Delaware Art Shows- Guise / Trickery- Ashley Suszczynski and Brian Richmond at The Delaware Contemporary

 Art, Art Shows by Location, Artists, Delaware, Mixed Media, Painting / Painters, Photographers / Photography, Sculptors / Sculpture, Wilmington
Aug 132025
 

The Delaware Contemporary currently has several exhibitions on view for their summer series Radius. Guise/Trickery, a two person exhibition curated by Erica Loustau and Moriah Berrouet, features a photographic series by Ashley Suszczynski (Guise), pictured above, and hyper-realistic recreations of discarded fast food packaging created by Brian Richmond (Trickery), pictured below.

From the museum about the Suszczynski-

Ashley Suszczynski is an award-winning photographer focused on capturing ancient traditions in the modern day. The photographs on exhibit include work from her series, Ancient Tradition in the Modern Day, which is an ongoing discovery of ancient pagan roots of masked traditions throughout the villages of the Iberian Peninsula. Ashley documents costumed villagers, unearthing the various cultural traditions and winter rites of the region. The masked festivals are designed to ward away evil spirits and welcome a fresh and healthy new year. Elaborate handmade costumes allow participants to step outside their everyday identities and engage in imaginative storytelling.  Whether the suits are made from silky goat hair, fur, mirrors, or feathers, the wearing of masks and costumes fosters a sense of liberation and communal celebration. The concept of guise plays a vital role in masked folk traditions and festivals, serving as a powerful tool for transformation. Ultimately, the guise in these traditions invites reflection on the nature of identity itself and challenges participants to explore the boundaries between reality and fantasy.

Ashley’s work has been seen in National Geographic, Photo District News, All About Photo and more. Her most recent exhibition, “Ancient Tradition in the Modern Day: Iberian Folklore and Maskarades” headlined the 2022 Barcelona Foto Biennale along with the 7th Biennial of Fine Art and Documentary Photography. The exhibit took the grand prize in the worldwide Julia Margaret Cameron Award for Women Photographers.

About Brian Richmond and his work from the museum-

Brian Richmond creates hyper-realistic renditions of mass-produced packaging.  Adept in paper modelling and painting, Brian tricks the viewer into seeing “trash”.  His work addresses the pervasiveness of single-use packaging and the “highly manufactured refuse that permeates our daily lives and environments in such a powerful way that we hardly notice it anymore”. By blurring the lines between illusion and actuality, Brian exploits trickery to enrich the viewer’s experience, encouraging them to explore layers of meaning beyond the surface.  Each unique artwork deceives the eye and makes us question its reason for being in a museum context.  The trickery has drawn us in only to remind us that the trick is actually on us.  We are the ones creating the real debris that litters our cities and towns.

Brian William Richmond is a visual artist from Pennsylvania who makes three-dimensional paintings of trash. Brian graduated from the Pennsylvania College of Art and Design with a BFA in 2001. In 2008, he was awarded the Pennsylvania Council on the Arts Fellowship. In 2012, he was awarded the West Collects acquisition prize. He previously exhibited at Pulse Art Fair, Miami in 2012 as part of The West Collection’s “THIS END UP” installation. In 2013, Richmond was one of five artists who were selected by Jonathan Ferrara Gallery to participate in a group exhibition entitled “Philadelphia”, where Richmond’s mass-produced packaging series was exhibited. In 2016, he was awarded the Fleisher Wind Challenge from Fleisher Art Memorial. Brian has also been a songwriter/composer for many years now, and his current project with his long-term collaborator Nick Hardy is the Bell Harmers. Brian is currently working on his next collection of paintings, which he plans to release in the fall of 2024. Brian works and resides in Chester County, Pennsylvania.

This exhibition closes 8/24/25.

Delaware Art Shows- “Beauty in Unwavering Truths” at John William Gallery in Wilmington

 Art, Art Shows by Location, Artists, Delaware, Drawing, Mixed Media, Painting / Painters, Wilmington
Jul 232025
 

Portia Mortensen, “Floating Landscape”, 2025, Colored crayon, acrylic, and oil on canvas

Work by Portia Mortensen

Wes Memeger, “Squares, Circles, Arcs and Lines Together”, 2019, Acrylic on canvas

Wes Memeger, “Homage to Venetians IV”, 2013 (top) and “Homage to Venetians II”, 2012

Haeley Kyong, “Harmonic Progression”, Oil on Canvas

Haeley Kyong, “In Pursuit of Invariable”, Oil on canvas

Currently at John William Gallery in Wilmington is Beauty in Unwavering Truths, an exhibition of geometric art by Portia Mortensen, Wes Memeger, and Haeley Kyong.

From curator Phoebe Caswell-

In a universe of great complexity, sometimes the quiet and simple things can resonate most deeply. The simplest shapes compose the form of many of our most rudimentary understandings of the world, and the laws of geometry are immutable facts that bind the very fabric of our existence. In Beauty in Unwavering Truths, artists Haeley Kyong, Wes Memeger, and Portia Mortensen investigate these fundamentals and highlight the beauty in the simple forms of squares, circles, and diamonds, each finding their unique aesthetic voices through experimentation in color, light, and composition.

Haeley Kyong works particularly in soft pastel colors and keeps her compositions abstract and minimalist. For example, Harmonic Progression, oil on canvas, 30 x 30 x 2 inches, is a mathematical expression of emotion. The painting’s gentle hues of pink and purple accompany the generous use of circles and squares to mimic the mathematical formula of the Fibonacci sequence. The spiraled pattern often appears in nature and is called the “golden ratio” for its aesthetic appeal. Despite its simple components, Kyong takes advantage of the golden ratio to create an aesthetically elevated piece.

