Oct 312023
 

“Steelhead” Terracotta sculpture by Ako Castuera

Spooky season may be coming to a close but there is still time to see the ghosts, and the artists behind them, in At Home with “City of Ghosts” at Dunedin Fine Art Center. Thoughtfully curated by Nathan Beard, the exhibition focuses on artwork, in a variety of mediums, by 17 of the artists who helped create the award winning Netflix series City of Ghosts.

Created by Elizabeth Ito, City of Ghosts follows a group of children as they track down and record stories about the history of Los Angeles from the ghosts who also live in the city.

Artists included in the exhibition- Mike Andrews, Kwasi Boyd-Bouldin, Ako Castuera, Alex Cline, Mercedes Dorame, Luis Grané, Chloe Hsu, Elizabeth Ito, Jasmin Lai, Bob Logan, Yulissa Maqueos, Hugo Morales, Keiko Murayama, Adam Muto, Claire Nero, Zen Sekizawa, and Pen Ward, with additional contribution from Decibel Studios LA.

This exhibition closes 12/23/23.

Below are some additional selections from the show.

Chloe Hsu– “Fish Market”, drypoint and watercolor

Jasmin Lai– “The 110 and Downtown LA”, digital print

Acrylic and ink work by Kwasi Boyd-Bouldin

Prismacolor and watercolor work by Alex Cline

Luis Grané– “Pool Maintenance” , acrylic on canvas

“La Mejor Herrencia”, Maqueos-Gonzalez family photos and “Maqueos Music (Banda Oaxaqueña)”, 2023, video by Decibel Studios LA with Los Angeles based clarinet player Yulissa Maqueos

Pendleton Ward (left) and Elizabeth Ito (right) both created Pepper’s Ghost animations for the exhibition

 

 

 

 

Oct 282023
 

Photographs by Jerry Uelsmann (left) and Herb Snitzer (right)-“Bette II”, top and “Tennessee Williams”, bottom)

Photographs from the International Photography Competition

Continuing from the previous post about the Ybor Arts Tour, there are three venues that were part of the tour that are also worth highlighting.

The Florida Museum of Photographic Arts (FMoPA) is showing some impressive photography in their new Ybor City space. On one side of the museum is Icons of Black and White, a selection of over 60 fine art photographs, by some of the most famous photographers in history including Ansel Adams, Dorothea Lange, Edward Weston and more. This show will be on view until 12/3/23.

In the FMoPA Community Gallery are the winning photographs from the 2023 International Photography Competition, previously on view at The Tampa International Airport. This exhibition closes 10/28/23.

Kaitlin Crockett of Print St. Pete, “Why?” letterpress monoprint (left) and Chris Sellen/ Kaitlin Crockett, “It’s Only A Matter of Time”, risograph print

Mia Makes It, “[redacted]”, risograph print, and “Molecular Anxiety”, linocut on fabric

The Bricks is a restaurant in Ybor City that also has an event space. For the Arts Tour the space turned into a gallery for Print Mode (2) a selection of work by Tampa Bay printmakers. That show will be up for a few more weeks.

Marcolina’s (seen below) is a relatively new gallery currently showing the group exhibition EDEN: Beyond Paradise until 11/30/23. Check out their Instagram and Facebook to see upcoming events like Nude Model Life Drawing (every third Wednesday) and Deidre Kling’s “The Haunted Flesh” Photography Book Release on 10/28.

Oct 282023
 

Installation by Edgar Sanchez Cumbas

The Ybor City Arts Tour was last week and was a great way to check out the many spaces currently in the Ybor City area. The Kress Contemporary building with its multiple galleries, artist studios, performance space (The Fringe Theatre), and microcinema, was definitely a highlight.

The above images are of sculptural work by Edgar Sanchez Cumbas (he was also in the Department of Contemporary Art group show in the same building). It is just one of the rotating works you can find while walking around the space.

Below are some selections from the event.

Kim Radatz opened her space, currently showing an installation focused on the “C” word.

Screen Door: An Ybor City Microcinema is always showing interesting films from a variety of genres. Pictured are the seating area and the movie posters lining the hallway outside of the film viewing area. For the art tour they were showing past Flex Fest short films.

On the third floor are a large group of artist studios with several walls hanging work by many of the artists.

Work by Jon Pannier

Sculpture by Eileen Goldenberg

Polaroid work by Brian Pannier

Lots of great work by the three very different artists that make up the Y3K Collective- Jon Pannier, Eileen Goldenberg, and Brian Pannier, seen above.

Work by Juan Espinosa (left) and Ashley Cantero (right) of Dluance

Inside Dluance

Creative space Dluance is run by visual artist Ashley Cantero and music producer/ graphic designer Juan Espinosa.

