May 242023
 

Rachel Ratcliff, “Roll of the Kaleidoscope”, 2021, acrylic on canvas

Richard Logan “Sea Oats”, 2022, photographic transfer on metal with etched glass

Steven Spathelf, “Orange Blossom”, 2022, acrylic on canvas

This past Friday the city of Dunedin, Florida, celebrated the opening of its new City Hall. As part of the celebration, the building and all of its offices were open to the public. It was the first opportunity to see all the wonderful art by Florida artists- selected and commissioned by Elizabeth Brincklow.

Pictured above are works by Rachel Ratcliff (wave painting) and Richard Logan (photography). The third work is by Steven Spathelf whose oranges can be seen adorning buildings and homes all around town.

Scroll through the pages below to see the other works on view.

Feb 242023
 

Micaela Amateau Amato, “Yoran Por Aire (contes brevas)”

Photographs by Amadia Shadow Rabbit

Film still from Kiara Mohammed Amin’s “Black Presence”

Film still from Kiara Mohammed Amin’s “Black Presence”

Soonoqo: We Become Body in Waves of Light and Sound at Dunedin Fine Art Center is a multimedia exhibition of 18 artists from around the world who “share a common desire for healing, communal growth and interdependence with nature” curated by S. Toxosi.

S. Toxosi’s statement about the exhibition (from the gallery wall)-

I do not possess the language to truly describe the be-holdings within Soonoqo. As a term within the Somali language, it would be difficult to translate into contemporary English. It considers a pluralistic worldview that allows ‘becoming and returning’ to bear witness of itself, within oneself while conjoining through space and time. Soonoqo, basks in the universal soul. Its otherness is imbued as the ‘physical cosmos’ and all its avatars and manifestations.

To speak in metaphor or in a sense of ‘poetic meditation’, one would engulf whirling vortexes, volcanoes and maelstroms that end up in other universes from which bring new revelations or images, The senses are engaged as viewed in Bruno Ferreira Abdala’s video art When Mother Breathes. It is here we can see a pluralist’s sensibility where the cohorts of Soonoqo ‘become and return’ with offerings that contend with the mythical genesis through the acknowledgement and practices of ancestral wisdom, queering mores, spirituality and love. Thus creating fission through initiating and remembering. There is a subtlety of conjuration, ritual, humility, vulnerability in K. Tauches’s Q.A.L. video-making that unfolds and reveals the sentience of a Nature that provides true sustainability.

Soonoqo is a web of interconnected lights in continuous synchrony. It enables manifestations from varied domains of areas of perceptibility through human inner weavings of life experiences and becomes a variety of communicative prowess that encompasses video arts, film, photography, the written word and sonic compositions. These forms all ultimately resonate with and point toward healing where one/all is purified, catalyzed and cleansed through cooperation with nature, technology, shadow matter, dark matter and invisible matter. As can be seen in the film Womb not Tomb by Dea, where she investigates and yields to the teaching of the four elements or in Kiara Mohammed Amin’s Black Presence, a short film of talismanic energy and transformation.

Artists included in the exhibition- Brandy Eve Allen, Viveka Krumm, Harry Wilson Kapatika, Cara Judea Alhadeff, Sadie Sheldon, Chelsea Rowe, Micaela Amateau Amato, Saudade Toxosi, Jennifer Pyron, Amadia Shadow Rabbit, K.Tauches, Javier T. Dones, Bruno Ferreira Abdala, Sall Lam Toro, Kiara Mohamed Amin, Nayetesi, Dea

For more information on this exhibition check out @soono.qo and this conversation with S. Toxosi and DFAC Curators Catherine Bergmann and Nathan Beard which is very informative.

Nov 172022
 

Verve Supreme by Neverne Covington

The Blue Book of Love & Longing by Neverne Covington

The Blue Book of Love & Longing by Neverne Covington (closer)

The Book of Remembering and Forgetting by Neverne Covington

The Book of Remembering and Forgetting by Neverne Covington

Currently at the Creative Pinellas Gallery is Arts Annual 2022. Creative Pinellas invited past Professional and Emerging Artist Grantees to participate in the show, which celebrates the work of local artists. Many of the works from the show are also available for sale.

For more on artist Neverne Covington, whose work is above, here is a bit more information.

This year the following artists are included in the show-

This exhibition is on view from November 11th through December 31st, 2022. It’s a great way to see some of the best artwork being made by local artists in Pinellas County.

A selection of some of the work on view is on the pages below, but all of the work is definitely worth checking out.

Sep 012022
 

Rise Above by Alex Yanes was created for the 2020 iteration of SHINE Mural Festival in St. Pete, Florida.

Information on this mural from the St. Pete Arts Alliance website-

Set between two large windows, the mural is 19 feet wide and 15 feet high. Sort of. Because the mural isn’t the usual rectangle – it’s shaped like an abstracted fish that’s swimming to the left, with angular fins jutting out, curling waves that break around it and a curling tail that’s fanned up like a whale.

Rise Above is a vibrant splash of shades of blues, pinks and orange, made up of 18 connected panels. The fish’s orange head points to the left, with sharply angled fins and a wide open mouth, both in shades of light and darker pink. The fish has aqua lips, an aqua throat, and a big dark eye outlined in aqua, painted as if light is glinting off it.

