Feb 272016
 
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Dana Weiser

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Greg Mocilnikar

Los Angeles based artist Dana Weiser’s exhibition at Walter Maciel Gallery, Without you, I couldn’t be me…, focuses on her experiences as a member of an interracial family. Weiser was adopted from Korea as an infant by a Jewish-American family and raised in the Midwest . She has a sister who was also adopted from Korea.

From the press release-

…Weiser’s work explores lost identity, multiple identities, and racial identity with her emphasis of being an outsider in a predominantly white community where she never felt a strong affiliation to any group or faith.  The inevitable questions like “Have you met your real parents?” and “Is she your real sister?” are often the opening liners upon introduction and these phrases become the subject matter as literal text interpretations spelling out the racist remarks.  In one series using large sheets of vintage lace as the surface, pearl beads are stitched into the fabric to spell comments like “I’m not racist or anything but…” or “I don’t mean to sound racist but…” The delicate and intimate technique of traditional beading challenges Weiser’s skills much in the same way as her ability to pacify her true emotions and refrain from bleak replies.

In addition to the beaded work, she also addresses some of her relationship with Korean culture in three self portraits- Enacting my Koreanness, (self-portrait performance). There are also two neon sculptures- one that reads “adopt” with an “a” over the “o” to create “adapt” and the other the title of the show in a circle. The different mediums make the exhibition feel a bit chaotic but perhaps that also keeps with the theme of having an identity that is hard to pin down.

In the other gallery are Greg Mocilnikar’s colorful abstract paintings and works on paper have a lively energy.

Both of these shows close 2/27/16.

Feb 272016
 

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Bettina Hubby’s exhibition, THE SEXUAL BRONZE SHOW at Klowden Mann presents several pairs of common objects cast in bronze that take on sexual relationships . This is made even more clear in the back room of the gallery where there are photos of the objects interacting.

And it is definitely meant to be funny, as this quote from Hubby indicates (taken from the press release)-

“I take my humor seriously. I focused intently and took a survey, then plunged deeply and engrossed myself into the grocery aisles to find these pairings and made monuments to my match-made couples’ various proclivities. I honor their diversity and their freedom of expression. I bronzed their essence and photographed them in a white bed of light to reveal their true natures; they gleam with a confident appreciative post-coital sigh.” – Hubby

This show closes 2/27/16 and there is a closing reception from 6-8pm.

Dec 192015
 

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Work by Zemer Peled

Art Culver City, the group exhibition currently at Mark Moore Gallery, was created in response to the current state of art fairs- which have become more about celebrity and parties than the art itself. The focus here is on the art. Standouts include Zemer Peled’s sculptures created from hand-crafted shards of porcelain (pictured above), Kim Rugg’s maps recreated using only city names and regions and Christopher Russell’s photo prints that have images scratched into them with a razor. This show closes 12/19/15.

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While in Culver City make sure to stop by Maloney Fine Art to see Jeff Colson’s incredibly realistic sculpture, Stacks (pictured above), created from carved wood. This show closes 12/19.

Also closing 12/19 in Culver City and worth checking out-

Rosson Crow’s multimedia exhibition at Honor Fraser Gallery Madame Psychosis Holds a Séance, “explores the fictional world of Madame Psychosis, an aging showgirl obsessed with the assassination of John F. Kennedy.” The center piece is Crow’s first film, which stars Kelly Lynch as Madame Psychosis in outfits designed by Jeremy Scott.

At Anat Egbi Gallery is Jen Denike’s show ‘If She Hollers” which consists of three films and still images from them. “The show’s three protaganists feature “The Boxer”,“The Cat” and “The Pimp” interweave elements adapted from references ranging from Joe Lewis to Alice in Wonderland and RuPaul’s Drag Race”.

Cheryl Louise Humphreys’ embossed paper images at her premier solo exhibition “I Just Have This Feeling…” explore visual communication in a digital age at Paul Loya Gallery

Dec 192015
 

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James Hyde’s exhibition Ground at Luis de Jesus Los Angeles combines photography and painting to form strong graphic images.

From the press release

The title “Ground” resonates with the descriptive photography of western landscapes. In the painting context, the ground is the active place on which painting occurs. Hyde uses a home brewed paint for these works, consisting of pigment dispersed in acrylic mediums, and in most cases that pigment is a form of ground earth. In turn, Hyde’s photographs follow a “light-room” process developed in the computer, distorting and adjusting it and challenging the notion of any factual naturalism.

Resisting genres and traversing mediums, Hyde investigates the abstract gesture in relationship to photography. His opposition to the “realism” of digital photography, placed against the colors of abstracted shapes, snaps photography into place, making it a site, a location, and naturalizing it as a pictorial fact while reframing the question of the truthfulness of photography.

This exhibition closes 12/19/15.

(images via Luis de Jesus Los Angeles)

Dec 122015
 

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If you are headed to Culver City, make sure to check out Leon Benn’s painting exhibition Spare Time at Roberts & Tilton gallery. His process for creating these paintings is especially interesting.

From the press release

The surfaces are slowly built up through varying layers, dimensions, demands. Benn starts his paintings by selecting canvas, which he then treats and hand dyes prior to starting batik applied through a water-based resist. Drawings utilizing oil pastels breaches the structure left from the underlying batik motif. The results are phantasmagoric paint-scapes that explore imagistic transference of natural imagery to a static commercial medium.

This show closes 12/12/15.

Nov 272015
 
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Aaron Fowler

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Work by Genevieve Gaignard

The New New, at Diane Rosenstein Gallery in Hollywood, is an exhibition of painting, drawing, mixed-media, and collage by six emerging artists from New York and Los Angeles- Ray Anthony Barrett, Aaron Fowler (pictured above), Genevieve Gaignard (pictured above), Tschabalala Self, Michael Shultis, and Jason Stopa.

From the press release

The works in this show are multi-dimensional, with some artists using heavy impasto, collage, or flirting with the intersection of painting and sculpture. Connecting the varied practices in The New New is an explicit use of text – song lyrics, art theory, slogans, and commercial branding – in a formally exciting interplay between word, image and painting.

The New New brings together emerging artists with distinct approaches – but all with a shared engagement with the aggregate of received imagery and personal narrative.

This exhibition closes tomorrow, 11/28/15.

Oct 312015
 

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LAM Gallery in Hollywood is currently showing the work of Miriam Wosk in an exhibition titled Touch of the Hand.

From the press release-

Comprised of mixed media paintings, collages, and sculptures from the last decade of Wosk’s life, the exhibition is an enchanted journey through a world of her own creation. In this world, human, insect, and aquatic life-forms meet insidious botanical growths; hearts share the stage with horns and claws; and beauty rules with a heavy hand.

Get up close to see all the tiny details that went in to these amazingly intricate works. This show closes 10/31/15.

Oct 242015
 

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Today (10/24/15) is the last day to see Jose Alvarez’s multi-colored, multi-textured wonderland– (D.O.P.A.) “We’re All Made of Star Stuff” at Gavlak Gallery.