William T. Williams, “Walter’s Advice”, 1970, Oil on canvas

10-color screen prints by William T. Williams in collaboration with HKL Ltd.

A selection of books surrounded by posters created for The Pennsylvania Opera Company

Six works by painter and printmaker Gabor Peterdi

Prints by Ilya Bolotowsky

Delaware Art Museum is currently showing an impressive collection of prints from a variety of artists for Marisol to Warhol: Printmaking and Creative Collaboration.

From the museum about the exhibition-

Marisol to Warhol: Printmaking and Creative Collaboration, brings together more than a dozen portfolios and suites in DelArt’s collection. The featured prints showcase the creative collaboration of artists who experiment across media. The exhibition presents a who’s who of American artists working in the second half of the 20th century, including Marisol, William Majors, Jacob Lawrence, Andy Warhol, Audrey Flack, Robert Blackburn, Ben Sakoguchi, Lorna Simpson, Lowell Nesbitt, and Luis Jiménez. Produced by individuals and print shops, these groups of prints functioned as tools for commemoration, fundraising, and political awareness in a range of techniques, styles and intentions.

Joining the exhibition is a special loan from Art Bridges, William T. Williams’ painting Walter’s Advice from 1970. Produced the same year as a newly acquired print portfolio by Williams, Walter’s Advice employs similar forms and colors. The two are displayed together to showcase an artist’s creative exploration across media and the collaborative aspect of printmaking.

Below are a few more selections-

Pages from Dead Birds, a book which combined poetry by Christopher Erb with prints by 24 artists.

From the museum-

Dead Birds pairs poetry by Christopher Erb with prints by 24 artists, demonstrating the vibrant artistic community around the poet and his wife Elena Laza, a printer, designer, and typographer. Erb penned the poems and sent them to artists who used them as inspiration for their prints. Once the prints were produced, Laza typeset and printed the text using a turn-of-the-century press and created boxes to house the prints.

Several of the collaborating artists were affiliated with Robert Blackburn’s Printmaking Workshop and the Center for Book Arts in New York, where Erb and Laza exhibited. Others worked and studied at the Art Students League of New York and were introduced to the project through Will Barnet, a master printer and longtime instructor at the League. Dead Birds was among Erb’s most ambitious and collaborative projects.

Above are four prints from Lowell Nesbitt‘s Moon Shot print series.

From the museum-

Lowell Nesbitt produced this suite of prints, published by the Palley Gallery, following his participation in NASA’s Artist Cooperation Program. Artists working for NASA had behind-the-scenes access to witness events like launches and splashdowns up close and in person. For this series, though, Nesbitt reproduces photographs of the one place NASA can’t let him go: the Moon.

Nesbitt is often associated with Photorealism, but these prints take evocative liberties with their approach to depicting the Moon. Bolstered by quotes from astronauts, Nesbitt meditates on the visual experience of seeing the Moon up close and undistorted by the Earth’s atmosphere. The cratered surface appears in shimmering gestural whorls against the black paper-an appropriate stand-in for the unpigmented vacuum of outer space. Nesbitt’s portfolio considers space exploration alongside his printmaking process. One lithograph showing the footprint of an astronaut’s boot pressed into the lunar soil seems to reference the lithographic process itself.

Upstairs in a separate section are prints from Salvador Dalí’s playing card series, seen below.

From the museum-

In 1967 and 1969, Salvador Dali designed a set of playing cards for the renowned French printing house Draeger Freés. Several years later, the artist revisited the project and created a series of 17 designs featuring an ace, jack, queen, king, and joker in each suit. The art dealer Reese Palley later published the 250-print edition with the goal of selling individual prints at an elaborate, 50th birthday party in Paris. The sales scheme, and the chartered Pan American flights from Atlantic City to the event, were widely covered in national press in January 1972. Both the original cards and the prints that followed feature Dali’s surreal motifs and reference many of his most famous paintings.

This exhibition closes 9/7/25.