Dec 032022
 

Study for Milltown Icon, 2003

Dunedin Fine Art Center is currently showing three exhibitions based on the theme of Architecture. The images above are from Rust to Rust: Janos Enyedi and the Architecture of Industry. The work combines painting, photography, and sculpture. Parts of his work appear to be metal but are actually constructed using illustration board. His creations are an impressive exploration of the fading industrial landscape of America’s Rust and Steel Belts.

Janos Enyedi’s discussion of his work in 2009 (from the gallery’s wall information)-

“While I have a special affection for industrial landscapes, it is not industry itself that captures my imagination. What draws my attention is the simplicity and directness of the industrial architecture and the elements that support it.

Nowhere else is the Modernist tenet “form follows function” as explicit. The realm of industry is filled with large iconic shapes- water towers, smokestacks, complex steel structures, monitor roofs, images that we all know.

Most people, if they bother to look at industry at all, see large, dirty hulks. I see other things. There is an old saying, “The Devil is in the details”.

When it comes to industry, I see “Angels” in the details. I see I-beams and angle iron and the shadows they cast on corrugation: torch-cut edges, the staccato of rivets, the patterns of safety plate and rust- always the rich, amazing and beautiful patina of rust.”

The exhibition also includes works that allow you to see a bit of his creative process, including some of his sketches.

Also on view is We Built This City, a multi-media exhibition of work that “investigates the connection between Architecture and Music- conceptually, loosely, physically-poetically”.

Paula Scher– You Me

Vanessa Diaz– Decadent Ledge

The third exhibition Carol Sackman and Blake White: The Mosaic House of Dunedin, includes bright and colorful mosaic work borrowed from their famous home.

All these exhibitions are on view until 12/23/22.

Nov 172022
 

Verve Supreme by Neverne Covington

The Blue Book of Love & Longing by Neverne Covington

The Blue Book of Love & Longing by Neverne Covington (closer)

The Book of Remembering and Forgetting by Neverne Covington

The Book of Remembering and Forgetting by Neverne Covington

Currently at the Creative Pinellas Gallery is Arts Annual 2022. Creative Pinellas invited past Professional and Emerging Artist Grantees to participate in the show, which celebrates the work of local artists. Many of the works from the show are also available for sale.

For more on artist Neverne Covington, whose work is above, here is a bit more information.

This year the following artists are included in the show-

This exhibition is on view from November 11th through December 31st, 2022. It’s a great way to see some of the best artwork being made by local artists in Pinellas County.

A selection of some of the work on view is on the pages below, but all of the work is definitely worth checking out.

Oct 132022
 

This is the last weekend to see Jason Hackenwerth’s exhibition DARKMATTER at Creative Pinellas in Largo, Florida. It includes the two giant balloon sculptures shown above, as well as several of the artist’s paintings and drawings.

To hear the artist discuss his work, and see more views of the sculptures and artwork in the gallery, check out this video.

This weekend is also Third Saturday at Pinewood (Creative Pinellas, Florida Botanical Gardens, and Heritage Village). For this event Hackenworth will be leading a family arts workshop where he will be teaching visitors how to create sculptures from balloons.

DARKMATTER closes on Sunday, 10/16/22.

Sep 242022
 

Artist Kenny Scharf has painted around 260 cars for his Karbombz! project. In 2020 he even led a parade of them in Hollywood and West Hollywood.

This one was spotted on the streets of Los Angeles in 2015.

Jul 222022
 

Typewriter Eraser, Scale X, 1999, part of The ARIA Fine Art collection in Las Vegas

Artist Claes Oldenburg passed away this week at the age of 93. He was most famous for his large scale sculptures of everyday objects, many of which were produced with his wife Coosje van Bruggen, who passed away in 2009.

While primarily working in sculpture, early in his career in the 1960s he also created “happenings”- theatrical art related performances and collaborations with other artists in his circle. In 1985 he returned to performance and along with van Bruggen, architect Frank Gehry, and writer Germano Celant presented Il Corso del Coltello (The Course of the Knife) in Venice, Italy. In 2021, Pace Gallery in NYC, as part of the two gallery exhibition Claus & Coosje, showed work from this performance, pictured below.

