Jun 172026
 

John Baldessari, “One and Three Persons (with Two Contexts-One Chaotic)”, 1994-2012, 14-color screenprint

California artist John Baldessari was born today, June 17, in 1931.  The print above was part of The Cleveland Museum of Art‘s 2024 exhibition, New Narratives: Contemporary Works on Paper.

From the museum about this work:

John Baldessari often incorporated appropriated (or “found”) imagery into his artwork, such as the photographs of architecture and rubble appearing in this print. He juxtaposed these elements with outlined figures in a typically obtuse manner to suggest a narrative or simply a feeling with strange or even ominous undertones. The artist’s interest in the formal qualities of art, such as dimensionality, highlighted by his use of the irregularly shaped sheet of paper, white cut-outs, and silhouettes, adds to the sense of suggestion and uncertainty in the print.

May 222026
 

Impressionist painter Mary Cassatt was born today, May 22nd, in 1844. The oil painting above, Woman with a Pearl Necklace in a Loge, 1879, can be seen at the Philadelphia Museum of Art as part of their permanent collection.

From the museum about the work:

Cassatt created a series of theater scenes in the late 1870s, displaying an interest in city nightlife shared by many of the Impressionists. This work, showing a woman (often said to be her sister Lydia) seated in front of a mirror with the balconies of the Paris Opéra House reflected behind her, demonstrates the influence of Cassatt’s friend Edgar Degas, particularly in the attention paid to the effects of artificial lighting on flesh tones. This painting was shown in Paris at the fourth Impressionist exhibition in 1879, where it was singled out for much praise.

May 112026
 

Spanish surrealist Salvador Dalí was born today, May 11th, in 1904. The painting above, Soft Construction with Boiled Beans (Premonition of Civil War), from 1936, is part of the Philadelphia Museum of Art‘s permanent collection. It was also included in their recent exhibition, Dreamworld: Surrealism at 100.

From the museum’s website about the work-

Salvador Dalí painted this allegory of self-inflicted carnage while living in Paris in early 1936, on the eve of the devastating civil war in his Spanish homeland between Francisco Franco’s right-wing nationalist forces and the elected Republic. The painting flaunts its flair for gruesome detail. A grimacing colossus towers over a sunbaked Spanish landscape and deliriously rips itself apart. Limbs are switched around and turned upside down, and the body’s trunk is missing entirely. A limp phallic shape draped over the truncated hip is a striking example of Dalí’s soft forms, implicitly referring to putrefaction and death. The scattered beans of the title exemplify the bizarre incongruities of scale to conjure the workings of an unconscious mind. Dalí interpreted the Spanish conflict in psychoanalytic terms, and he included an homage to Sigmund Freud, the initiator of psychoanalysis whose work inspired him to embrace such nightmarish visions, by including a tiny portrait of Freud inspecting the gnarled hand at lower left.

 

Apr 252026
 

Cy Twombly “Fifty Days at Iliam: Shield of Achilles”, 1978

Cy Twombly “Fifty Days at Iliam”, 1978, oil, oil crayon, and graphite on canvas

“Fifty Days at Iliam: Achaeans in Battle”, 1978

“Fifty Days at Iliam: The Fire that Consumes All before It”, 1978

“Fifty Days at Iliam: Shades of Achilles, Patroclus and Hector”, 1978

“Fifty Days at Iliam: Shades of Eternal Night”, 1978

Cy Twombly was born today, April 25th, in 1928. One of his most famous works is Fifty Days at Iliam, his visual interpretation of Homer’s poem the Iliad. This “painting in ten parts” is currently on view at the Philadelphia Museum of Art and images of each of the individual works can be found on the museum’s website.

About Fifty Days at lliam from the museum-

The pinnacle of Twombly’s lifelong preoccupation with Greek and Roman mythology, Fifty Days at lliam is the artist’s rendition of the last fifty days of the Trojan War. The monumental series fuses elements of Homer’s epic poem The lliad, probably written before 700 BCE, and Alexander Pope’s translation of that poem from the 1700s.

