Feb 172025
 

Wim Wenders‘ 2023 film Perfect Days, stars Kōji Yakusho as Hirayama, a toilet cleaner in Tokyo who leads a solitary but seemingly contented life. He spends his time outside of work reading, listening to music on cassette tapes, taking care of his plants, and taking analog photos of trees. This simple life begins to change as smaller and larger moments with others expand his world and alter his routines.

The quiet film focuses on a few of these people- including his coworker and later the surprise arrival of his niece. Watching them together as they spend his previously solitary days mirroring each other unconsciously, is especially lovely. After her departure there is another interaction that leaves the viewer to wonder if Hirayama will continue to live this simple life or embrace potential changes to his “perfect days”.

The pictures of the trees throughout the film capture the Japanese word “komorebi”. The word is defined at the end of the film, after the credits, as “the shimmering of light and shadows that is created by leaves swaying in the wind”. These images continue in Hirayama’s black and white dreams, created by Wenders’ wife Donata.

Wim Wenders is currently showing two bodies of work at Howard Greenberg Gallery in NYC- Written in the West, from his roadtrip to the American West in 1983 and Once, a series of works from his travels and encounters with Hollywood. This exhibition will be on view until 3/15/25.

 

Aug 102022
 

Suzy González’s 2020 mural Touch.

About the work from the artist’s website

I created this hand-painted mural with Centro San Antonio at the historic building that houses Herweck’s Art Supply store. This mural speaks to the greater societal value that touch now has, whether literally embracing our loved ones or joining together in solidarity. It’s about unity, especially of Black and Brown communities, who historically and currently lead essential movements for change. It represents the middle space within invented binaristic divisions and reminds of the complexity of identity. The colors from a figure on one side are reflected in the figure on the other side–those who we see as different than us may not be so different after all. The silhouettes are representative of humanity as a whole and our universal similarities. As they come together, there’s a bigger picture in sight, a cosmic connection.