Paintings by Marilyn Binder Silverman

Paintings by Eilzabeth Fontaine-Barr

The work above is from the painters Marilyn Binder Silverman and Elizabeth Fontaine-Barr who share their studio space.

Painting by Karol Batansky

Self taught painter Karol Batansky just moved in to her new studio from the Ybor Art Colony which is closed while currently being renovated.

Mixed media artist Chase Parker makes a variety of work, including the unique sculptures pictured above.

Ron Watson creates highly detailed drawings at his Shades of Gray Studio.

Below is one of the common spaces filled with work by a selection of artists. It’s always worth a trip up from the 2nd floor galleries even if most of the artists are not in their studios to see what’s new.

Work by Jenal Dolson (left) and Michael Jones (collage, right)

The next post will focus on three spaces outside of Kress Contemporary that were also part of the tour.

Oct 182023
 

Lindsay Oesterritter has created several lovely works for her current exhibition Orientation at Morean Center for Clay in St. Pete.

From the artist about her work-

“When I work with clay, I aim to convey a narration of time and place. I work in an intentionally straightforward manner, choosing the clay and combination of processes for the marks that will be left on the vessel. The processes of making are recorded on the surface of the object and begin to reveal the qualities of the material and tell a visual story.”

Oct 182023
 

Keith Crowley “Longwood Run (Nocturne)”, 2019, Oil on linen (left) and “Mooring Fields (Twilight)”, 2021 (right)

Kenny Jensen, “I Didn’t Forget You (The Clearing)”, 2023 (left) and “I Didn’t Forget You (Papa’s Van)” 2023 (right)

Alison Tirrell “untitled (It’s all under control)”

Elizabeth Barenis, “The Creek Drank the Cradle”, acrylic on canvas

The Factory is a massive space in the Warehouse Arts District in St. Pete that houses numerous galleries and artist spaces, as well as the Florida Wildlife Corridor Foundation, Museum of Motherhood (MOMMuseum), Fairgrounds St. Pete, and Daddy Kool Records. This past Saturday (10/14/23) was Second Saturday ArtWalk and there was a lot to see. On this page and the ones that follow are some of the highlights.

In Studio B, a temporary gallery space, was the group exhibition Soft Spoken (images above), which included artists Keith Crowley, Kenny Jensen, Alison Tirrell, Elizabeth Barenis, Raheem Fitzgerald, Kate Cummins, and Alfredo Christiano. This show remains on view by appointment with the artists.

In The Factory’s gallery space was the group exhibition Medium (images below).

Oil paintings by Luke Vest

Laurent Waldron “Road Killer”, 2023, Latex and acrylic paint, rubber tire and “Last Rodeo” 2023, Acrylic paint, wirebrush frame

At the Florida Wildlife Corridor’s gallery space Wild Space is Mickett/Stackhouse Studio’s Circle of Water, a collection of paintings, drawings, and video by artists Carol Mickett and Robert Stackhouse continuing their explorations of environmental issues. This exhibition will remain on view until 1/13/24.

Work by Mickett/Stackhouse Studio– “Mitigation Paintings: Green Shade Oak, Whale Pump, Mangrove Family, Mangrove Sea Wall, Green Swamp, Green Swamp Aqua Feeder, Whale Pump & Plankton, Shade Oak”, Watercolor on paper

About the above by the artists-

Mitigation Paintings further explore the ways in which natural resources can help to remedy and even forestall the damages of climate change. The swamps, whales and trees depicted are all “carbon sink,” in other words they absorb CO2, among their other contributions.

Work by Mickett/Stackhouse Studio at Wild Space Gallery

Oct 072023
 

Emiliano Settecasi, “Baby Blue Blowers”, 2023, faux fur, metallic fringe, box fans, wood

Jessica Caldas, “I come honouring your power (Clytemnestra)”, 2023, house linens, poly fiber fill, house patterned quilt, fabricated structures from gifted furniture, fabric wallpaper, found and embellished light fixture

Saumitra Chandratreya, “Throne”, 2022, Cyanotype on sateen, hand embroidery

Touchy/Feely at Hillsborough Community College’s Gallery 221 in Tampa has a lot of great interactive (and non-interactive work) on view. The three artists in the exhibition- Jessica Caldas, Saumitra Chandratreya, and Emiliano Settecasi– have contributed work that explores important themes while also adding an element of fun by allowing the viewer to become actively involved in the show.

The Curatorial Statement by Alyssa Miller-

Art touches you, and sometimes you get to touch it back. Challenging conventional gallery manners, Touchy/Feely encourages visitors to assume the role of participant by handling and manipulating several of the works on view. Contemporary fiber artists disrupt the long-held distinction between art and craft, blending the conceptual with the experiential in a highly tactile medium. In Touchy/Feely, artists Jessica Caldas, Saumitra Chandratreya, and Emiliano Settecasi go one step further in collapsing the space between artist and viewer, exploring themes of labor, motherhood, relationships, conscious choice, and joy through fiber art that both holds and is held.