The late Wes Memeger took a similar approach to his work, developing abstracted pieces from shapes he became enchanted by through his work as a polymer chemist. Like Kyong and Mortenson, Memeger found beauty in the simplicity of shapes and the evolution of each piece as he created each composition using the eternal geometric models. In his, Squares, Circles, Arcs, and Lines Together, 2019, acrylic on canvas, 72 x 72 inches, Memeger explores luminous warm tones to create a similar depth to his piece as the composition recedes into the background. Austere shapes and a lush monochromatic color palette form the complex pictorial structure.

Portia Mortensen, too, composes her work out of the foundational elements of shape and color. Her use of light and shadow plays with one another to simulate 3D forms in the diamond shapes, producing “spinners.” In Rainbow and Blue Spinners on Checkers, acrylic on canvas, 30 x 40 inches, the simple shapes seem to move on the canvas, the contrasting saturations adding to its depth. Of the three artists, Mortensen adds a stark asymmetry to her work with the roughly sketched diamond shapes to reinforce the beauty of the composed spinners.

Together, the works of Kyong, Memeger, and Mortensen serve as a compelling reminder that complexity is not a prerequisite for profundity. Through their shared focus on elementary shapes and disciplined exploration of light, color, and form, these artists reveal geometry’s quiet elegance and expressive power. Though rooted in the familiar, their pieces transcend the ordinary to evoke wonder, movement, and emotional resonance—showcasing that there is infinite space for artistic discovery within unwavering truths.

This exhibition will be on view until 9/25/25.

Flashback- Delaware Art Shows- Jennifer Small at the Delaware Contemporary and the Mezzanine Gallery in Wilmington

 Architecture, Art, Art Shows by Location, Artists, Collage, Conceptual Art, Delaware, Painting / Painters, Wilmington
Jul 182025
 

“Arches Symbolize Growth”, 2024, Acrylic and spray paint on canvas

“Pulse: Contemporary Meets Classical”, 2023, Acrylic and spray paint on canvas

Over this past winter Delaware artist Jennifer Small had two solo exhibitions in Wilmington- Walking in the City at The Delaware Division of the Arts’ Mezzanine Gallery and Facades and Rooftops at The Delaware Contemporary.

For Walking in the City, the paintings (pictured above) capture elements from a single day in Venice, Italy. In Facades and Rooftops, works on paper and laser cut wood panels (a selection of which are pictured below) are based on homes and businesses she observed and photographed on neighborhood walks.

The works in both of these shows capture the fleeting nature of memory and observation, and the fragments that linger- juxtaposing these elements in unique ways.

Here’s what she says in her Artist Statement about the work (from her website)-

My art, initially abstract in appearance, records a journey of a day in the life—a practice that starts with documentation through the lens of a camera. I see my experiences through special goggles with the ability to transform banal spaces and objects into engaging formal elements that are pulled out of their environment and placed into my painting compositions strictly for their aesthetic significance. The process of cataloging my everyday leads to the solidification of my memories in a specific time and place and constant access to a breadth of inspiration for my paintings. New inspiration comes out of each new environment I experience whether as a resident or a visitor allowing the work to be an ever-evolving documentation of my days.

The observations I collect are combined into compositions through a process of drawing and collage where I am selecting and joining bits of each sighting to build abstract structures in imagined worlds displaying a combination of shallow and deep space. The work demonstrates loose, painterly applications juxtaposed with more rigid, hard-edge areas of the acrylic paint and spray paint that I use. While the palette is imagined, each painting is an archive of a time and place connected to a personal experience.

I want to challenge the viewer to see the work as personal yet universal. A compilation of my experiences, but also as a way to connect with abstract painting in a tangible way. I want to elevate the humble from unnoticed and small to colorful and grand by putting a spotlight on the unrecognized poetry of daily routine.

For more information, Small also recently joined fellow artist Kat Collins to discuss her process on the podcast The Artist is In.

Delaware Art Shows- Maurice Evans at Bridge Art Gallery

 Art, Art Shows by Location, Artists, Collage, Delaware, Mixed Media, Painting / Painters, Wilmington
May 282025
 

“Khola”, Mixed media, acrylic paint, fabric and collage on canvas

“Kanga Amricani”, Mixed media, acrylic paint, fabric and collage on canvas

The images above are from Fabric Secrets, Maurice Evans‘ solo exhibition of mixed media paintings, on view at Bridge Art Gallery in Wilmington until 5/31/25.

From the gallery-

Born in Smyrna, Tennessee, Maurice Evans discovered his artistic passion through music before transitioning to visual arts. After studying Fashion Illustration at the Art Institute of Atlanta, he pursued a career that blended bold colors, cultural narratives, and mixed media. In 1994, his independent career took off with a successful exhibition at the Black Arts Festival in Atlanta, leading to national and international recognition.

Evans’ work, often incorporating photography, painting, and sculpture, explores themes of music, culture, gender, and politics. His distinctive style has been showcased in numerous galleries, museums, and collections, including Hartsfield-Jackson International Airport and the Hammonds House Museum.

Residing in Atlanta, Evans continues to push artistic boundaries, living by the mantra, “Create art for art’s sake,” inspiring artists and audiences alike.

It’s also worth checking out his Instagram account where he posts videos of his process, as well as his most recent work.

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