Todd Gray, “The Song Remains (assumptions about the nature of time)”, 2024, Two UV pigment prints on Dibond, artist’s frames
In LA-based artist Todd Gray’s The Song Remains (assumptions about the nature of time), two images, one of Iggy Pop and the other of a statue in Italy, merge both visually and conceptually. It was on view as part of While Angels Gaze, his exhibition at Lehmann Maupin in NYC in 2025.
About the work from the gallery-
In The Song Remains (assumptions about the nature of time) (2024)—one of the exhibition’s smallest works, composed of just two panels—Gray depicts Iggy Pop in black and white, his image overlaid against a statue from Villa Torlonia of a figure holding a pan flute. The gesture of the statue’s outstretched arm on the left is mirrored in Iggy’s raised hand on the right, connecting the two figures across time as if by an invisible thread. The image suggests an enduring human archetype, different and yet unchanged over the course of many centuries, and invites wider questions about the essence of human nature.
Gray’s latest solo exhibition, Portals, is currently on view in Perrotin‘s new Los Angeles gallery through until 5/30/26. His commissioned piece, Octavia’s Gaze, was installed last year at LACMA in the new David Geffen Galleries, which are opening to the general public in May (they are currently open to members only).