So much of art and history is exhibited at a distance, close enough to see but never touch. Whereas engaging with the nature of textiles can be familiar, exciting, and sensational. Combinations of art and cloth have a long and fraught history within contemporary art, such as the novelty of interactive exhibitions that can become a commodity in contemporary museums. Ogled and beaten become the play spaces, tarnished and brassy the sculptures, worn and bruised the forms become overtime through the nature of interaction. Touchy/Feely aims to be a space in between museum rules and contemporary art photo-ops. Here, artists display a mix of interactive and static artwork that exemplifies intense feeling, encouraging the viewer to make decisions in real time, and submerge themselves in something they did not expect.

Ultimately, this exhibition satisfies my urge to explore, manipulate, caress, and experience art in a way not many individuals are able to do. In working behind the scenes, I am allowed to safely satisfy my interest in exploration. I will forever be grateful to the HCC Art Galleries team for their dedication to students, staff, and artists for this exhibition and the work they do year-round. I hope that visitors come away from this exhibition with a new experience, perspective, feeling, or sensation.

This exhibition closes on 10/12/23.

Jessica Caldas, “A name can be in a lot of places at once (Helen)”, 2023, house linens, crochet, fabricated structures from gifted furniture, polymer clay, yarn, polyfiber fill, fake pearls, and ceramic

Emiliano Settecasi, “Neon Green Furry Shelf”, 2023, faux fur, plywood, metal brackets; “Hand Bags (Purple)”, 2023 velvet Velour, polypropylene pellets; “Inman Ottoman”, 2023, ottoman reupholstered with vintage fabric that matches family chairs; Hand Bags (Merlot), 2023

Oct 042023
 

Mark Georgiades, “Ghost of the Abandoned Bride”, Metal Steel and copper

Shelly Steck Reale, “The Fate You Choose”, Ceramic, wood, moss

Spooky season has begun and Florida CraftArt’s current exhibition Ghost Stories, curated by Catherine Bergmann (Curatorial Director of Dunedin Fine Art Center), is a perfect way to start celebrating.

The following artists are featured in the exhibition: Alegrobot, Demeree Barth, Karen Brown, Wendy Bruce, Joyce Curvin, Creative Clay, Coralette Damme, Katie Deits, Ed Derkevics, LA Finfinger, Eric Folsom, Janet Folsom, Mark Georgiades, Kristina Gintautiene, Erin Griffin, Cort Hartle, Judy Heady, Emma Hobbs, Pam Jones, Polly Johnson, Tyler Jones, Janna Kennedy, Traci Kegerreis, Betsy Lester, Cindy Linville, Richard Logan, Trent Manning, Francine Michel, Elizabeth Neily, Jacqueline Philip, Nick Reale, Shelly Steck Reale, Christine Renc-Carter, Jennifer Rosseter, Addie Rodriguez, Cooky Schock, Donna Slawsky, and Brandy Stark.

On Thursday, 10/5/23, in partnership with Keep St. Pete Lit, a group of local writers will be telling ghost stories at the gallery inspired by pieces from the exhibition. The reading will take place at 6pm.

Below are a few more selections-

Work by Alegrobot, Hand sculpted paper clay, acrylic paint

Janet Folsom, “Apparitions”, Mixed media (top left); Eric Folsom, Gravestone, bronze on marble; Donna Slawsky, (top right) “The Devil’s Work”, Stained glass, beads, and Creative Clay, Stephanie,(bottom right) “Monkey Dreams”, Mixed Media

About Creative Clay, who contributed several works to the exhibition-

“Creative Clay achieves its mission by providing ongoing studio arts workshops for individuals with disabilities five days per week. Creative Clay teaching artists provide students with education and experience in artistic techniques, as well as vocational skills related to the display, promotion, and sale or their expressive work.”

