Jul 032015
 

Diller + Scofidio- Soft Sell

Walking by a small room on the third floor of the Hammer Building at LACMA, you may hear the voice from this video calling out to you with a series of questions that all start off  “hey you, wanna buy…?”. The choices range from the more abstract ideas of “a second chance” or “a piece of the American dream” to the more practical, like “a set of encyclopedias with a four color atlas”, to the more ominous options of “a judge” or “the mayor’s ear”.

The video was created by the team of Elizabeth Diller and Ricardo Scofidio working together as Diller+Scofidio.  Soft Sell was originally displayed in the windows of an abandoned porno theater on 42nd Street in NYC in 1993 and is currently part of LACMA’s photo exhibition titled Lens Work: Celebrating LACMA’s Experimental Photography at 50.

Diller and Scofidio added Charles Renfro as partner in 2004 to form Diller Scofidio + Renfro,“an interdisciplinary design studio that integrates architecture, the visual arts, and the performing arts”. They have designed many high profile projects including the first mile of the High Line in NYC, the Institute of Contemporary Art in Boston, and the Broad Museum, soon to be opened in Los Angeles.

More info:

This 2007 article from the New Yorker about Diller Scofidio + Renfro offers an interesting portrait of the group.

Feb 222015
 

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Today (2/22) is the last day to see Pierre Huyghe at LACMA. There is so much to see within the show and it is, at times, overwhelming. You enter the exhibition with your name announced by a live announcer and then proceed through the maze like space to find aquariums with live sea creatures in them; video work, including a film with a monkey walking around wearing the mask of a girl; sculptures including the one pictured above with a head of live bees (Untilled (Liegender Frauenakt)); and Human, a live dog who is around the gallery at various times.  It’s Huyghe’s first retrospective in his twenty-five year career and well worth a trip into his unique visual world.

Jan 242015
 

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Today is the last day to see British artist Gillian Wearing’s exhibition everyone at Regen Projects.  The two new video works are especially affecting.

Fear and Loathing, the artist’s first work produced in the US, presents a split screen with two people wearing masks, one on each side, alternating monologues about either a fear or a loathing from their personal lives.  In the second, We are Here, residents of the West Midlands of England, tell stories of their lives as if they have returned from the dead. This piece was inspired by the American poet Edgar Lee Masters’ 1915 book Spoon River Anthology.

The artist also includes portraits of herself within the exhibition, including a portrait of herself in a mask of her younger self, a large necklace with a pendant that is a mask of her face, and a series of sculptures of her hand with different fortune teller readings written on them.

There’s a certain sadness to the exhibition as Wearing examines lives caught in circumstances that are often beyond their control. This ties in to the idea of the fortune teller, who is sought out for the feeling that life is predestined.  Yet the various fortune tellers here tell different stories for the same hand. Perhaps these are like the different stories we are presenting to the world throughout our lives, at times with our true faces masked.

 

Dec 142014
 

Aimee Mann’s Christmas Carol part 1

Missed the recent return of Aimee Mann’s holiday variety show? Well, you can always get in the Christmas spirit with this four part video series from 2008, directed by Tim Heidecker. Amy plays Scrooge and is visited by the ghosts of past, present and future.  Michael Penn (her husband), John Krasinski, Michael Cera, Tim Heidecker, John C. Reilly, Grant Lee Phillips, and Paul F. Tompkins all make appearances.

Part 2

Part 3

Part 4

Dec 122014
 

The Smashing Pumpkins- Tonight, Tonight

This song is from The Smashing Pumpkins 1996 album Mellon Collie and the Infinite Sadness.  The video was directed by husband and wife team Jonathan Dayton and Valerie Faris, who also created the feature film Little Miss Sunshine. It was inspired by A Trip to The Moon, Georges Méliès’ famous silent movie.  The couple in the video are also a couple in real life and are both voices for animated characters. Tom Kenny is the voice of Spongebob Squarepants (among many others) and Jill Talley is the voice of Karen, Plankton’s computer wife, on the same show.

The Smashing Pumpkins are touring with a new album (although not the other original members) and Billy Corgan has been getting a lot of press recently for his candid remarks about other bands and singers in an interview in The Independent and on the Howard Stern show.

The Smashing Pumpkins are one of the bands playing at the Forum Sunday (12/14) for KROQ Almost Acoustic Christmas, which also features alt-J, Imagine Dragons, Interpol, Modest Mouse, Tears for Fears, Vance Joy, and Weezer.

