Feb 272020
 

Currently at Pace Gallery in New York are Nigel Cooke’s ten large-scale paintings. The paintings have an exuberant intensity to them. Close up the shades of varying color, layers of paint, and the textures created by the brush strokes, show the detail that went in to creating the overall effect of the work.

From the press release-

Completed over the past year, these ten new large-scale paintings mark a significant shift in the artist’s direction toward a more performative, energetic, and abstract approach to figuration. This shift was propelled by a recent residency in the city, where Cooke remarked that “the entire philosophy of what it is I am doing has been adjusted.” These works, which reference actions, places, and people, exist as matrices in which the artist’s free and open process meets wider themes of metaphor, spirit, nature, representation, and the living material quality of paint. In this way, these new works draw on the legacies of American artists such as Willem de Kooning and Clyfford Still as well as Abstract Expressionism, British Figuration, Spanish painting, and Chinese silk painting.

…These dynamic compositions become transitional grids that unfix and multiply the idea of what a figure is, reflecting a complex interplay of vigor, chance, and intuition. They begin with a single color drawn in a loose structure that drives the painting process forward. Building up the canvas in lines and washes, the paintings move away from a defined image, resulting in a myriad of possibilities from the mud and grit of real landscapes to atmospheric emanations or presences. As such, they do not depend on a fixed viewpoint but drift between states, contradicting themselves over time and allowing for the possibility of transformation.

Furthering Cooke’s radical shift in his practice, the paintings were executed on raw canvas—a first for the artist. The natural linen endows the paintings with a unique brownish ground and a textured weave that is seen throughout the works. This material quality also impacts Cooke’s mark-making as washes develop into thickets of dark staining and lines that taper off and sometimes produce kasure or “flying white,” an ancient Chinese silk painting technique known for its ribbon-like strokes that sputter and appear to leap off of the surface of the canvas.

This exhibition closes 2/29/20.

Dec 202019
 

The paintings in Li Songsong’s One of My Ancestors, at Pace Gallery in Chelsea, are rich in both color and texture. Li creates his paintings from found photographs, adding another dimension to the work.

From the press release-

In the process of reinterpreting found imagery drawn from public sources such as everyday news items, Li adopts an impartial attitude. “I did not deliberately look for these images,” he explains, “It just happened. For example, a friend of mine went to an old book stall in Beijing to buy old magazines. I saw a good photo, and then I used it. I don’t seem to care about the content of the image itself. Of course, they are a starting point, but they will affect you more on a psychological level than in a narrative way.”

Li is interested in the ways in which images can trigger memories and emotions—a psychological impact magnified by his technique. The use of impasto and the dense materiality of his brushstrokes elicit a potent haptic response, while his palette of cool shades of gray, green, and beige create an estrangement from his chosen subject matter, as seen in Little Brother (2017), South (2017), and Civil Rather than Military (2018). Through his signature use of compact blocks of color, Li deconstructs and reassembles images, pushing his art towards abstraction.

This exhibition closes 12/21/19.

Jan 092018
 

Cloud Maintenance, 2017

The Ties That Bind, 2017

Currently at Metro Pictures, Jim Shaw’s current mixed media exhibition is full of works that are interesting, engaging and fun.

From the press release

Rendered in exquisite detail, Shaw’s virtuosic work combines his analysis of the political, social and spiritual histories of the United States with contemplative reflections of his own psyche. For more than three decades he has examined art history, comic books, subcultural undergrounds and consumer products—to name only a few of his wide-ranging fields of interest—to articulate a distinct visual language that charts the country’s ever-shifting sociopolitical landscape.

The paintings in this exhibition incorporate symbols and characters of the past to comment on our fraught present. Using imagery drawn from Old Testament stories, pagan myths and satirical cartoons, Shaw relies on his encyclopedic knowledge to visualize our common vernacular. His layered symbology reads like an exaggerated mirror of our hyper-mediated, “post-truth” reality.

This show closes 1/9/18.

At Pace Gallery’s 25th Street location is Elizabeth Murray: Painting in The ’80s, a collection of sixteen unique colorful canvases the artist created during this period.

From the press release-

Elizabeth Murray: Painting in the ‘80s presents formal and narrative content that continues to influence the techniques and subject matter of contemporary painting. Murray arrived in New York in 1967 during the heyday of Minimalism and the rise of Conceptualism, and amid prevailing assertions of painting’s demise. As she recollected, “The mood was that painting was out, that hip people, people who were avant, weren’t involved in painting. That was unnerving, but then I didn’t give a damn.” Fully committed to painting, Murray broke new ground depicting personal, poetic and at times feminist narratives on complex multidimensional shaped canvases. Murray’s compositions from the 1980s suggest large-scale breaking cups, tumbling wineglasses, tilting tables, windows, rooms, attenuated human forms, letters, symbols and abstract shapes constructed through positive and negative, real and imagined space. As Roberta Smith has written, “She has put the vocabulary of twentieth-century abstraction to new and different uses, tracing in irresistible formal terms a psychological narrative that is not explicitly feminine but that women, thanks to society’s relentless conditioning, know best and most completely.”

This show closes 1/13/18.

For Jorge Pardo’s first painting show at Petzel Gallery, he combines his painted self portraits with a sculptural element. Candid snapshots of the artist are “blown-up, engraved, laser-cut, hand-painted and back-lit with LEDs, to produce, in some cases, vast ornamental objects”. The beautiful large works have the added effect of changing slightly depending on where you stand in the gallery as the light shines through the wood.

This show closes 1/13/18.

 

 

Feb 182017
 

                                                                                        Rest During The Flight Into Egypt, 2016

                                                                                           The Alpine Retreat, 2016

Many of Adrian Ghenie’s oil paintings take up their own wall in Pace Gallery and it is hard not to be drawn in by the bold colors and the blend of figuration and abstraction. The exhibition also includes some of his smaller collage pieces, which help to show Ghenie’s process for creating this work, and three of his self portraits.

From the press release-

Born in 1977 in Baia Mare, Romania, Adrian Ghenie was formally trained as a representational painter. He adopted conceptual tendencies from Dada that he synthesizes with his rigorous technical abilities, displaying both a Baroque mastery of chiaroscuro and a gestural handling of paint indebted to Abstract Expressionism. In 2008, Ghenie’s paintings began to explore themes of history, memory, and the former Communist regime of his native Romania, not through biographical reflection but rather through a direct address of the legacies of historical figures. The imagery in his paintings is largely derived from historical sources incorporated into dreamlike or cinematic vignettes in which figures appear in haunting interiors.

This show closes 2/18.