Sad to hear of the passing of the brave, beautiful, and talented musician Sinéad O’Connor yesterday at 56 years old. A true artist with a phenomenal voice, she always stood firm in her convictions. The song above is from her second album, I Do Not Want What I Haven’t Got released in 1990.
To learn more about O’Connor, her memoir Rememberings was released in 2021 and there is also the 2022 documentary, Nothing Compares.
“Precarious recline”, 2015, Found lawn chairs, strap, bottle
This sculpture, Precarious recline, is from Bjorn Copeland’s 2015 exhibition Over Easy at Various Small Fires Los Angeles. It was created using discarded furniture found around East Los Angeles.
The exhibition also included a sound sculpture, Scrambled Eggs, Mexican Radio Edit (2015). It was made in collaboration with the artist’s Black Dice band mates Eric Copeland and Aaron Warren, and combined signals from multiple car radios in an unpredictable and erratic disharmony. The resulting composition was synthesized in real-time and constantly changing.
The video below is for White Sugar, from Black Dice’s 2021 album Mod Prog Sic.
I Speak Machine is an audio/visual project founded by Los Angeles based artist Tara Busch and filmmaker/writer Maf Lewis. The song is from the 2o22 album WAR.
I Speak Machine are playing at the Moroccan Lounge in Los Angeles on Friday, 7/21/23.
This single by ill peach was released in February of 2022.
Here’s what they had to say about the song (from their Bandcamp page)-
”COMATOSE imitates the sound inside of our head. Like a Being John Malkovich moment. It’s the beautiful chaos that was living inside of our mind during 2020. It’s colorful and frantic but emotional and personal. We tried to capture that feeling you get when you’re dropping on the craziest rollercoaster at Six Flags. It’s aggressive and out of your control but so real and amazing and completely exotic. Wanting to feel good. Feel your best. That’s the mission.”
Richard Linklater’s 1990 film Slacker, is a wonderful trip back in time to the pre-Internet days and a celebration of American eccentricity. If you haven’t seen it, the film follows various different Austin locals in brief scenes and conversations, all within a 24 hour period in 1989.
The film opens on a monologue from Linklater himself describing his dream to a taxi driver and then moves on to a man who hits his mother with a car. The scenes flow from one character or group to a new one almost seamlessly. Conspiracy theorists, coffee shop philosophers, a man who collects televisions and disaster footage, a group of housemates reading a story on postcards from a former housemate left behind, and on and on as the day turns to night and then back to day again.
Linklater wrote these interactions and many of them are based on stories or projects from the people seen in the film. In his director’s commentary he gives the background for many of the involved participants. He also explains how he directed them not to treat any of the people speaking as if they are strange or odd. It’s another aspect of the film that makes it special, and a reminder of the way we should try to treat people.
Sadly Teresa Taylor (pictured in the above two photos center), aka Teresa Nervosa, one time drummer for the Butthole Surfers, died last month. Her image was used for the movie poster and promotional materials. Her scene in Slacker is one of the most memorable as well. She tells a story of a highway suicide and then attempts to sell what she claims is singer Madonna’s pap smear.
Every month I listen to the majority of bands/singers/musicians/artists who are playing in Los Angeles and select some for a monthly playlist. It includes a variety of genres and usually newer work by the artist.
The song above is from Durand Jones‘ 2023 album, Wait Til I Get Over.