The artist purposefully misspells the name of the besieged Trojan city as lliam, instead of the Latin llium or the Greek Ilion. The letter “a” stands as a symbol for the Greek warrior Achilles, whose rage sparked by the death of his friend Patroclus propels the end of the decade-long conflict.

Partaking in a long artistic tradition of depicting war, Twombly addresses themes of heroism and aggression, comradeship and revenge, jubilant victory and the mourning of the dead. The ten canvases can be encountered sequentially or experienced as an all-encompassing panorama that gives the sensation of witnessing the battle firsthand.

Twombly’s signature style combines the poignant gestures of abstraction with poetic allusions to classicism. Relocating from the United States to Italy in the 1950s proved decisive for Twombly’s art, which uses raw mark-making to allude to the myths of antiquity.

For a look at Twombly’s life and career, the 2018 documentary Cy Dear, is well worth a watch. The film begins with a discussion of Fifty Days at lliam, which was on view as part of a 2017 retrospective at Centre Pompidou in Paris. It also includes interviews with several of his friends and colleagues– including former assistants, his son Alessandro, art dealer Larry Gagosian, and photographer Sally Mann.

Apr 212026
 

Iggy Pop- The Passenger (Live in Paris in 1991)

Happy Birthday to music legend Iggy Pop, who turns 79 today! He most recently performed (shirtless, of course) at Coachella, leaving the stage theatrically in a coffin. His set included his popular solo hits, like The Passenger (which he sings in the above video), as well as a few from his time with The Stooges.

Below he reads Dylan Thomas‘s poem, Do not go gentle into that good night, a performance included on his 2019 album, Free.

 

Jan 232026
 

“Berthe Morisot with a Muff”, c. 1871–72, Oil on canvas

Last week was Berthe Morisot‘s birthday and today it is her friend, brother-in-law, and fellow Impressionist, Édouard Manet‘s birthday. He was born on January 23rd, in 1832, and painted the portrait of her pictured above. It is part of the Cleveland Museum of Art‘s permanent collection.

From the museum about this work

This painting depicts Impressionist painter Berthe Morisot, who met Édouard Manet at the Musée du Louvre in Paris in 1868. This portrait vibrates with vitality. Morisot wears a coat and stylish hat from which wisps of her dark hair escape. Manet’s wide brushstrokes and cross-hatchings evoke the sketchy quality of Morisot’s own paintings, likely Manet’s nod to his subject’s identity as an artist.

He made nine portraits of her in oil, watercolor, lithography, and etching during 1868–74. Initially artistic colleagues and friends, they became family in December 1874 when Morisot married Manet’s younger brother, Eugène.

The painting is currently on loan to San Francisco’s de Young museum for their current exhibition Manet & Morisot, on view until 3/1. Organized by Fine Arts Museums of San Francisco in collaboration with the Cleveland Museum of Art, the show will move to Cleveland on 3/29/26, and will run until July 5th.

About Manet & Morisot from the Cleveland Museum of Art

Manet & Morisot is the first ever major exhibition dedicated to the artistic exchange between Édouard Manet, often referred to as the father of modern painting, and Berthe Morisot, the only woman among the founding members of the Impressionist movement. Unfolding over a period of roughly 15 years, between 1868 and 1883, theirs was perhaps the closest relationship between any two members of the Impressionist circle. As friends and colleagues—by turns collaborative and competitive—they collected one another’s work. Morisot posed for some of Manet’s most compelling portraits, several of which will be on view in the first gallery of the exhibition. When she married Manet’s younger brother, their professional connection deepened into a familial bond.

