Oct 222026
 

Robert Rauschenberg, “Estate”, 1963, Oil and screenprinted inks on canvas

Happy Birthday to Robert Rauschenberg, who was born today, October 22nd, in 1925. Pictured above is his 1963 work, Estate, currently on view at the Philadelphia Museum of Art.

From the museum about this work:

Robert Rauschenberg was among the first American artists to combine found images using the silkscreen process, a technique in which a design is imposed on a specially prepared fine-mesh screen (with the blank areas coated with an impermeable substance) and then transferred onto paper or canvas by pushing paint or ink through the screen. Beginning in the early 1960s, the artist applied newspaper photographs, art reproductions, and his own snapshots to canvas, thereby exploiting the wealth of mass media source material, from the banal and personal to the monumental and public. Estate presents complex combinations of such disparate images as the Statue of Liberty, Michelangelo’s painting Last Judgment, a 1962 rocket launch, and a glass of water. It draws its power from the tension between photography and painting. Seemingly spontaneous splashes of paint recall the vocabulary of Abstract Expressionism while unifying this incongruent inventory of images.

Jun 182026
 

Sonya Clark, “Whitewashed”, 2017, Sherwin-Williams house paint

Walking around the rooms of the Delaware Art Museum‘s contemporary collection you could almost miss Sonya Clark‘s Whitewashed. Painted onto one of the walls, her version of the U.S. flag uses only shades of white.

From the museum about the artist and the work:

Sonya Clark possesses the ability to deftly assemble works of art both beautiful in creation and weighted with content. Whitewashed is painted directly onto the gallery wall. Visually subtle, the work engages the viewer’s recollections of the United States flag. Whitewashed is made using three Sherwin-Williams house paint colors-Incredible White, Storyteller, and Natural Choice. The shades of white replace the red, white, and blue of the American symbol.

Clark has worked with the American flag, the Confederate flag, and the Confederate Flag of Truce throughout her career. In doing so, she addresses the physical makeup of these objects and the histories, experiences, and access these symbols uncover or veil.

May 222026
 

Impressionist painter Mary Cassatt was born today, May 22nd, in 1844. The oil painting above, Woman with a Pearl Necklace in a Loge, 1879, can be seen at the Philadelphia Museum of Art as part of their permanent collection.

From the museum about the work:

Cassatt created a series of theater scenes in the late 1870s, displaying an interest in city nightlife shared by many of the Impressionists. This work, showing a woman (often said to be her sister Lydia) seated in front of a mirror with the balconies of the Paris Opéra House reflected behind her, demonstrates the influence of Cassatt’s friend Edgar Degas, particularly in the attention paid to the effects of artificial lighting on flesh tones. This painting was shown in Paris at the fourth Impressionist exhibition in 1879, where it was singled out for much praise.

May 212026
 

Roy Lichtenstein‘s painting Desk Calendar, 1962, part of MOCA‘s permanent collection, was on view at the museum in 2024 as part of the exhibition Reverberations.

May 112026
 

Spanish surrealist Salvador Dalí was born today, May 11th, in 1904. The painting above, Soft Construction with Boiled Beans (Premonition of Civil War), from 1936, is part of the Philadelphia Museum of Art‘s permanent collection. It was also included in their recent exhibition, Dreamworld: Surrealism at 100.

From the museum’s website about the work-

Salvador Dalí painted this allegory of self-inflicted carnage while living in Paris in early 1936, on the eve of the devastating civil war in his Spanish homeland between Francisco Franco’s right-wing nationalist forces and the elected Republic. The painting flaunts its flair for gruesome detail. A grimacing colossus towers over a sunbaked Spanish landscape and deliriously rips itself apart. Limbs are switched around and turned upside down, and the body’s trunk is missing entirely. A limp phallic shape draped over the truncated hip is a striking example of Dalí’s soft forms, implicitly referring to putrefaction and death. The scattered beans of the title exemplify the bizarre incongruities of scale to conjure the workings of an unconscious mind. Dalí interpreted the Spanish conflict in psychoanalytic terms, and he included an homage to Sigmund Freud, the initiator of psychoanalysis whose work inspired him to embrace such nightmarish visions, by including a tiny portrait of Freud inspecting the gnarled hand at lower left.

