In The Recap this month- music, art, art shows, murals, spooky season posts and more. Check it out here and subscribe!
Nov 212025
Oct 292025
“Pianist’s Dress Impression”, 2005, cast glass, cold-worked
This ghostly glass sculpture by Karen LaMonte is part of Palm Springs Art Museum‘s exhibition Meditations in Glass, on view until 11/23/25.
From the museum about the work-
This life-size figure of a pianist projects a ghostly aura, yet the sculpture holds light in its mass like the spirit is held in the physical body. We can see how flesh once filled out the figure, noting how the buttons of the dress strain over the chest. Glass is “air, ethereal, material/non-material, ungraspable, fleeting, spiritual,” says LaMonte. “The absent figure is important to me because it tempers the undemanding pleasure of beauty with insinuations of loss and mortality.”
Oct 232025
The paintings above by Nicole Parker were part of the exhibition, Phantasia, on view earlier this year at The Delaware Contemporary.
The artist’s statement about her work from her website-
I am a representational artist specializing in narrative and symbolic paintings and hand-pulled intaglio prints. In my current body of work, I’m exploring the triangular relationship between my sense of self, my perception of what “home” means, and the physical spaces and environments that I’ve occupied throughout my life. My imagery often involves structures, spaces and objects that represent a story or dream from a specific period in my life. They are places and things that evoke strong emotions like love, loneliness, joy, or fear. I’m often unable to physically visit or return to the things I’m rendering, so in the studio I work from memory and cobbled references.
Although memory is always unreliable and changing by nature, I’m interested in the potency of my own sensory memories, and the way that light, color and the smell of the air stick in my mind. These concrete sensory ideas are always at the core of my practice.
Oct 102025
Today’s flashback is to Huma Bhabha‘s spooky figures for Before The End, which was on view until March of this year at Brooklyn Bridge Park. It is just one of the many projects organized by Public Art Fund.
From Public Art Fund about the work-
With the ominous title Before the End, Huma Bhabha (b. 1962, Karachi, Pakistan) sets the stage to evoke mythologies as old as humankind. Conceived for Brooklyn Bridge Park, Bhabha’s four monumental painted and patinated bronzes were cast from carved cork and skull fragments. The mysterious figures recall ancient effigies cut into tombstones, their surfaces evoking centuries of eroded sediment and stone. Yet, unlike a tomb, these four-sided vertical forms stand elevated above the earth, their bones open to the sky.
“Before the End” is a title borrowed from the writings of Vincent of Beauvais (ca. 1184–1264), whose medieval imagination sparked with supernatural and apocalyptic visions. Today, the related popular genres of horror and science fiction continue to inspire Bhabha, as does art history from antiquity to the present day. Her rough-hewn figures are ambiguous—are they emerging or trapped within, rising from the depths of the earth or returning to the underworld? Set amidst an expansive landscape where the natural and man-made converge, Bhabha’s sculptures captivate through contradiction, seemingly forged in geological time yet animated with a visceral sense of immediacy.
Oct 312023
Oct 262023
Diarchy by Bekky Beukes was part of the 2018 edition of SHINE Mural Festival in St. Pete, Florida.
Oct 042023
Mark Georgiades, “Ghost of the Abandoned Bride”, Metal Steel and copper
Shelly Steck Reale, “The Fate You Choose”, Ceramic, wood, moss
Spooky season has begun and Florida CraftArt’s current exhibition Ghost Stories, curated by Catherine Bergmann (Curatorial Director of Dunedin Fine Art Center), is a perfect way to start celebrating.
The following artists are featured in the exhibition: Alegrobot, Demeree Barth, Karen Brown, Wendy Bruce, Joyce Curvin, Creative Clay, Coralette Damme, Katie Deits, Ed Derkevics, LA Finfinger, Eric Folsom, Janet Folsom, Mark Georgiades, Kristina Gintautiene, Erin Griffin, Cort Hartle, Judy Heady, Emma Hobbs, Pam Jones, Polly Johnson, Tyler Jones, Janna Kennedy, Traci Kegerreis, Betsy Lester, Cindy Linville, Richard Logan, Trent Manning, Francine Michel, Elizabeth Neily, Jacqueline Philip, Nick Reale, Shelly Steck Reale, Christine Renc-Carter, Jennifer Rosseter, Addie Rodriguez, Cooky Schock, Donna Slawsky, and Brandy Stark.
On Thursday, 10/5/23, in partnership with Keep St. Pete Lit, a group of local writers will be telling ghost stories at the gallery inspired by pieces from the exhibition. The reading will take place at 6pm.
Below are a few more selections-
Work by Alegrobot, Hand sculpted paper clay, acrylic paint
Janet Folsom, “Apparitions”, Mixed media (top left); Eric Folsom, Gravestone, bronze on marble; Donna Slawsky, (top right) “The Devil’s Work”, Stained glass, beads, and Creative Clay, Stephanie,(bottom right) “Monkey Dreams”, Mixed Media
About Creative Clay, who contributed several works to the exhibition-
“Creative Clay achieves its mission by providing ongoing studio arts workshops for individuals with disabilities five days per week. Creative Clay teaching artists provide students with education and experience in artistic techniques, as well as vocational skills related to the display, promotion, and sale or their expressive work.”
Katie Deits, “Haunted by the Past”, Ceramic, cotton, pencil, acrylic paint (left) and Nick Reale, “Out of the Wood” wood sculpture
Francine Michel “Mysteries of Urraca Mesa”, Water mixable oil, collage
Ed Derkevics, “Burnt Offerings”- “3 Potions” and “Jagged”- Mixed Media, recycled found objects
Janna Kennedy, “Souls and Pharmaseuticles”, 1800s Cabinet Cards, 1902 Pharmacy Ledger & Medical Ads, 19th Century Medicine Bottles
Kristina Gintautiene, “Slava”, Birch cradle board, Tissue paper, wax, oil pigments
LA Finfinger, Ghost Ceramic work (bottom left); Alegrobot, “(For the Record) he ordered the special”, Vinyl record, paper clay; Traci Kegerreis, “The Lost Lenore”, Mixed media (center top); Demeree Barth, “Remembering Sedlec Ossuary”, Clay, bullet casings, wood display stand, found objects (bottom right)
Oct 312022
This mural in St. Pete was created by Tampa Murals for the store From Mayan Hands.
Oct 312022
Thomas Hart Benton’s After Many Days, 1940, from The San Diego Museum of Art’s collection.
Oct 302021