In the upper left, above the fish’s mouth, a blue and white wave rolls to the left.

The fish’s body stretches toward the right, starting with a square that bears a striking cartoon face and wide blue eyes staring straight out, masked by blue waves. Above the eyes is a black triangle with the word “RISE” in blue curved capital letters, shadowed in pink. The R, I and E are rising up and to the right, and the S falls below, to take up the rest of the triangle.

Balanced on the rising edge of that triangle are two dorsal fins along the fish’s back, shaped like pyramids in shades of red and orange and angled up and to the right.

Beside the word “RISE” and the orange pyramids, a big blue wave rolls to the right. Just below is more of the fish’s body – a long panel with the word “ABOVE” in wavy orange letters, like it’s underwater. Partly covering the “A” in “ABOVE,” a peachy cartoon hand faces out, gesturing “stop.” The hand stands out, in the center, as if the fish is balanced on it. The bottom of the hand’s palm is scalloped, like waves.

Below and to the right of the hand, triangular fins in shades of blue angle point and to the right. They echo the shapes of the pink fins below the fish’s mouth and the orange fins along its back.

The wave continues to the right, swooping up with an overlay of black and white patterns like scales, up to the jaunty two-pronged tail, in shades of orange. An active and hungry fish, rolling waves, a human, and the words “rise above” all appear together like a fragmented mirror, in roughly the shape of a fish.

The artist explains: “Intended to highlight how climate change is accelerating sea level rise, I was inspired to create a multi-level installation consisting of 18, precisely hand cut, panel pieces which create the image of a displaced fish when combined.

“The hand-painted panels are meant to mimic an intricate jigsaw puzzle, representing the complicated interconnection of factors which comprise the cause and effects of sea level rise.

“By collectively doing our part to cut out fossil fuels and limit carbon emissions, we can ‘Rise Above’ and reduce the impact of this inevitable threat.”

For more work by Alex Yanes- also check out his Instagram.

 

Aug 262022
 

There/Here: A Cry For Help, 2008/2011/2020

Three Carbon Catchers, 2021

The two works above are from Balance of Water, an exhibition of collaborative work by Carol Mickett and Robert Stackhouse,  at Leepa-Rattner Museum of Art in Tarpon Springs, Florida.

Information from the museum about the first image-

There/Here: A Cry For Help, 2008/2011/2020, is a map of the Gulf of Mexico with an overlay of a map of all the world’s water currents. It is meant to indicate that the world waters, as the world itself, is all connected. The Tarpon, representing all life in our waters, is encountering the effects of global warming.

For the second image-

Three Carbon Catchers, 2021- The Mangrove is a major absorber of carbon dioxide. Carbon dioxide, if left in the atmosphere or in our waters is one of the main contributors to global warming. This painting honors the mangrove.

Mangroves thrive in saltwater environments where most plants cannot. They protect our shorelines from erosion and flooding. Worldwide, mangroves absorb about 24 million metric tons of carbon in the soil each year.

From LRMA’s website about the exhibition-

Balance of Water highlights contemporary artists Carol Mickett and Robert Stackhouse whose collaborative work raises awareness of the effects of climate change on our waterways. As this delicate ecosystem nears a tipping point, they explore ways to alleviate the warming of our waters and reveal the consequences of the rapidly changing climate with a sense of mindfulness and urgency. Since relocating from St. Petersburg to Tarpon Springs in 2017, Mickett and Stackhouse unveil their work to their recently adopted community in north Pinellas County for the first time with a series of monumental paintings that tell the overarching story of the effects of global warming.

This exhibition closes on 8/28/22.

 

Oct 012021
 

Dangerous Visions, a mural by London based artist SHOK-1, was created for the 2019 iteration of the SHINE Mural Festival in St. Petersburg, Florida.

For more of SHOK-1’s work check out his website and Instagram.

Sep 202021
 

Jake Troyli, “Shhh…this is the best part!”, 2018

Jake Troyli, “Shhh…this is the best part!”, 2018 (detail)

Jake Troyli, “Shhh…this is the best part!”, 2018 (detail)

Jake Troyli, “Shhh…this is the best part!”, 2018 (detail)

Skyway 20/21: A Contemporary Collaboration, is the second iteration of a joint exhibition across four institutions that highlights contemporary art created in the Central Florida region. Artists selected by a jury are from five counties- Hillsborough, Pinellas, Pasco, Manatee, and Sarasota. The exhibitions are an excellent sampling of the work being made in the Tampa Bay area.

The works shown in this post are from the exhibition at the The Ringling in Sarasota. I’ve included links for these artists as well as those not pictured.

Heather Rosenbach, “American Dream Byproduct”, 2018

Heather Rosenbach, “Class Warfare Shooting Star”, 2019

Eric Ondina, “Miss 911”, 2018

Eric Ondina, “Miss 911”, 2018 (detail)

Eric Ondina, “Palms”, 2020

Eric Ondina, “Keep the Change”, 2020

Ya Levy La’ford “American/Rōōts”, 2021

This exhibition closes 9/26/21.