Mar 122016
 
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Mom Knows

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Black Flag

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Detail from Black Flag

The mixed media assemblage paintings in Aaron Fowler‘s current solo exhibition, Blessings on Blessings, at Diane Rosenstein gallery, are large, highly detailed, and dense with imagery.

From the press release-

Aaron Fowler, who was born in St. Louis and currently lives and works in Harlem, creates mixed-media assemblage-paintings that depict his experiences and the lives of his family and friends in both a personal narrative and an epic journey through contemporary America. The title of this exhibition, which includes twelve portraits, tableaux, and medallions created in the past year, refers to lyrics from “Blessings”, a 2015 song by American rapper Big Sean.

In these sculptural tableaux, Fowler depicts himself as a “mirror character” called The Pilgrim. He employs oils, acrylics and collage – often pixilated ‘photo print-outs’ based on 18th C. American historical painting – alongside objects like Adidas sneakers, CDs, T-shirts, and plastic bags.  The dynamic, large-scale compositions are enacted on discarded domestic materials including shutters, mirrored doors, windows, and card tables.

This show closes 3/12/16.

 

Feb 272016
 
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Dana Weiser

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Greg Mocilnikar

Los Angeles based artist Dana Weiser’s exhibition at Walter Maciel Gallery, Without you, I couldn’t be me…, focuses on her experiences as a member of an interracial family. Weiser was adopted from Korea as an infant by a Jewish-American family and raised in the Midwest . She has a sister who was also adopted from Korea.

From the press release-

…Weiser’s work explores lost identity, multiple identities, and racial identity with her emphasis of being an outsider in a predominantly white community where she never felt a strong affiliation to any group or faith.  The inevitable questions like “Have you met your real parents?” and “Is she your real sister?” are often the opening liners upon introduction and these phrases become the subject matter as literal text interpretations spelling out the racist remarks.  In one series using large sheets of vintage lace as the surface, pearl beads are stitched into the fabric to spell comments like “I’m not racist or anything but…” or “I don’t mean to sound racist but…” The delicate and intimate technique of traditional beading challenges Weiser’s skills much in the same way as her ability to pacify her true emotions and refrain from bleak replies.

In addition to the beaded work, she also addresses some of her relationship with Korean culture in three self portraits- Enacting my Koreanness, (self-portrait performance). There are also two neon sculptures- one that reads “adopt” with an “a” over the “o” to create “adapt” and the other the title of the show in a circle. The different mediums make the exhibition feel a bit chaotic but perhaps that also keeps with the theme of having an identity that is hard to pin down.

In the other gallery are Greg Mocilnikar’s colorful abstract paintings and works on paper have a lively energy.

Both of these shows close 2/27/16.

Nov 272015
 
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Aaron Fowler

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Work by Genevieve Gaignard

The New New, at Diane Rosenstein Gallery in Hollywood, is an exhibition of painting, drawing, mixed-media, and collage by six emerging artists from New York and Los Angeles- Ray Anthony Barrett, Aaron Fowler (pictured above), Genevieve Gaignard (pictured above), Tschabalala Self, Michael Shultis, and Jason Stopa.

From the press release–

The works in this show are multi-dimensional, with some artists using heavy impasto, collage, or flirting with the intersection of painting and sculpture. Connecting the varied practices in The New New is an explicit use of text – song lyrics, art theory, slogans, and commercial branding – in a formally exciting interplay between word, image and painting.

The New New brings together emerging artists with distinct approaches – but all with a shared engagement with the aggregate of received imagery and personal narrative.

This exhibition closes tomorrow, 11/28/15.

Sep 262015
 

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Noah Purifoy’s current retrospective at LACMA offers a comprehensive look at the influential assemblage artist.

A little background on the artist from LACMA’s website–

Noah Purifoy (1917-2004) lived and worked most of his life in Los Angeles and Joshua Tree, California. A founding director of the Watts Towers Art Center, his earliest body of sculpture, constructed out of charred debris from the 1965 Watts Rebellion, was the basis for 66 Signs of Neon, a landmark group exhibition about the riots that traveled to nine venues between 1966 and 1969. In line with the postwar period’s general fascination with the street and its objects, Purifoy’s 66 Signs of Neon constituted a Duchampian approach to the fire-molded alleys of Watts, a strategy that profoundly impacted artists such as David Hammons, John Outterbridge and Senga Nengudi.

In the late 1980’s, after eleven years of public policy work for the California Arts Council, where Purifoy initiated programs such as Artists in Social Institutions, bringing art into the state prison system, Purifoy moved his practice to the Mojave desert. He lived there for the last fifteen years of his life, creating ten acres of large-scale sculpture constructed entirely from junked materials.

For more information on Purifoy and his Joshua Tree Outdoor Museum (where some of the pieces in the exhibition are from), KCET has an interesting article.

Noah Purifoy: Junk Dada closes Sunday 9/27/15.

Sep 072014
 

Today (9/7) is the last day to see Hammer Museum’s Made In L.A. 2014, their second biennial exhibition consisting of Los Angeles based artists.

Jul 262014
 

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 Tonight (7/26/14) is the closing party for Mike Kelley’s exhibition at MOCA. It is free from 6-10pm. There will be DJs, food trucks and a cash bar.

May 242014
 

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Maren Hassinger’s current show Almost Weightless at Reginald Ingraham Gallery uses everyday materials like newspapers and plastic bags to create larger sculptures which are concerned with the human condition.

The pink bags of Love (seen above) were inflated with “human breath” and contain “love notes”, tiny papers printed with the word love, within. In Wrenching News, (also pictured above), the harsh stories from newspapers are twisted into a knotted sculpture. Hassinger’s use of these materials with their alternating heaviness and light, grayness and color, enable the viewer to feel the weight of the emotions the sculptures are conveying.

Jan 032014
 
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Kent Twitchell– “Elizabeth”

LAMAG’s current show contains a wide range of works in various forms of media. If you are headed to Barnsdall Park, make sure to check it out. It closes this weekend on 1/5.

 

Dec 212013
 

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Jordi Alcaraz- Ideas of Sculpture

The works in Altered States, Jordi Alcaraz’s current show at Jack Rutberg Fine Arts, consistently challenge viewers perceptions. The glass frames surrounding drawings, paintings and sculptures are often broken or warped, where objects may have tried to get in or out. In others, it is the object itself that is being altered.  The works get more intriguing as you progress through the gallery.

The show closes 12/21/13.

Dec 132013
 

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From Betye Saar’s :The Alpha & Omega-The Beginning & The End 

Betye Saar’s installation at Roberts & Tilton contains many objects all coming together to contemplate time, identity, nature and the world around us.  Unlike her previous show at the gallery, Red Time, which challenged the viewer with both its imagery and the power of the color itself; The Alpha and Omega, creates a feeling of calm, both in its color palette of blues and grays but also in the objects chosen like clocks and ships.  In both shows, history is an important theme. This can be seen most clearly in The Challenges of Fate, a sculpture within the work, made up of a black bird perched on a cage housing a ship, which is above a globe resting on a glass box of bones, all set upon a stack of books.

Also at the gallery is Projections Part II: Film As Painting, curated by Aaron Rose. Multiple films by various artists are presented through different projections and monitor displays. The films are very different in content but work together to present the concept of film as not just film, but moving painting. There are thirteen films within the show and their creation dates range from the earliest, Len Lye’s A Colour Box (1935) to Rose’s own The Dress (2013). One standout is Marie Menken’s Go! Go! Go! (1962-4) a frantic speeding up of footage of life in the 1960’s in New York.

Both shows close tomorrow, 12/14.