Sep 202019
 

Jeffrey Gibson, “PEOPLE LIKE US”, 2019

Jeffrey Gibson

2019’s Whitney Biennial presents an interesting selection of work, by a mostly young and diverse group of artists. The works included in the show are consistently good, and often intriguing, but this time around nothing is particularly outrageous or polarizing- a contrast to many of the previous iterations.

Not that there wasn’t any drama surrounding the show. This time around, however, the controversy was not with an artwork but with former Whitney executive board member Warren B. Kanders and his ownership of Safariland, a tear-gas canister maker. He has since resigned after protests and threats of withdrawal from several of the artists included in the show. Artist collective Forensic Architecture’s film, Triple Chaser, on view in the exhibition, investigates Safariland and Kanders.

Below are a few highlights from the exhibition.

Janiva Ellis ” Uh Oh, Look Who Got Wet”, 2019

Daniel Lind-Ramos, “Centinelas (Sentinels)”, 2013

Section of Nicole Eisenman’s, “Procession”, 2019

This exhibition closes 9/22/19.

 

Dec 042013
 

joelotterson

joelotterson3

Joel Otterson- Bottoms Up #2

Joel Ottersons current show is “Chandelier Queer” at Maloney Fine Art. This title references the slang term “chandelier queer” defined as- “a homosexual with exquisite and/or expensive taste” or a “self-spoiled fruit”(according to Urban Dictionary). The show consists of sculptures made from found glass wear. The chandeliers are beautiful and seemingly fragile creations which take take what most consider trashy objects, and turns them into something glorious.

Otterson is one of the artists selected to be in the Whitney Biennial 2014.