Thirty-six paintings and six drawings and prints borrowed from museums and private collections in the United States and Europe reveal the evolution of a singular friendship between two groundbreaking artists. Visitors will see beach and garden scenes made en plein air (out-of-doors) that demonstrate how Manet borrowed individual motifs and compositional ideas directly from Morisot. Portraits of fashionable Parisian women of the 1880s by the two artists show their different perspectives; Manet’s paintings were inspired by admiration and erotic interest while Morisot’s were informed by lived experience. The exhibition closes with a self-portrait by Morisot painted when she was in her mid-40s, revealing her perception of herself as a professional artist.

Jan 142026
 

Impressionist painter Berthe Morisot was born today, January 14th, in 1841. She was part of a circle of artists that made up the Parisian avant-garde, including Edgar Degas, Pierre-Auguste Renoir, and Édouard Manet (she married his younger brother).

The oil painting pictured above, Reading (La Lecture), 1888, is on view at Museum of Fine Arts, St. Petersburg in Florida.

Dec 222025
 

Jean-Michel Basquiat was born today, December 22nd, in 1960. The painting above, Untitled (1981) is currently on view at The Broad in Los Angeles.

From the museum about this work-

Many of Jean-Michel Basquiat’s paintings are in some way autobiographical, and Untitled may be considered a form of self-portraiture. The skull here exists somewhere between life and death. The eyes are listless, the face is sunken in, and the head looks lobotomized and subdued. Yet there are wild colors and spirited marks that suggest a surfeit of internal activity. Developing his own personal iconography, in this early work Basquiat both alludes to modernist appropriation of African masks and employs the mask as a means of exploring identity. Basquiat labored over this painting for months — evident in the worked surface and imagery — while most of his pieces were completed with bursts of energy over just a few days. The intensity of the painting, which was presented at his debut solo gallery exhibition in New York City, may also represent Basquiat’s anxieties surrounding the pressures of becoming a commercially successful artist.

In the video below (also from The Broad) LeVar Burton discusses the work and its possible connection to Basquiat’s childhood and family.

Dec 162025
 

“Allegory of Winter”, 1948, Goache and paper

“The Juggler (The Magician)”, 1956, Oil and inlaid mother of pearl on board

Surrealist artist Remedios Varo was born on December 16th, 1908, in Spain. Throughout her life, she was a part of avant-garde circles— first in her homeland, and later in Paris and Mexico. She and several other intellectuals and artists fled to Mexico during World War II, where they were given asylum and citizenship. It was there that she would create the majority of her best-known works.

Varo’s paintings are filled with symbolism and mystical imagery. They also often reference her own experiences creating art. While Allegory of Winter (first image) is currently in a private collection, The Juggler (The Magician) can be seen at the Museum of Modern Art.

From MoMa about the work-

This painting’s titular juggler (or magician) stands on the platform of a carnivalesque cart filled with fantastical objects and animals. He performs before seemingly identical figures robed in a single gray cloak. To produce this composition, Varo worked in the manner of early Renaissance masters: she transposed preparatory drawings onto a gesso-primed panel, which had been scratched to give the surface variation. She also deployed decalcomania, a technique favored by the Surrealists in which materials such as paper or aluminum foil are pressed onto wet paint to transfer a pattern that may then be embellished. This textured effect can be seen in the magician’s garments and in the background trees.

 

Nov 252025
 

Artist, writer and professional wrestler Rosalyn Drexler, born on November 25, 1926, sadly passed away in September of this year. In addition to her famous artworks, she also wrote several novels and won Obie awards for her plays.

The painting above, Marilyn Pursued by Death, 1963, is currently on view at the Whitney Museum of American Art in New York.

From the museum about the work-

Rosalyn Drexler’s work often explores the dark backstories of postwar media culture and gender roles. She frequently clipped subjects from printed materials-here, a news photograph of Marilyn Monroe fleeing the paparazzi with her bodyguard in tow-enlarged and collaged them onto canvas, and then painted over the image. In the artist’s words, her source images were “hidden but present, like a disturbing memory.” On the day this source photograph was taken in 1956, Marilyn Monroe and Arthur Miller were to announce their upcoming marriage; in the frenzy to cover the event, a car carrying reporters crashed, killing at least one member of the press.