings of the Hollywood sign; a woman is seen digging up a mysterious box; and trompe l’oleil paintings of postcards and notes taped to chalkboards are on another wall of the gallery.
Mark Stock has his own connection to Hollywood- his paintings have appeared in films and he also created a poster for the Telluride film festival.
Jordi Alcaraz- Ideas of Sculpture
The works in Altered States, Jordi Alcaraz’s current show at Jack Rutberg Fine Arts, consistently challenge viewers perceptions. The glass frames surrounding drawings, paintings and sculptures are often broken or warped, where objects may have tried to get in or out. In others, it is the object itself that is being altered. The works get more intriguing as you progress through the gallery.
The show closes 12/21/13.
Len Lye’s A Colour Box (1935)
If you missed the show at Roberts & Tilton, here is one of the works from it. This piece, by New Zealand artist Len Lye, was the first direct film screened to a general audience. Set to La Belle Créole by Don Baretto and his Cuban Orchestra, it was made by painting directly on the celluloid.
One room from Pet Shapes at China Art Objects Galleries
If you are in Culver City, tomorrow (12/14) is the last day for this group show. All the works are pet related, and there is even a purring chair (not shown). It’s worth checking out if you are in the area.
One of the paintings from the series The Women by Sarah Awad
Currently at Diane Rosenstein Fine Art, this show closes Saturday (11/30).
Images from Lari Pittman’s From A Late Western Impaerium
From the Regen Projects press release:
Pittman’s From A Late Western Impaerium constructs a loose narrative of nationhood that travels between our present time and the distant past. The compositionally dense works play with the social and current realities of today, with an interest in ornamentation and surface, and draw on the legacy of history as told through the Western canon of painting and the applied arts. Pittman poses the question of what a contemporary “history painting” might be today.
For more information about Lari Pittman, check out this article in Artillery Magazine
The show is up until December 21, 2013.
Today (11/23) at Regen Projects there is also a Raymond Pettibon book signing from 4-6pm.
This is the last weekend for Arts ReSTORE LA: Westwood. There are several events planned for the weekend including Popup Arcade Extravaganza– a free event on Saturday with games designed by former and current UCLA students.
Images from the film L’Enfer by Henri-Georges Clouzot
From the press release for The End of the Night:
LACE is proud to continue the collaboration with Ceci N’est Pas… in presenting The End of the Night, organized by curator Martha Kirszenbaum and designed by Exhibition Designer Marianne Zamecznik, is a bold group exhibition exploring the impact of French filmmaker, Henri-Georges Clouzot and his unfinished 1963-1964 film, L’Enfer, on notions of abstraction, the kinetic, and optical illusions in contemporary French art. For this exhibition, Kirszenbaum has invited five artists whose works reflect on Clouzot’s pictorial and sound experimentation and respond to his visual and sensorial imagination: a historical figure, Julio Le Parc, and four emerging artists, Florian & Michael Quistrebert, Isabelle Cornaro and Pierre-Laurent Cassière. Kirszenbaum’s project is a double exhibition – the other half taking place at the Palais de Tokyo in Paris, emphasizing a similarly themed exploration of the work of Los Angeles experimental filmmaker Kenneth Anger.
When you see the clips from Clouzot’s film at this show, it is easy to see how it could inspire an exhibition. His use of spinning lights to create the illusion of changes in the actress’s face is one of the more mesmerizing aspects of the film.
One of the standouts from the show is the double channel projection video installation, The Eighth Sphere, by Florian & Michael Quistrebert. The two projections of geometrical shapes merge and separate creating interesting effects.
Also at LACE tonight (11/14) there is a town hall forum that is open to the public.