From Pace’s website about the performance-

This ambitious event involved the creation and embarkation of a sea-worthy sculpture in the shape of a giant Swiss army knife. With oars protruding from its red-enameled hull as if from a Viking longship, the image of Oldenburg and van Bruggen’s Knife Ship sailing the Grand Canal has become iconic, while the massive kinetic sculpture was later shown in the rotunda of the Guggenheim Museum in New York, at the Centre Pompidou in Paris, and finally at the Museum of Contemporary Art, Los Angeles.

With so much of Oldenburg’s work, the examination of the ordinary object engages the viewer with what they might previously taken for granted and gives them a chance to look again with new eyes. There is also something lighthearted and fun, as well as investigative, about his body of work.

(image via Whitney Museum’s website)

The Whitney Museum has a video showing the process of assembling his soft sculpture Giant BLT (Bacon, Lettuce, and Tomato Sandwich) 1963, which involves putting the sandwich together piece by piece.

For more on Oldenburg, MoMA has a tribute that includes the words of people who knew him as well as his own. His 1961 artist statement is wonderful and worth reading in its entirety, here is the opening section-

I AM FOR

I am for an art that is political-erotical-mystical, that does something other than sit on its ass in a museum.
I am for an art that grows up not knowing it is art at all, an art given the chance of having a starting point of zero.
I am for an art that embroils itself with the everyday crap and still comes out on top.
I am for an art that imitates the human, that is comic, if necessary, or violent, or whatever is necessary.
I am for all art that takes its form from the lines of life itself, that twists and extends and accumulates and spits and drips, and is heavy and coarse and blunt and sweet and stupid as life itself.

I am for an artist who vanishes, turning up in a white cap painting signs or hallways.

The Guardian’s obituary is also worth a read for more information on the artist’s history.

Feb 252022
 

For more work by Sir Shadow, check out his website and Instagram.

The New York Times ran a profile of the artist in 2018, when he was living in the Whitehouse Hotel on Bowery.

Feb 172022
 

A Surreal Presence for Every Possible State, 2018 by Kenturah Davis from her 2019 exhibition, Blur in the Interest of Precision at Matthew Brown Los Angeles. The four panel work was created using oil paint applied with rubber stamp letters and graphite grid on embossed Mohachi paper.

From the press release-

Blur in the Interest of Precision is a search for parallel conditions between the poetics of our visual experience and the strangeness of our relationship to language. We often use language to carve out distinctions between one thing and another. Davis’ objective—to complicate ideas about meaning, representation and perception—have found refuge in blur and doubling. The new drawings are rendered with arrangements of text, but the words are virtually illegible. Many of the portraits pursue ideas the artist is working through via the writings of Fred Moten and Toni Morrison’s essay, Sites of Memory.

Davis’ work oscillates between various facets of portraiture and design. Using text as a point of departure, the artist explores the fundamental role that language has in shaping how we understand ourselves and the world around us. This manifests in a variety of forms including drawings, photographs and performances.

Recently Davis was commissioned by LA Metro to create work for the future Inglewood Station, slated to open in November of 2022. The work, Sonder, depicts community members photographed at gatherings at the artist’s Inglewood art studio and made into large porcelain enamel steel panels.

From Metro’s site

The photographs were hand painted with stamps incorporating letters that form the words defining the term “sonder.”

Davis was drawn to the term which alludes to the realization that every person has a unique and significant story. She hopes that the portraits inspire connections between strangers, even if only for a passing moment while waiting for the train.

(images below via LA Metro’s site)

For more images, information about the station, and a video of the artist discussing the work, check out Metro’s website.

 

Feb 162022
 

This work is by Augusta artist Leonard “Porkchop”  Zimmerman.

Zimmerman is the subject of the 2016 documentary Happy: A Small Film With a Big Smile, by filmmaker Michael McKinley. The film was inspired by the artist’s 2014 TED Talk.