Mar 052026
 

Nonstop (2107) by Arden Bendler Browning was commissioned by Philadelphia’s Percent for Art Program and is on view at Philadelphia International Airport.

From Art at PHL about the work-

Philadelphia artist Arden Bendler Browning is known for creating large-scale, highly energized, gestural paintings inspired by her urban surroundings. Browning’s paintings are mostly abstract, yet include hints of realism with the suggestion of architectural structures, roadways, telephone poles, and green spaces. Browning’s paintings envelop the viewer with their scale, intensity, and sense of movement. Her imagery is derived from photos taken while traversing the city. The photos enable her to see the city from various vantage points and, as she has described, “jump through time and space.”

Browning’s paintings visually capture that sense of timelessness as she often conveys a disorienting landscape where colors and shapes collide and overlap, where only glimpses of reality come into focus. She speaks of the urban environment as “a vast sea of fluctuating boundaries arguing claim to the demarcation of space.” This statement also describes Browning’s work as she depicts the urban landscape using an amalgam of colors, shapes, and painterly marks adrift and influx.

Browning has said, “Nonstop is multifaceted and dense, full of action, and vibrancy in unexpected places with pockets of space and clusters of commotion. It is just like Philadelphia.”

Browning is currently part of the group exhibition, The Landscape: Lost and Found at Ellen Miller Gallery in Boston, on view until 3/28/26.

Feb 182026
 

This mural by Justine Kelley is one of several located in Philadelphia International Airport as part of their rotating exhibition programming.

From Art at PHL curator Helen Cahng and the artist-

Justine Kelley is a Filipino-American, Philadelphia-based printmaker, illustrator, and designer. She is inspired by vibrant colors, emotions, and the accidents that happen during the art-making process. Most of Kelley’s work is hand-drawn, infusing it with an honest, intimate quality. Her illustrations aim to explore the social barriers that exist between people to create new structures of meaning and connectivity. Kelley likens her art-making process to cooking—she uses the resources she has to feed the people she loves. Her goal is to synthesize emotion as a raw material and use it to create a magic funhouse mirror which reflects the world back at itself.

For her exhibition at Philadelphia International Airport, Kelley presents the Bella Vista neighborhood with an emphasis on the Italian Market, the nation’s oldest open-air market which spans 20 city blocks in South Philly. Bella Vista means “Beautiful Sight” in Italian. For many generations, this neighborhood has been home to a variety of immigrant communities, from Irish, Italian, and African descendants in the 1800s to Vietnamese, Korean, Cambodian, and Mexican communities settling in the 1900s. Having recently moved to South Philly, Kelley says, “I wanted to celebrate the abundance of food and fresh produce, colorful signage and typography, and bustling community that exist in the Italian Market and Bella Vista area, with much thanks to the shopkeepers who run their businesses and the neighbors who live here… If the path to one’s heart is through the stomach, then this place is an artery pumping vitality to the city, feeding us with nutritious foods and delicious sights. It’s a feast for all the senses. If I were to rename Bella Vista, it would be the Italian words for “Beautiful Sights, Sounds, Tastes, Smells, and Feelings”.

Feb 182026
 

King Saladeen created these murals for the Philadelphia International Airport’s Exhibitions Program.

From Art at PHL about this exhibition–

Philadelphia artist King Saladeen has created his largest painting installation to date currently on view at Philadelphia International Airport. Saladeen’s art is motivational and energetic. His paintings are filled with vibrant colors, shapes, patterns, markings, and text, along with representational imagery that includes his trademark JP the Money Bear and Philadelphia’s skyline. The work represents his passion to inspire as he says, “Dream Big, Love What You Do!” A message evident in this epic four-part painting.

Saladeen created this artwork partially in his studio as four paintings scaled to the proportions of the four gallery walls. The original paintings were scanned, printed on vinyl, and adhered on site. Over two nights, Saladeen painted atop the vinyl to complete his vision. It was an amazing performance to watch as he intuitively added more colors, shapes, and details until it was deemed complete.

 

Feb 132026
 

Anuj Chandra Shrestha, “Sumud”

If you have a layover or arrive early to Philadelphia International Airport, make sure to take some time to check out some of the art on display.  Works like the murals in this post, are part of the airport’s Exhibitions Program.

About Art at PHL:

The Airport’s Exhibitions Program is a nationally-recognized, award-winning visual arts initiative.

In 1998, Philadelphia International Airport established an Exhibitions Program – a visual arts initiative to humanize the Airport environment, provide visibility for Philadelphia’s unique cultural life, and to enrich the experience of the traveling public.

The Exhibitions Program is responsible for organizing and presenting rotating exhibitions that are located throughout the Airport. The exhibits change throughout the year to provide a variety of educational and cultural programs. This forum for presenting visual arts attests to the Airport’s commitment to supporting arts and culture.

The Exhibitions Program provides millions of visitors from around the world access to a wide variety of art forms by artists and arts institutions from the Philadelphia area.

The artists in this post- Anuj Chandra Shrestha, Lale Westvind, Steve Teare, Olivia Fredricks, and Amze Emmons are all part of the exhibition, Jawn 8. Jawn, a slang term local to Philadelphia, is defined as- “a placeholder word that may refer to a thing, place, person, or event, substituting for a specific word/name”. For even more on the word jawn, check out this article on Atlas Obscura.

Lale Westvind, “They Grew The Garden”

Steve Teare, “The Art Museum Games”

Olivia Fredricks, “The City is Our Playground”

Amze Emmons, “Philly Birdsong Onomatopoeia”

 

Jan 302026
 

Going all the way back to 2015 today for this mural by El MAC, Augustine Kofie, and Joseph ‘Nuke’ Montalvo. La Abuelita/Má’sání, a portrait of Diné (Navajo) weaver Martha Gorman Schultz, is located on the outside of The American Hotel in Los Angeles.