 

May 092026
 

Cats, painted in the 1930s, is by artist and educator Dorothy Geneva Simmons Skelton. It is currently on view at Crocker Art Museum in Sacramento as part of their permanent collection.

From the museum about the artist-

Dorothy Simmons was born in Woodland, California, and grew up in Oakland. She attended the University of California, Berkeley, where she completed a B.A. and M.A. in art and education. During World War II, after marrying U.S. Army Air Corps officer John Skelton, she moved to Arlington, Virginia, and worked at the Pentagon in military intelligence. In 1948, she became a civilian member of Monuments, Fine Arts, and Archives Section Unit (aka the Monuments Men), which protected cultural monuments during the war and subsequently restituted art and other objects confiscated by Nazis.

Feb 142026
 

Nicola Vruwink‘s The Best That You Can Do, 2009-10, is currently on view as part of Palm Springs Art Museum‘s permanent collection. The artist crocheted cassette tape to create the sculpture.

The phrase “the best that you can do is fall in love” is a lyric from the 1981 song Arthur’s Theme (Best That You Can Do) by Christopher Cross for the soundtrack to the 1981 film Arthur.

Jan 292026
 

Chopping Ice from the Water Trough, 1935, an oil painting by artist Dale Nichols, is part of Brandywine Museum of Art‘s permanent collection.

From the museum about the work-

Rising to popularity during the Great Depression, a style known as American Regionalism brought modern stylization to images of rural life. In his landscape painting Chopping Ice from the Water Trough, Dale Nichols engages Regionalism by bringing a clean, minimal approach to his representation of daily farm chores by highlighting the smooth contours of the snowy slopes and the sharp-edged geometry of the barn. Nichols, a native of Nebraska, trained and taught for many years at the Art Institute of Chicago but returned throughout his career to the farm subjects most familiar to him from his childhood. His work was so attuned to farm life that International Harvester Company commissioned him to depict a series of works marking the development and use of the famous McCormick Reaper in agriculture.

Jan 272026
 

A Morning Snow– Hudson River, the 1910 oil painting by George Wesley Bellows, is part of Brooklyn Museum‘s permanent collection (but not currently on view).

From the museum’s website about the work-

Assured, slashing strokes of a heavily loaded brush capture the effects of morning light reflected from freshly fallen snow. This view shows the Hudson River and New Jersey from Manhattan’s Upper West Side. George Wesley Bellows conveyed the sense of the city awakening through his depiction of the man shoveling snow, people going to work, boats plying the river, and smoke and steam interrupting the still, crisp atmosphere.

Elements of this composition move toward abstraction. The elevated vantage point reduces the illusion of depth, while horizontal and vertical components, seen particularly in the fence and tall trees, provide a subtle gridlike structure.

Jan 252026
 

“January”, 1940-41, Oil on masonite panel

Grant Wood‘s painting January is on view at Cleveland Museum of Art as part of their permanent collection. It feels like a good time to post it with both a big snowstorm happening in many parts of the U.S., and it being January.

From the museum about the work-

One of the last paintings Wood created before his untimely death from liver cancer, January has a decidedly nostalgic cast. According to the artist, the painting was “deeply rooted in the memories of my early childhood on an Iowa farm. . . . it is a land of plenty here which seems to rest, rather than suffer, under the cold.” One sign of activity, in the form of rabbit tracks, infiltrates the otherwise dormant scene. Wood’s composition teems with abstract design, most notably through the rhythmically geometric array of snow-laden corn shocks that seem to recede infinitely into the distance.