Nov 232019
 

The Second Home Serpentine Pavilion, designed by Spanish architects Lucia Cano and Jose Selgas of SelgasCano, is a bright and colorful addition to the park that houses the La Brea Tarpits and LACMA.

The installation will be up and accessible to the public until 11/24/19 (although tickets are available for Monday 11/25 and Friday 11/29). Get free tickets here.

May 032019
 

Peer Amid (Peered Amidst), 2019

Sumday (We Gunna Rest on) Sunday, 2019

Detail of Sumday (We Gunna Rest on) Sunday, 2019

Change Comin’ Round Tha Bend (Right Round, Right Round), 2019

Regen Projects is currently showing But I Woke Jus’ Tha Same, an exhibition of paintings and drawings by artist Christina Quarles. If her work seems familiar, she was also one of the artists featured in Hammer Museum’s Made In L.A. 2018.

From the press release

Quarles’ seductive paintings feature polymorphous figures arranged in contorted positions in space, rendered through expressive and gestural strokes that teeter on the edge of abstraction and representation. Referencing the history and techniques of painting, her work propels forward the limits of her chosen medium, and is informed by her multiply situated identity as a queer woman of mixed race. Dynamic compositions feature bold patterns and decorative motifs such as flowers, latticework, and plaid tablecloths – feminine tropes that reference domestic space. Yet the subjects in Quarles’ paintings simultaneously inhabit interior and exterior space. Perspectival planes both situate and fragment the bodies they bisect, representing the boundaries that demarcate a space from the individual, and expanding the limits and potential for representation.

Similar to her paintings, her drawings deftly combine pictorial elements using economy of line with cross hatching, and other modes of mark making, to create form and depth. Punctuating the picture plane, or outlining a figure, text additions in the form of puns or poetic wordplay often reference pop culture, situating the works in our time.

This show closes 5/9/19.

 

Aug 252018
 

The Marciano Art Foundation, established by Paul and Maurice Marciano (co-founders of the Guess clothing brand), opened its doors in May of 2017 in Los Angeles and is a great addition to the city’s art spaces. It is currently showing Olafur Eliasson: Reality Projector (pictured above), an immersive kaleidoscopic piece created specifically for this location, with a soundscape created by Jónsi of Sigur Rós. A rotating selection of works from the Marcianos’ permanent collection is also on view as well as Instagram favorite Yayoi Kusama’s With All My Love For The Tulips, I Pray Forever.

The foundation is housed in a former Scottish Rite Masonic Temple and there is a room dedicated to objects that the Masons left behind.

Both the inside and outside of the building retain the symbols and remnants of the Masonic history as well.

It is free to go to the MAF but it is recommended that you reserve tickets online.

May 202017
 

                                                                         My Madinah. In pursuit of my ermitage…, 2004

Jason Rhoades Installations, 1994-2006 at Hauser & Wirth is a lot of show. It’s a big exhibition with several rooms packed with things. Many, many things. In one room numerous neon expressions for female genitalia hang over a mosque-like environment (above), and in another over countless tourist novelties, bare mattresses, and truck nuts (pictured below).

The earlier work, like My Brother/Brancusi, which was created for the 1995 Whitney Biennial, feels a bit stronger, or at least less controversial.  Photos of Brancusi’s studio and Rhoades’ brother’s room are on the walls, while his version of his brother’s room complete with a tower of donuts (somehow still intact) that alludes to Brancusi’s Endless Column, and mechanical objects, fill the center of the installation.

This description is from the press release of The Creation Myth, 1998, another of the better pieces in the show, and gives an insight into Rhoades thought process behind the work-

The artist sought to understand why, how, and what humans create by exploring Creationist and Evolutionist theories in tandem. The irreverent representation of the human body and brain is structured into levels to suggest our categories of perception: the archetypal, the real, the unconscious and the rebellious. Each of the six nouns in the work’s subtitle (‘The Mind, the Body and the Spirit, the Shit, Prick and the Rebellious Part’) is metaphorically portrayed, while the function of the brain itself unfolds through a calculated combination of readymades and images. A series of stacked tables constitutes the ‘brain,’ in which a ‘train of thought’ – a toy train mounted by a snake’s head and tail – circles. Digestible ‘information’ enters the ‘brain’ in the form of pornography-wrapped logs of wood, representing the physicality of creation. Cut and disseminated, ‘information’ is incessantly processed and reproduced by cameras, mirrors, and computers. Smoke rings erupt from ‘the Asshole,’ a fleeting byproduct of the frenzied machine, a personification of the Spirit, alluding to the pursuit of the ephemeral moment.

If you love his work, the chaotic installations and selfie opportunities will delight you. If not, there is still plenty to think about after seeing the work.

                                                                                             Tijuanatanjierchandelier, 2006

This is a good interview discussing the exhibition with the curator (and former partner in the gallery) Paul Schimmel.

This exhibition closes 5/21/17.