Cindy Bernhard‘s Dangle, 2024, was part of PLATO gallery’s 2024 inaugural group exhibition, Double Vision.

In a recent interview with Overstandard, she discusses her practice and specifically the use of cats-

Cats and dogs frequently appear in your paintings as stand-ins for humans, adding layers of humor and empathy. What inspired this choice, and how do these animals enhance the narratives within your work?

Cindy: I was trained in figure painting, and I was making figure paintings for many years. I found that when painting the figure, the dialog about my work became a conversation about identity politics. In my painting practice, that is not of interest to me. My interests lie in the human experience, not gender, or body type, or the color of someone’s skin. I’m interested in shared human connection, shared emotions like grief, pain, beauty, suffering, and joy. There are days I miss painting the figure and I can see it returning in my work again one day.

With that in mind… What do you think it is about cats that resonates so well with you?

Cindy:  I love looking for the cats and dogs in old master paintings: they are always so weird and expressive.  Even though they are in the background and very small, they have a lot to say. In my work the cats become the main character, I think it adds humor, and it’s easier for people to connect to the cat than a figure, which is interesting.  There’s also a song I love, by one of my favorite bands, mewithoutyou.  For some reason this part of the song ‘a glass can only spill what it contains’ always stuck with me…

A cat came drifting
On my porch from the outside cold
And with eyes closed, drinking
Warm milk from my bowl
Thought, “Nobody hears me, nobody hears me
As I crept in so soft
And nobody sees me, nobody sees me”
As I watch six steps off

In my mind I would always see this cat creeping along….not wanting to be caught.  I think it’s about when we do things in the dark and think no one knows, God still sees.