May 092014
 

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Chris Engman: Ink on Paper

Luis de Jesus gallery is currently showing Chris Engman’s incredible photographs which play with the notion of what is real. Although the images sometimes appear three dimensional (like the cube and paper above) or altered in some way, they are more straight forward than they seem.  These optical illusions should be seen in person to get the full effect.

Also take a moment to see Antonia Wright’s video work in the back of the gallery. Watching her fall through a sheet of glass naked repeatedly is mesmerizing and disturbing.

Both shows close 5/10.

Apr 052014
 

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Liquid Crystal Palace: Recent Works with Jeremy Blake

(image via Honor Fraser)

Inspired by Jeremy Blake’s Liquid Villa, the curators Rhizome Editor, Michael Connor and Nate Hitchcock, present colorful artworks including paintings, video and sculpture created by more recent artists that share a similar sensibility.  Rafaël Rozendaal’s lenticular paintings and installation (pictured above) are particularly captivating.

Jeremy Blake’s work may look familiar to those who have seen the opening credits to the film Punch Drunk Love or the cover of Beck’s album, Sea Change. He sadly gained notoriety in 2007 when he committed suicide not long after his girlfriend, artist Theresa Duncan.

This show closes 4/5/14.

Feb 012014
 

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Image from Under the Mexican Sky: Gabriel Figueroa- Art and Film

From LACMA:

From the early 1930s through the early 1980s, the Mexican cinematographer Gabriel Figueroa (1907–1997) helped forge an evocative and enduring image of Mexico. Among the most important cinematographers of the so-called Golden Age of Mexican Cinema, Figueroa worked with leading directors from Mexico, the United States and Europe, traversing a wide range of genres while maintaining his distinctive and vivid visual style. In the 1930s, Figueroa was part of a vibrant community of artists in many media, including Diego Rivera, Jose Clemente Orozco, Edward Weston and Manuel Alvarez Bravo, who sought to convey the country’s transformation following the trauma of the Mexican Revolution. Later, he adapted his approach to the very different sensibilities of directors Luis Buñuel and John Huston, among others. Figueroa spoke of creating una imágen mexicana. His films are an essential part of the network of appropriations, exchanges and reinterpretations that formed Mexican visual identity and visual culture in the mid-twentieth century and beyond.

The moment you enter the exhibition, a montage of Gabriel Figueroa’s films plays on one wall to your right and it’s hard not to remain transfixed. As you move throughout the show, the history of his work begins to unfold through film clips, movie posters and stills, and artwork created at the time.

This excellently curated show includes not only large and small screen selections of Figueroa’s films, but also films shot in Mexico by Paul Strand and Sergei Eisenstein, and current artwork that was influenced by him. Of the contemporary art chosen, Rodrigo Garcia’s short film, La 7th Street y Alvarado is especially mesmerizing with its slow motion vision of Hispanic revolutionaries riding horses through present day Los Angeles.

There’s so much to see in this exhibition, yet it never feels overwhelming. That said, make sure to allocate a decent amount of time, especially if you want to see the majority of the film clips. This show closes on Sunday 2/2.

Dec 132013
 

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From Betye Saar’s :The Alpha & Omega-The Beginning & The End 

Betye Saar’s installation at Roberts & Tilton contains many objects all coming together to contemplate time, identity, nature and the world around us.  Unlike her previous show at the gallery, Red Timewhich challenged the viewer with both its imagery and the power of the color itself; The Alpha and Omega, creates a feeling of calm, both in its color palette of blues and grays but also in the objects chosen like clocks and ships.  In both shows, history is an important theme. This can be seen most clearly in The Challenges of Fate, a sculpture within the work, made up of a black bird perched on a cage housing a ship, which is above a globe resting on a glass box of bones, all set upon a stack of books.

Also at the gallery is Projections Part II: Film As Painting, curated by Aaron Rose. Multiple films by various artists are presented through different projections and monitor displays. The films are very different in content but work together to present the concept of film as not just film, but moving painting. There are thirteen films within the show and their creation dates range from the earliest, Len Lye’s A Colour Box (1935) to Rose’s own The Dress (2013). One standout is Marie Menken’s Go! Go! Go! (1962-4) a frantic speeding up of footage of life in the 1960’s in New York.

Both shows close tomorrow, 12/14.

Dec 072013
 

I first discovered Agnés Varda through the documentary, The Beaches of Agnés.  She’s an incredible person, who at 85 (80 in the film), is still making films. This unique presentation of her life is both compelling and inspiring.

Check out some of her work at LACMA’s Agnés Varda in Californialand.