From El MAC (Miles MacGregor)’s website about the mural-

“The portrait is painted entirely with aerosol and fatcaps, and is based on photos I shot a few years ago of an artist named Martha Gorman Schultz. She is a Navajo blanket weaver from northern Arizona, and part of a respected family of weavers including her granddaughter, Melissa Cody.

I felt this painting of Martha could be an empowering representation of beauty not often depicted in public art or media. Beauty that is feminine, elderly, indigenous, loving and powerful.

The building this mural was painted on was constructed in 1901, and you can imagine how much Los Angeles history it’s seen over the last hundred years or so.

This was an especially collaborative effort- Along with the work of Kofie and Nuke surrounding the figure, SKILL UTI painted the wall to the left, integrating an already existing piece by DASH 2000(Rest In Peace). SWAN provided ground support, along with CHEE, AISE, BLK, OFIER, SELEK, CALVYRUS and some other younger members of UTI crew, which has been painting these walls for the last few decades.”

Sadly, Martha Gorman Schultz passed away in February of last year at the age of 93. For more information on her life and work, check out Hyperallergic’s tribute.

Jan 172026
 

Todd Purse recently created this mural on the wall outside of local independent bookstore Huxley and Hiro‘s new location.

You can also find his work at Create Magic Studios, which he runs with his wife, Allison.

Dec 122025
 

Cleveland artist Jake Kelly‘s 2010 mural was inspired by the artwork and concepts of ArtsCollinwood‘s portfolio project students. Along with his numerous murals band posters, and fliers, he has also made several comics detailing darker moments from Cleveland’s history.

He also created the fictional series, The Lake Erie Monster, with fellow artist John G. A few issues are currently available online for free.

More about the series from their website-

The flagship story is an “adaptation” of a fake movie that J. Kelly developed for a series of Ten Imaginary Movie Posters. Set in the 1970s, we follow a cast of eclectic characters as they have to navigate the choppy waters stirred up by a Monster born out of the pollution from a city gone to seed. Along with the main title, each issue will feature at least one short back up story.

The Aither‘s 2023 interview with Kelly is also worth a read for more information on the artist.

 

Oct 312025
 

Kashink was one of the many artists who created murals for Jeffrey Deitch’s Coney Art Walls in Coney Island, Brooklyn. You can find their most recent work on Instagram.

Below is Jeffrey Deitch‘s statement about the project from his website-

“Coney Art Walls was an outdoor museum of street art in the center of the Coney Island amusement park. Sixty-eight murals by leading and emerging artists from around the world were presented during the three year curatorial project from 2015 – 2017. Coney Art Walls was possibly the most visited contemporary art installation in the world during its run, experienced by many of the five million people who visit Coney Island each summer. Since the 1970s, when I would visit Coney Island with my punk rocker friends, I had a dream of creating a populist art installation there. Reading about a large vacant lot in the center of the amusement park, I approached the owner, Thor Equities, with my proposal for an outdoor museum of street art. They were enthusiastic about the concept and funded a remarkable three-year project. The mural project was enhanced by a Brooklyn food court with outdoor seating and a music program. It was thrilling to see hundreds of young people dancing in front of the murals on summer nights.”

Oct 302025
 

Mural by Reid Jenkins and Scott Hillis, located in Pinellas Park, Florida.

It is one of several murals outside a group of buildings that includes Studios at 5663 and Saint Paint Arts.

Oct 282025
 

Brooklyn-based artists Doug Cunningham and Jason Noto (aka Morning Breath) created the mural above for the 2019 edition of SHINE Mural Festival in St. Pete, Florida.

Below are a few of the references in the mural from the St. Petersburg Arts Alliance website–

At 250 Dr. Martin Luther King Junior Street North, a scattering of images in the style of a “Ripley’s Believe It or Not” ad spreads out on a light blue wall, as if the wall were an old comic book-style pamphlet held out wide.

The design was brush painted, inspired by the business that’s been at this location since 1926 — the Coney Island Sandwich Shop. That business and the artists have roots in New York, so there are subtle nods to the city throughout.

On the left is a large cartoon man’s face tilted slightly, with a garish, wide-open grin. Hair parted in the middle with old-fashioned waves on each side of the temple, arched black eyebrows over wide red eyes. The mad grin is missing a tooth.

This face is the artists’ version of the iconic Coney Island Steeplechase “Funny Face” that welcomed guests from 1908 through 1964. So the family who founded this shop would have seen it, when they visited. Even now, that grinning face appears on shops and merchandise at Coney Island.

Just below the face, the word “Look” in red, with white snow resting on the letters, next to an arrow pointing to the left, that points to a small cut-out in the wall. This was where African Americans would be served if they came to the restaurant in its early days.

To the right of Popeye, in another section of the wall, is a large pair of old-fashioned glasses with angled black frames and red lenses, and wide-open white eyes. The glasses are a tribute to the artist Casey Paquet, who passed away in 2018. Below the glasses, the phrase “Ideas are a Dime a Dozen” is painted above a red hand pointing to the left, and a large hardback book with a black cover. The spine of the book reads “CP 1977 through 2018,” another tribute to Paquet. The front cover spells out “Para CP” vertically, in red, beside a line drawing of a sword swallower, a trick Casey practiced.

In the center of the wall, a huge red hand holds a pamphlet almost as tall as the wall, that reads “Welcome to Fear City,” with a skeleton in a black cowl. This is a reference to a 1970s scaremongering pamphlet called “Fear City: A Survival Guide for Visitors to the City of New York,” published by the New York Council on Public Safety.

You can also find Morning Breath on Instagram. For more on the SHINE murals including the upcoming 2025 festival in November, head here.