
Barbara Kruger’s Untitled (You Are A Very Special Person), 1995, is currently on view at The Broad in Los Angeles, as part of their permanent collection.

Barbara Kruger’s Untitled (You Are A Very Special Person), 1995, is currently on view at The Broad in Los Angeles, as part of their permanent collection.

Claes Oldenburg’s Soft Calendar for the Month of August, (Acrylic on canvas filled with foam rubber), pictured above, is currently on view at The Metropolitan Museum of Art.
From the museum about the work-
Contradiction animates Oldenburg’s sculptures of everyday objects. In works such as Soft Calendar, what is hard is made soft, what is small is made large, and what is flat is made three-dimensional. Stuffed fabric sculptures like this one originated in 1962 as props in Oldenburg’s art events, or Happenings, and evolved into independent works. The giant numbers here are sensuously rounded and pillow-like. Their overlapping arrangement asserts their volumetric nature. Each Sunday is called out in brilliant red, while the remaining days of the week are coated in white enamel.
Photographic documentation suggests that Soft Calendar was assembled and painted by Oldenburg and his partner, Patty Mucha, at Green Gallery in 1962.

Edward Hopper’s oil painting Morning Sun, 1952, is part of Columbus Museum of Art’s permanent collection. The model for the painting was his wife, Jo.

“THERE IS A PERIOD WHEN IT IS CLEAR THAT YOU HAVE GONE WRONG BUT YOU CONTINUE. SOMETIMES THERE IS A LUXURIOUS AMOUNT OF TIME BEFORE ANYTHING BAD HAPPENS.”
This 1989 sculpture by Jenny Holzer is part of the permanent collection at Santa Barbara Museum of Art.