Katie Deits, “Haunted by the Past”, Ceramic, cotton, pencil, acrylic paint (left) and Nick Reale, “Out of the Wood” wood sculpture

Francine Michel “Mysteries of Urraca Mesa”, Water mixable oil, collage

Ed Derkevics, “Burnt Offerings”- “3 Potions” and “Jagged”- Mixed Media, recycled found objects

Janna Kennedy, “Souls and Pharmaseuticles”, 1800s Cabinet Cards, 1902 Pharmacy Ledger & Medical Ads, 19th Century Medicine Bottles

Kristina Gintautiene, “Slava”, Birch cradle board, Tissue paper, wax, oil pigments

LA Finfinger, Ghost Ceramic work (bottom left); Alegrobot, “(For the Record) he ordered the special”, Vinyl record, paper clay; Traci Kegerreis, “The Lost Lenore”, Mixed media (center top); Demeree Barth, “Remembering Sedlec Ossuary”, Clay, bullet casings, wood display stand, found objects (bottom right)

 

Sep 292023
 

Christina Bothwell, “Spirit Animal”, 2014, Cast glass, ceramic, oil paint

Christina Bothwell and Robert Bender “Cloud Pillow”, 2016, Cast glass, ceramic, oil paint

Karen LaMonte, “Etude 11”, Cast glass

Leah Wingfield and Steve Clements, “Low Winter Sun, Shadow III”, 2016, Cast glass

K. William LeQuier, “Synergy 2”, 2017, Cut and sandblasted glass

Above are some of the amazing glass works from a 2021 visit to Imagine Museum in St. Pete, Florida. For more work by artists Christina Bothwell, Robert Bender, Karen LaMonte, Leah Wingfield, Steve Clements, and K. William LeQuier, head to the links in this post.

This weekend (9/30 and 10/1) you can visit the museum for $5 (normally $15).

Sep 282023
 

“System of (architecture)” 2023, (black) and “System of (emotion)”, 2023, (pink), Stoneware and glazes

“Line, Dot, Squiggle (a search for something more)”, 2022, Micron, colored pencil, silver leaf, vellum and colored porcelain on paper

“Line, Dot, Squiggle (a search for something more)”, 2022, (detail)

Pictured above are some of the works from Iren Tete’s exhibition systems of (entanglement) at Art Center Sarasota. These engaging sculptures (and one mixed media work) explore the various systems that surround and influence our daily lives.

The artist’s statement about the exhibition-

things fold and unfold
meander, bend, and twist
until they become other things

We make deliberate and accidental choices which result in further deliberate and accidental choices. This evolves into a network of choices, a system leading from present to future, defined by scientific reasoning yet clouded by emotional irrationality.

Systems surround us, and perhaps even define us. Systems of (entanglement) navigates, questions, and tenderly accepts these systems –

systems of thought

systems of architecture

systems of gravity

systems of language

systems of emotion

systems of logic

systems of history

systems of memory

systems of time

systems of

I engage with these numerous systems while making. My thoughts oscillate between those of simple actions – pinch, coil, squeeze- to those of things that are infinitely complex and a part of something else – such as time. These separate systems interconnect and grow into something bigger that is a part of the entangled network of systems where one thing becomes another.

This exhibition will close on 9/30/23

Sep 282023
 

“Paolo and the Bomb”, 2023, Assemblage of diverse materials

“Lions Escape from the Zoo or Portrait of Andy Kaufman”, 2023, Assemblage of diverse materials

Center work- “Hive, Helmet, and Butter Brick”, 2023, Assemblage of Diverse Materials

“Colossus in Repose”, 2023, Assemblage of diverse materials

“All Their Friends Are Rabbits”, 2023, Assemblage of diverse materials

After visiting Ry McCullough in his studio back in May to see what he was working on, I was very excited to finally see his exhibition SUPERPOSITIONS at Art Center Sarasota. His mixed media sculptures capture the imagination as the viewer imagines the connections between the objects in the work. The titles provide often humorous clues, but make sure to check out his Instagram for more background on his inspirations.

About the work from the center-

McCullough’s practice engages the fields of printmaking, creative writing, drawing, sound, and sculpture to create unique systems that probe the margins and boundaries of how art crafts language and communicates meaning. Using these systems of making as a guide for a range of media processes, they articulate parameters that can expand or collapse, generating opportunities for discovery in thematic investigations of the philosophical, abstract, and fluid state of being across time and space. SUPERPOSITIONS is inspired by an affection for the traditions of still life, modernist abstraction, and humor.

Artist Statement-

The SUPERPOSITIONS project comprises works of collage, sculpture, and wall-bound hybrids that exist between two-dimensional and three-dimensional space. The tension between these two spatial expressions is celebrated within this project through the playful application of collage. More than a tradition of material operations, McCullough views collage as a bundle of behaviors, a toolbox, and a signifier of fragmentation that forms an ethos of revision and reorganization.

McCullough is attracted to humble materials such as plywood and paper, concrete and plaster, foam and found things, essential stuff that requires intervention to establish meaningful presence through the relations it forms to other components in each work. The formal language is idiosyncratic; combinations of hard and soft edges, geometric and organic form, and a buffet of color with a penchant for balance. These works are propelled by the forces of potential change, by the energies of process, and by developing a poetic and clumsy status of unfinishedness.

This exhibition closes on Saturday, 9/30/23.