Jun 112025
 

In 2016, Taylor Mac performed his immersive 24-Decade History of Popular Music in a theater in Brooklyn for a full twenty four hours. Normally performed in sections, this was the first and only time this had been done. Decade by decade, from 1776-2016, the history of popular music and the history of America merge, with a decidedly queer slant.

The documentary, directed by Rob Epstein and Jeffrey Friedman, includes footage from the show combined with interviews with Mac, his incredible costume designer Machine Dazzle, his musical director Matt Ray, and his co-director Niegel Smith. Although Mac is the main performer, the show includes a stage full of musicians, additional singers, and his “Dandy Minions” who can often be found offstage interacting with the audience. Mac’s desire to draw people together and build community is highlighted during several moments focused on the audience’s participation.

Throughout the many hours, performers leave the stage for good leaving only Mac by the end of the show. This is meant to mirror the losses from the AIDS epidemic. Even with only a small selection of these moments, you can feel the effect this creates.

Inventive, beautiful, funny, and often moving, this documentary provides a small taste of the performance and will leave you wanting more.

Mac’s costume for the 1980s

Taylor Mac and Machine Dazzle

Mac’s costume photo shoot for the 1950s

Mac with an audience member

Jan 202023
 

Artist Alex Katz created this mural, Bill 2, a portrait of modern dancer and choreographer Bill T. Jones, in 2019 for Murals of La Jolla in San Diego. Murals of La Jolla is a project started in 2010 by The Athenaeum and the La Jolla Community Foundation. It commissions artists to create work to be displayed on buildings around La Jolla. A map of all the murals currently on view can be found here.

From the Murals of La Jolla website about the work-

Alex Katz’s mural, Bill 2, celebrates Bill T. Jones, one of the most noted and recognized modern-dance choreographers of our time. Executed in Katz’s bold and simplified signature style, Bill 2 depicts Jones’ visage, through a series of distinct expressions. The repetition of his face has a cinematic and lyrical quality, reinforcing his place in the world of dance, music and film. Portions of the face are dramatically cropped, giving the viewer only quick and gestural glimpses of Jones. Bill 2, is a striking homage to two artists, Katz and Jones, both renowned in their respective fields of visual and performing arts. The mural’s proximity to the new Conrad Prebys Performing Arts Center gives a nod to the interconnected worlds of art, music, and dance.

The Guggenheim museum in NYC is currently showing Alex Katz: Gathering, a retrospective of the artist’s work from the late 1940’s until the present. The exhibition will be up until February 20, 2023.

From their website about the exhibition-

Emerging as an artist in the mid-20th century, Katz forged a mode of figurative painting that fused the energy of Abstract Expressionist canvases with the American vernaculars of the magazine, billboard, and movie screen. Throughout his practice, he has turned to his surroundings in downtown New York City and coastal Maine as his primary subject matter, documenting an evolving community of poets, artists, critics, dancers, and filmmakers who have animated the cultural avant-garde from the postwar period to the present.

Staged in the city where Katz has lived and worked his entire life, and prepared with the close collaboration of the artist, this retrospective will fill the museum’s Frank Lloyd Wright rotunda. Encompassing paintings, oil sketches, collages, drawings, prints, and freestanding “cutout” works, the exhibition will begin with the artist’s intimate sketches of riders on the New York City subway from the late 1940s and will culminate in the rapturous, immersive landscapes that have dominated his output in recent years.

Bill T. Jones/Arnie Zane Company has numerous performances every year. Conceived and directed by Bill T. Jones, and choreographed by Jones with Janet Wong and the Bill T. Jones/Arnie Zane Company, the latest work, Curriculum II, will be performed at on March 10, 11, and 12, at the Institute of Contemporary Art Boston.

Jones also hosts the series Bill Chats at NYC’s The New School. On January 30th, he will be in conversation with Bessie Award-winning theater director and performance artist, Niegel Smith and curator, producer, and director, Kamilah Forbes. For more events check out the New York Live Arts calendar.